{"title":"Blackmagic Design UltraHD Special Sale","description":"\u003ch2\u003eBlackmagic Design UltraHD Special Sale\u003c\/h2\u003e\r\n\u003cp\u003eShop the Blackmagic Design UltraHD Special Sale at Videoguys Australia from 8 to 30 September 2026. The promotion includes 16 selected products across professional video production, live switching, recording, streaming, signal processing and routing categories, with each listed product discounted by 25%.\u003c\/p\u003e\r\n\u003ch3\u003ePromotion details\u003c\/h3\u003e\r\n\u003cp\u003eThe selected range includes Blackmagic Design ATEM live production switchers, HyperDeck recorders, PYXIS cinema cameras, Studio Camera, streaming encoders and decoders, signal conversion equipment and an Ultimatte compositing processor. Browse the collection to compare the included models and their individual promotion prices. The offer ends on 30 September 2026, and availability should be checked for each product.\u003c\/p\u003e\r\n\u003ch3\u003eExplore more\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/videoguys.com.au\/collections\/blackmagic-design\"\u003eBlackmagic Design\u003c\/a\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/videoguys.com.au\/collections\/atem-live-production-switchers\"\u003eATEM Live Production Switchers\u003c\/a\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/videoguys.com.au\/collections\/disk-recorders-and-storage\"\u003eDisk Recorders and Storage\u003c\/a\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/videoguys.com.au\/collections\/professional-cameras-accessories\"\u003eProfessional Cameras \u0026amp; Accessories\u003c\/a\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/videoguys.com.au\/collections\/streaming-media-solutions\"\u003eStreaming Media Solutions\u003c\/a\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"https:\/\/videoguys.com.au\/collections\/signal-processing-distribution\"\u003eSignal Processing \u0026amp; Distribution\u003c\/a\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eFrequently asked questions\u003c\/h3\u003e\r\n\u003ch4\u003eWhen does the Blackmagic Design UltraHD Special Sale run?\u003c\/h4\u003e\r\n\u003cp\u003eThe promotion runs from 8 September 2026 to 30 September 2026.\u003c\/p\u003e\r\n\u003ch4\u003eWhat is the discount during the promotion?\u003c\/h4\u003e\r\n\u003cp\u003eEach of the 16 selected products in this promotion is listed at 25% off.\u003c\/p\u003e\r\n\u003ch4\u003eWhich Blackmagic Design products are included?\u003c\/h4\u003e\r\n\u003cp\u003eThe promotion includes selected ATEM switchers, HyperDeck recorders, PYXIS cinema cameras, Studio Camera, streaming equipment, signal conversion equipment and an Ultimatte compositing processor.\u003c\/p\u003e\r\n\u003ch4\u003eHow many products are included in the sale?\u003c\/h4\u003e\r\n\u003cp\u003eThe verified promotion range contains 16 selected Blackmagic Design products.\u003c\/p\u003e\r\n\u003ch4\u003eAre all sale products currently in stock?\u003c\/h4\u003e\r\n\u003cp\u003eAvailability is provided for each product and should be checked individually before ordering.\u003c\/p\u003e\r\n\u003ch3\u003ePromotion summary\u003c\/h3\u003e\r\n\u003cp\u003eThe Blackmagic Design UltraHD Special Sale at Videoguys Australia runs from 8 to 30 September 2026. It offers 25% off 16 selected products, including professional cameras, ATEM switchers, HyperDeck recorders, streaming equipment, signal converters and routing equipment.\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-hyperdeck-studio-4k-pro","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"\u003ch2\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Studio 4K Pro\u003c\/strong\u003e is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, 10G Ethernet, and a speaker on the front.\u003c\/p\u003e\n\u003cp\u003eThe Studio 4K Pro records uncompressed video with 10-bit 4:2:2 colour using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e\n\u003cp\u003eThe Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e\n\u003cp\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e\n\u003cp\u003eAll models record H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e\n\u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for a jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-colour thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/div\u003e\n\u003cp\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e\n\u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e\n\u003cp\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, the recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e\n\u003cp\u003eIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e\n\u003cp\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e\n\u003cp\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/p\u003e\n\u003cp\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e\n\u003cp\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e\n\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\n\u003cp\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colour spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real-time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44642106016003,"sku":"HYPERD\/ST\/DG4P","price":1899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/hyperd-st-dg4p_1_489eed5f-5535-454b-a5b3-22a35efdbe7e.jpg?v=1745866805"},{"product_id":"blackmagic-design-hyperdeck-extreme-4k-hdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003ch2\u003eBlackmagic Design HyperDeck Extreme 4K HDR\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design HyperDeck Extreme 4K HDR\u003c\/strong\u003e features the trusted reliability of HyperDeck combined with new innovations such as space-saving H.265 files, optional internal cache, 3D LUTs and HDR support. With the ability to record up to 4K in H.265, customers get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of their recording as well as control overall deck settings. Customers can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.\u003cbr\u003e\u003cbr\u003eHyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. HyperDeck Extreme also includes 2 media slots, 12G-SDI, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on-location use.\u003cbr\u003e\u003cbr\u003eWith its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO camera. The analog inputs allow customers to record from old videotapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built-in scopes and 3D LUTs. The scopes also help customers' QA masters to ensure compliance with broadcast standards before streaming and broadcasting.\u003cbr\u003e\u003cbr\u003eThe innovative touch LCD user interface provides incredible control. On-screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs.\u003cbr\u003e\u003cbr\u003eCFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording.\u003cbr\u003e\u003cbr\u003eSometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, the recording will continue to the cache until it’s swapped.\u003cbr\u003e\u003cbr\u003eCustomers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built-in scopes even change to HDR scopes when working in HDR formats. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built-in HyperDeck Extreme HDR LCD colour gamut can even handle 100% of the DCI-P3 format.\u003cbr\u003e\u003cbr\u003eHyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high-end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of colour at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. The histogram shows the distribution of white to black detail in their images and highlights or shadows clipping.\u003cbr\u003e\u003cbr\u003eH.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X.\u003cbr\u003e\u003cbr\u003eWith 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. It uses an easy text-based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP are used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.\u003cbr\u003e\u003cbr\u003e\"The new HyperDeck Extreme 4K HDR will offer customers a modern design with traditional broadcast controls that allow them to record native 4K in H.265,\" said Grant Petty, Blackmagic Design CEO. \"There are so many features that this advanced record and playback deck is the perfect solution for the next generation of broadcast, live production and digital signage!\"\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44642594783491,"sku":"HYPERD\/RSTEX4KHDR","price":3559.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/hyperd-rstex4khdr_2_6d6a6684-b93b-4a5e-ba8e-cc5db8631ed5.jpg?v=1748460616"},{"product_id":"blackmagic-design-ultimatte-12-4k-keyer-advanced-compositing-processor","title":"Blackmagic Design Ultimatte 12 4K Keyer Advanced Compositing Processor","description":"\u003ch2\u003eBlackmagic Design Ultimatte 12 4K Keyer Advanced Compositing Processor\u003c\/h2\u003e\u003cp\u003eUpgrade your real-time compositing for keying live-action video with the \u003cstrong\u003eUltimatte 12 Keyer Advanced Compositing Processor \u003c\/strong\u003efrom \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. This latest version of the Ultimatte 12 adds 12G-SDI connectivity to advanced algorithms, improved spill suppression, colour science and separation, and excellent colour fidelity to help create truly photorealistic composites.\u003c\/p\u003e\n\u003cp\u003eThe Ultimatte 12 works in Ultra HD \u0026amp; HD with sub-pixel processing for an improved image. Designed for news, sports, and other types of production, this versatile unit offers realistic augmented reality layers and one-touch auto-keying. This 1 rack unit processor does not include the required Ultimatte Smart Remote 4.\u003c\/p\u003e\n\u003cp\u003eUses new algorithms and colour science, improved edge handling, colour separation, colour fidelity, and spill suppression to create photorealistic composites in UHD 4K and HD, all in real-time.\u003c\/p\u003e\n\u003cp\u003eDesigned for news, sports, narrative film and television, and entertainment productions using fixed cameras, static backgrounds, or virtual set systems. The ability to layer augmented reality objects enables talent to pre-visualize virtual sets when using a green screen.\u003c\/p\u003e\n\u003cp\u003eNew technology enables the Ultimatte 12 to add accurate keying parameters to multiple cameras, accounting for slight variations between the camera positions.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44642949857539,"sku":"ULTMKEY12\/C\/4K","price":3169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ultmkey12-c-4k_1_3869accc-84b0-4eb1-a7a9-01baedcd5de5.jpg?v=1748467703"},{"product_id":"blackmagic-design-studio-camera-4k-pro-g2","title":"Blackmagic Design Studio Camera 4K Pro G2","description":"\u003ch2\u003eBlackmagic Design Studio Camera 4K Pro G2\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Studio Camera 4K Pro G2\u003c\/strong\u003e now enables live streaming in addition to professional connectors like 12G-SDI and 10GbE Ethernet and was designed to operate seamlessly with strong SDI video switchers. The 12G-SDI output and programme return provide camera control, talkback, and tally functionalities, and the Ethernet connection enables you to set up an SMPTE-style workflow utilising a more cheap single-cable setup with PoE (power over ethernet). This most recent 4K Pro model keeps the predecessor's XLR audio, Blackmagic Raw recording, HDR capability, 7\" touchscreen monitor, HDMI output, and Micro Four Thirds lens mount.\u003c\/p\u003e\n\u003cp\u003eThe advantages of a large studio camera are condensed into a single, portable design by the Blackmagic Studio Camera 4K Pro G2. Its thin, lightweight carbon fibre-reinforced polycarbonate body offers cutting-edge technologies in a compact form. The camera's huge 7\" viewfinder makes it simple to monitor and frame shots because it is made for live production. Your switcher, software, touchscreen menus for camera settings, and knobs for brightness, contrast, and focus peaking are all available for control. Your setup is sped up by the accompanying tripod mount with 15mm LWS rod ports and mounting plate.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 model is built for use with powerful SDI switcher processes and features 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs. HDMI with tally, camera control, a record trigger, headphone and mic connectors including dual XLR ports, and two USB Type-C expansion ports are just a few of the interfaces made for both broadcast and consumer components. Your setup will be quicker and more economical thanks to the 10G Ethernet, which enables all video, tally, talkback, and camera power over a single connection.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 has built-in live streaming, so you can use it as a remote camera anywhere in the globe and produce an H.264 live feed that is broadcast over the internet back to your studio. Even better, you can use one of the USB-C ports on your 4G or 5G smartphone to back up your Ethernet link. An ATEM Streaming Bridge that also provides tally, talkback, and camera control converts the live feedback to video in the studio.\u003c\/p\u003e\n\u003cp\u003eWith gain ranging from -12 dB (100 ISO) to +36 dB (25,600 ISO), the Blackmagic Studio Camera 4K Pro G2 is designed to minimise grain and noise in images while preserving the whole dynamic range of the sensor. The recommended native ISO for use in studio lighting is 400. While photographing in dimly lit settings, the secondary high-base ISO of 3200 is ideal. By using the SDI or Ethernet remote camera control, the gain can be adjusted directly from the camera or remotely from a switcher.\u003c\/p\u003e\n\u003cp\u003eYou may create cinematic images for live production using the incredible 4K sensor in combination with Blackmagic generation 5 colour science, which is the same imaging technology used in digital film cameras. Also, you obtain far better photos than with straightforward broadcast cameras when you combine them with the integrated DaVinci Resolve primary colour corrector. Even the switcher itself can be used to regulate the colour corrector. The Studio 4K Pro G2 camera's 13 stops of dynamic range results in darker blacks and brighter whites, making it ideal for colour correction. The sensor's 4096 x 2160 resolution makes it ideal for both HD and Ultra HD operations. Moreover, all models offer frame rates of 23.98 to 60.\u003c\/p\u003e\n\u003cp\u003eThe Studio Camera 4K Pro G2 is compatible with a large selection of reasonably priced photographic lenses thanks to the well-liked MFT lens mount. The fact that photographic lenses are made for use in high-resolution photography accounts for their extraordinary quality. Moreover, the active lens mount enables remote lens adjustment. With the optional focus and zoom demands, you can adjust a suitable lens from the tripod handles, just like a huge studio camera, eliminating the need to reach around to adjust them. By doing this, you may follow pictures and use the camera without taking your hands off the tripod and avoiding camera shake when adjusting the lens. It has the same sensation as a pricey B4 broadcast lens.\u003c\/p\u003e\n\u003cp\u003eThe enormous 7\" high-resolution screen will significantly simplify framing photographs and completely change how you operate the camera. The HDR display on the Pro model has a tremendous amount of brightness, making it ideal for use outside in broad sunshine. On-screen overlays display information such as levels, frame guides, the histogram, focus peaking indicators, status and record settings, and more. Even 3D LUTs can be used to monitor shots with the appropriate colour and appearance. The touchscreen contains menus as well, and you may load and modify presets for certain tasks. 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Featuring the same powerful features as the ATEM 4 M\/E Constellation HD, this new 4K model has 24 x 12G-SDI aux outputs, 16 upstream ATEM advanced chroma keyers, 4 downstream keyers, 4 Ultra HD media players, 2 SuperSource processors and more.\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so customers can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections.\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers are ideal for concerts and music festivals because customers can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and DVEs that let customers build multi-layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and lots of ATEM advanced chroma keyers, customers get everything customers need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew.\u003c\/p\u003e\n\u003cp\u003eWith a control panel built into the front panel, customers can simply walk up and operate the ATEM Constellation at any time. Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. Customers can even control keyers, media and fade to black from the front panel. 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This means customers can use it in small venues that don't have the access for equipment racks or broadcast vans. Customers get a powerful switcher with 8 standards converted 12G-SDI inputs, 10 x 12G-SDI aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage.\u003c\/p\u003e\n\u003cp\u003eThe ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. Customers also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD.\u003c\/p\u003e\n\u003cp\u003eWith 8 SDI video inputs, ATEM Television Studio lets customers connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and customers don't have to worry about technical problems.\u003c\/p\u003e\n\u003cp\u003eCustomers can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. Customers can even add a DVE for picture in picture effects with customized graphics. 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Designed for powerful live event UHD 4K switching, the unit features 20 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to 12 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. 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Designed for powerful live event UHD 4K switching, the unit features 10 individual 12G-SDI inputs that support 12G\/3G\/HD-SDI signals and deliver them to six 12G-SDI outputs or webcam USB-C output. In addition, the switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. 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It is designed for desktop use and features intuitive physical controls, a precision-machined metal search dial, and a large 7-inch HDR touchscreen that offers monitoring and complete control, including scopes, media status, timecode, and audio meters. Whether you're recording, reviewing, or playing back content, the HyperDeck Shuttle 4K Pro provides an efficient and tactile experience that feels like a traditional broadcast deck, now with modern functionality and network integration.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"794\" data-end=\"1488\"\u003eSupporting 12G-SDI and HDMI 4K video connections, the HyperDeck Shuttle 4K Pro records in Apple ProRes, DNx, and highly efficient H.264 and H.265 formats. With broad format compatibility—including NTSC, PAL, 720p, 1080p\/i, PsF, and full 2160p Ultra HD—it's suited for virtually any broadcast or streaming application. Users can record directly to internal M.2 flash storage or external USB-C drives or even capture footage straight to network storage thanks to the built-in 10G Ethernet. This robust connectivity makes integrating the HyperDeck Shuttle into larger post-production workflows easy, with multiple editors, colourists, and VFX artists accessing the same footage in real time.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"1490\" data-end=\"2054\"\u003eThe device also functions as a network storage solution, enabling seamless remote collaboration. Its integration with Blackmagic Cloud allows media files to be synced globally, making it ideal for distributed editing teams using DaVinci Resolve or other creative applications. H.265 proxy files can be uploaded and shared even while recording is in progress, allowing remote editors to start work immediately—without waiting for the main file to finish. This makes the HyperDeck Shuttle 4K Pro a recorder and a hub for global production environments.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"2056\" data-end=\"2653\"\u003eRegarding visual monitoring and compliance, the HyperDeck Shuttle 4K Pro shines with its built-in waveform monitoring tools, including waveform, vectorscope, RGB\/YUV parade, histogram, and HDR scopes. The bright 7-inch touchscreen supports Rec. 709 and Rec. 2020 colour spaces and can display 100% of the DCI-P3 gamut, ensuring accurate colour representation in both SDR and HDR formats. The device automatically detects and tags HDR content using standards like PQ and HLG (ST2084), while scope overlays and customizable picture-in-picture views make signal analysis intuitive and immediate.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"2655\" data-end=\"3117\"\u003eAnother powerful feature is the advanced metadata management system. The digital slate interface allows users to add and manage metadata quickly by swiping on the touchscreen. Take auto-increment and reel numbers that can be assigned automatically when formatting cards. All metadata is embedded into the recorded files and recognised by DaVinci Resolve, which can be used to organize footage into source tapes for efficient post-production workflows.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"3119\" data-end=\"3628\"\u003eThe HyperDeck Shuttle 4K Pro is packed with practical features from connectivity to usability. It includes a 12V DC power input, a USB-C expansion port, an SD\/UHS-II card slot, and full remote control functionality via Ethernet. Users can upload or transfer media through a browser or FTP, while the REST API enables advanced automation. With support for ExFAT and HFS+ file systems, cross-platform compatibility is seamless, and long-form events can be captured as a single video file without interruptions.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":46725863407875,"sku":"HYPERD\/PTSKD","price":1719.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/HYPERD_PTSKD_2.jpg?v=1763429022"},{"product_id":"blackmagic-design-hyperdeck-shuttle-4k-pro-2tb","title":"Blackmagic Design HyperDeck Shuttle 4K Pro 2TB","description":"\u003ch2\u003eBlackmagic Design HyperDeck Shuttle 4K Pro 2TB\u003c\/h2\u003e\u003cp class=\"\" data-start=\"125\" data-end=\"792\"\u003eThe \u003cstrong data-start=\"129\" data-end=\"175\"\u003eBlackmagic Design HyperDeck Shuttle 4K Pro 2TB\u003c\/strong\u003e is a next-generation live media player and master recorder, purpose-built for professional broadcast and post-production workflows. It is designed for desktop use and features intuitive physical controls, a precision-machined metal search dial, and a large 7-inch HDR touchscreen that offers monitoring and complete control, including scopes, media status, timecode, and audio meters. Whether you're recording, reviewing, or playing back content, the HyperDeck Shuttle 4K Pro provides an efficient and tactile experience that feels like a traditional broadcast deck, now with modern functionality and network integration.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"794\" data-end=\"1488\"\u003eSupporting 12G-SDI and HDMI 4K video connections, the HyperDeck Shuttle 4K Pro records in Apple ProRes, DNx, and highly efficient H.264 and H.265 formats. With broad format compatibility—including NTSC, PAL, 720p, 1080p\/i, PsF, and full 2160p Ultra HD—it's suited for virtually any broadcast or streaming application. 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The digital slate interface allows users to add and manage metadata quickly by swiping on the touchscreen. Take auto-increment and reel numbers that can be assigned automatically when formatting cards. All metadata is embedded into the recorded files and recognised by DaVinci Resolve, which can be used to organize footage into source tapes for efficient post-production workflows.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"3119\" data-end=\"3628\"\u003eThe HyperDeck Shuttle 4K Pro is packed with practical features from connectivity to usability. It includes a 12V DC power input, a USB-C expansion port, an SD\/UHS-II card slot, and full remote control functionality via Ethernet. Users can upload or transfer media through a browser or FTP, while the REST API enables advanced automation. 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It features a native, active Leica L lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customizable side plates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge-Format Digital Film Sensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Film Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\n\u003cp\u003eHDR Imagery and Dual-Native ISO\u003c\/p\u003e\n\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomisable Rigging\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLCD Monitor and Onboard Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003cbr\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost-Production-Friendly Formats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and color control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Recording Options\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Syncing to Blackmagic Cloud\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files. \u003c\/li\u003e\n\u003cli\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-In Streaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. 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Optimized for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimizing grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003cp\u003eOptional Pro Handle and Pro Grip\u003c\/p\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomisable Rigging\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminum, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLCD Monitor and Onboard Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003cbr\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. 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It seamlessly integrates with various Blackmagic Design cameras, including the Blackmagic Studio Camera Pro, PYXIS, URSA Cine, and URSA Broadcast G2, all equipped with built-in streaming capabilities. This eliminates the need for additional hardware, enabling point-to-point video transmission directly from the camera to remote locations.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"641\" data-end=\"1265\"\u003eWith a 12G-SDI reference input, the Streaming Decoder 4K also supports the return of SDI tally, camera control, and talkback signals to the encoder, making it a vital component for live production workflows. Both the front and rear panels of the decoder feature USB-C connectivity, allowing for tethering to high-speed 5G or 4G phones. In case of internet failure, the decoder automatically switches to the phone’s data connection, ensuring uninterrupted streaming. 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Additionally, it provides SDI and HDMI monitor outputs for real-time monitoring. The encoder’s 2.2\" LCD screen allows users to easily monitor video, audio, status, and menu settings. At the same time, the rear-panel USB-C port can connect the device as a webcam to a computer.\u003c\/p\u003e\n\u003cp class=\"\" data-start=\"1459\" data-end=\"1721\"\u003eThe front panel includes six tactile buttons and a spin knob for easy control, making it user-friendly for live production settings. 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