{"title":"Deals Over $450","description":"\u003cp\u003e\nDiscover our premium collection of creator and tech gear priced over $450. This range includes high-performance cameras, lighting systems, audio tools, monitors and professional accessories designed for filmmakers, content creators, educators and studios seeking reliable, high-quality equipment. Updated automatically as new offers arrive at Videoguys Australia.\n\u003c\/p\u003e\n\n\u003ch3\u003eWhat you’ll find in Deals Over $450\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eEntry-level and mid-range cameras for video, photography and hybrid content creation\u003c\/li\u003e\n  \u003cli\u003eStudio-quality microphones, audio interfaces and wireless recording systems\u003c\/li\u003e\n  \u003cli\u003eLED lighting panels, RGB lights and soft lights for professional video production\u003c\/li\u003e\n  \u003cli\u003eLarge-capacity SSDs, fast CFexpress and SD cards for 4K and 6K workflows\u003c\/li\u003e\n  \u003cli\u003eHigh-end accessories such as monitors, cages, power systems and stabilisers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIdeal for creators ready to upgrade\u003c\/h3\u003e\n\n\u003ch4\u003eCameras and imaging\u003c\/h4\u003e\n\u003cp\u003e\nProducts in the over-$450 range provide a noticeable leap in quality and capability. This includes entry-level hybrid cameras, advanced compacts and essential video accessories designed for professional content creation.\n\u003c\/p\u003e\n\n\u003ch4\u003eLighting and studio tools\u003c\/h4\u003e\n\u003cp\u003e\nThis tier features continuous LED lighting systems and soft-light solutions commonly used in corporate, educational and small studio environments. These tools deliver improved brightness, colour accuracy and versatility.\n\u003c\/p\u003e\n\n\u003ch4\u003eAudio and wireless systems\u003c\/h4\u003e\n\u003cp\u003e\nWireless microphone kits, premium shotgun mics and compact recorders in this category offer increased clarity, range and reliability — ideal for interviews, filmmaking, broadcast and commercial content.\n\u003c\/p\u003e\n\n\u003ch3\u003eWhy shop premium gear with Videoguys Australia?\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExpert guidance:\u003c\/strong\u003e Our team tests and supports the gear we sell, helping you choose the right upgrade for your workflow.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenuine Australian stock:\u003c\/strong\u003e Full local warranties and after-sales support.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFast dispatch:\u003c\/strong\u003e Orders ship quickly from our Notting Hill, VIC warehouse to customers nationwide.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCarefully curated:\u003c\/strong\u003e Only gear that offers strong performance and long-term value is included in this tier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\nBrowse the full selection of \u003ca href=\"\/collections\/deals-over-450\"\u003eDeals Over $450\u003c\/a\u003e to find premium upgrades for video, photography, streaming and studio production. Our team is here to help you select the right equipment for your needs.\n\u003c\/p\u003e","products":[{"product_id":"sony-fe-50mm-f-1-4-gm-lens-sony-e","title":"Sony FE 50mm f\/1.4 GM Lens (Sony E)","description":"\u003ch2\u003eSony FE 50mm f\/1.4 GM Lens (Sony E)\u003c\/h2\u003e\u003cp\u003eOffering the latest in lens technology, the Sony FE 50mm f\/1.4 GM Lens is designed with sophisticated elements and advanced optics to provide uncompromising image quality for still and video shooters alike. A member of the esteemed G Master lens family, this versatile normal-length prime provides a natural field of view, allowing you to create memorable images to last a lifetime. An excellent choice for everyday use, this lens also includes a fast and precise autofocus system in a lightweight and compact design making it convenient to take with you everywhere you go.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eG Master Resolution and Bokeh \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo XA (extreme aspherical) elements minimize aberrations and distortions while also providing outstanding resolution and sharpness.\u003c\/li\u003e\n\u003cli\u003eOne ED (extra-low dispersion) glass element effectively eliminates chromatic aberration and color fringing to produce a high degree of clarity and color accuracy.\u003c\/li\u003e\n\u003cli\u003eApplied to specific elements, a Nano AR Coating II greatly reduces reflective light to decrease ghosting and flare for increased contrast and color accuracy in strong lighting conditions.\u003c\/li\u003e\n\u003cli\u003eBright f\/1.4 maximum aperture provides a very shallow depth of field for pleasing background blur when using selective focus techniques.\u003c\/li\u003e\n\u003cli\u003eIdeal for portraits, a circular 11-blade aperture produces deep and dreamy bokeh.\u003c\/li\u003e\n\u003cli\u003eBeyond depth of field control and pleasing bokeh, the lens's f\/1.4 aperture also allows for handheld shooting in low-light conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-Performance Autofocus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaximizing the advantages of the latest camera bodies, two XD Linear Motors provide quick, quiet, and precise autofocus and subject tracking performance. Designed to enhance control for both still and movies, this design also provides natural manual focus control when desired. Located on the lens barrel, an AF\/MF switch enables tactile control for these settings.\u003c\/li\u003e\n\u003cli\u003eInternal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.\u003c\/li\u003e\n\u003cli\u003eMinimum autofocusing distance of 16\" allows for dynamic close-up images.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls and Functions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew for Sony primes, an iris lock switch prevents the aperture ring from being accidentally moved. This switch can also be unlocked allowing the aperture ring to rotate seamlessly and silently.\u003c\/li\u003e\n\u003cli\u003eBenefitting video applications, an easy-to-read aperture ring with f-stop engraving can be quickly de-clicked on the lens barrel for smooth and silent aperture control.\u003c\/li\u003e\n\u003cli\u003eTwo focus hold buttons are featured on the lens barrel for intuitive control and rapid access to select settings.\u003c\/li\u003e\n\u003cli\u003eTactile in its design, a Linear Response manual focus ring provides fine linear focus control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompact and Durable Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDespite its wide f\/1.4 maximum aperture, complex optical design, and inclusion of a high-performance AF system, this lens still manages to be compact and lightweight for everyday use, measuring 3.1 x 3.7\" and weighing just 18 oz.\u003c\/li\u003e\n\u003cli\u003eMeant for use in challenging conditions, this lens features dust and moisture-resistant construction. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount.\u003c\/li\u003e\n\u003cli\u003eFluorine coating on the front element repels water, oil, fingerprints, and contaminates while also making the lens easy to clean.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44639263129859,"sku":"SEL50F14GM","price":1989.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/sel50f14gm_4_56c0fceb-449c-477e-a442-a20482dfc429.jpg?v=1743266407"},{"product_id":"dji-mini-4-pro-drone-fly-more-combo-with-rc-2-controller","title":"DJI Mini 4 Pro Drone Fly More Combo with RC 2 Controller","description":"\u003ch2\u003eDJI Mini 4 Pro Drone Fly More Combo with RC 2 Controller\u003c\/h2\u003e\n\u003cp\u003eFly safer and farther than ever with the \u003cstrong\u003eDJI Mini 4 Pro Drone Fly More Combo with RC 2 Controller\u003c\/strong\u003e. Significant upgrades have been made to vision sensing and transmission range compared to the last generation. Instead of tri-directional, the Mini 4 Pro has omnidirectional obstacle avoidance for complete protection. Using OcuSync 4, the flight range is improved to 20km vs. the 12km of the Mini 3 Pro. Other new features include slower motion in 4K at 100 fps and complex route planning using ctiveTrack. The Mini 4 Pro remains beginner-friendly at roughly 249g with a host of automatic flight modes and true vertical shooting for social media-ready footage without post-processing.\u003c\/p\u003e\n\u003cp\u003eIncorporating omnidirectional obstacle avoidance for the first time in the series, the Mini 4 Pro is fully protected from accidents. It crashes with six fisheye and downward binocular vision sensors, a 3D ToF depth sensor, and a downward auxiliary light. The automatic avoidance is utilized by the advanced return to home feature, complex flight modes, such as MasterShots, and APAS (Advanced Pilot Assistance Systems) for smooth video capture.\u003c\/p\u003e\n\u003cp\u003eThe range is dramatically improved with OcuSync 4, allowing the Mini 4 Pro to transmit from up to 20km away, significantly improving the 7.5 miles of the Mini 3 Pro. Even at this range, live view quality is improved to 1080p60 for smoother footage.\u003c\/p\u003e\n\u003cp\u003eThe integrated camera of the Mini 4 Pro features a 1\/1.3\" sensor with 4K HDR support, dual native ISO, an f\/1.7 aperture, and large 2.4µm pixels—just like the Mini 3 Pro. Except with the Mini 4 Pro, you now have the benefit of slow motion at a stunning 4K resolution. The imaging system's aperture and pixel size allows a considerable amount of light to enter the sensor, helping to reduce noise for better-quality low-light footage. Images and videos can be captured from farther away with up to 4x digital zoom, and professionals will enjoy support for 10-bit D-Log M and HLG colour modes.\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":44639448203523,"sku":"CP.MA.00000735.04","price":1449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/5910877_1_ed6c64e0-d048-435a-9111-83c6f28b0251.jpg?v=1743267035"},{"product_id":"sony-a9-iii-mirrorless-camera-body-only","title":"Sony a9 III Mirrorless Camera (Body Only)","description":"\u003ch2\u003eSony a9 III Mirrorless Camera (Body Only)\u003c\/h2\u003e\u003cp\u003eLaying claim to the title of the world's first global shutter mirrorless camera, the \u003cstrong\u003eSony a9 III\u003c\/strong\u003e is a speedy and incredibly capable system for sports, wildlife, photojournalism, and much, much more. This revolutionary sensor technology raises the bar for full-frame imaging, including the ability to shoot raw continuously at up to 120 fps and enjoy flash sync up to the maximum shutter speed of 1\/80,000 second. Blending the functionality of this 24.6MP sensor with Sony's powerful BIONZ XR processor and AI Processing Unit results in a system that will provide unmatched performance for those looking for an incredibly responsive and reliable camera system.\u003c\/p\u003e\n\u003cp\u003eSony delivered the first full-frame global shutter mirrorless camera with the a9 III. Using a global shutter provides a leap in performance over the rolling shutter technology used for decades. A global shutter provides a near-instantaneous and simultaneous readout of all 24.6MP, eliminating skew and other artifacts that plagued rolling shutters. It also surpasses mechanical shutter technology in every way, making the physical shutter unnecessary in the a9 III.\u003c\/p\u003e\n\u003cp\u003eGlobal shutters help ensure consistent and uniform exposure across the entire frame in all lighting conditions. Flash sync is possible at any shutter speed the maximum of 1\/80,000 second. The simultaneous readout also prevents banding from certain light sources, such as fluorescent lighting. In a gym, outside, or with mixed artificial lighting, the a9 III will easily handle it.\u003c\/p\u003e\n\u003cp\u003eAlong with the key technology delivered by the sensor, the a9 III offers features new features to unlock the camera's full potential.\u003cbr\u003ePre-Capture: The a9 III can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.05-1.0 seconds. Upon pressing the shutter these images will be saved to the memory card.\u003cbr\u003eSpeed Boost: Not every shoot calls for the a9 III's impressive max speed of 120 fps. With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 120 fps.\u003c\/p\u003e\n\u003cp\u003eWhile video benefits greatly from the use of global shutter technology, shutter and banding artifacts are completely eliminated-the, a9 III boasts plenty of other video improvements over its predecessor worth talking about.\u003c\/p\u003e\n\u003cp\u003eThe a9 III captures and downsamples the full 6K image area to produce high-quality UHD 4K video up to 60 fps. It can also record 4K up to 120 fps with no crop.\u003cbr\u003eRecord 10-bit 4:2:2 internally using All-I encoding for maximum quality.\u003cbr\u003eOutput 16-bit raw via the full-size HDMI port to a compatible external recorder.\u003cbr\u003eS-Log3, S-Cinetone, and other Picture Profiles are available for optimizing the image for your workflow and production environment.\u003c\/p\u003e\n\u003cp\u003eWith a new generation of Alpha-series cameras come some slight tweaks and modifications designed to make the operation of the system more ergonomic. The a9 III features a handful of updates:\u003c\/p\u003e\n\u003cp\u003eAddition of C5 custom button to the front of the camera body.\u003cbr\u003eContinuous shooting mode dial can now be disabled and shooting speed can be adjusted in the menu.\u003cbr\u003eEnhanced grip and the shutter button has been slightly moved to provide a more ergonomic experience.\u003cbr\u003eDual CFexpress Type A\/SD card slots provide versatility, allowing users to use existing media or pick up the faster CFexpress options to take full advantage of the a9 III's increased speed.\u003cbr\u003eUSB-C port now offers faster USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/p\u003e\n\u003cp\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen first seen on the a7R V. This screen has a wide colour gamut covering the DCI-P3 space.\u003cbr\u003e9.44m-dot 0.90x OLED electronic viewfinder with a maximum refresh rate of 240 fps. The a9 III benefits from maximum quality viewing at up to 120 fps.\u003cbr\u003eEthernet port for advanced networking and data transfer workflows.\u003cbr\u003eThe optional VG-C5EM Vertical Grip is designed to match the updated ergonomics of the a9 III, including the new C5 button.\u003c\/p\u003e\n\u003cp\u003eThe Sony a9 III is going to get better with time and there are some details on what to expect in future firmware updates:\u003cbr\u003eThe ability to shoot continuously at up to 120 fps when using the maximum shutter speed of 1\/80,000 second.\u003cbr\u003eWorkflow enhancements for IPTC metadata and FTP functions.\u003cbr\u003eAddition of C2PA technology from the Content Authenticity Initiative.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44639504564483,"sku":"ILCE9M3B","price":8999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ilce-9m3_1_6511a0b7-e054-45ca-9088-39187144603a.jpg?v=1743267271"},{"product_id":"shure-sm7db-vocal-microphone-with-built-in-preamp","title":"Shure SM7dB Vocal Microphone with Built-In Preamp","description":"\u003ch2\u003eShure SM7dB Vocal Microphone with Built-In Preamp\u003c\/h2\u003e\u003cp\u003eThe black \u003cstrong\u003eShure SM7dB\u003c\/strong\u003e is an improved model of the SM7B that does not require an inline preamp due to its built-in preamp for a stronger output volume. The original SM7 was a well-liked option for professional audio applications because it provided a smooth, flat, and wide-range frequency response for music and conversation. The SM7dB does the same. A favourite of podcasters and broadcasters, the mic's uniquely designed dynamic capsule offers a polished, smooth vocal sound with a rich response in the lower frequency registers.\u003c\/p\u003e\n\u003cp\u003eThe SM7dB offers a cardioid polar pattern, adjustments for midrange emphasis (presence boost), bass roll-off, and broadband interference protection. Internal air suspension shock isolation and a yoke mount make mounting easier and give precise control over the mic position, working together to reduce mechanical noise transfer.\u003c\/p\u003e\n\u003cp\u003eA preamp integrated inside the SM7dB is powered by 48V phantom power. The true-bypass switch allows the preamp to be tuned for +18, +28 dB, or completely deleted from the circuit.\u003c\/p\u003e\n\u003cp\u003eSince the traditional cardioid pickup pattern rejects off-axis audio, you can sing or speak at a natural angle. Additionally, it isolates the signal source and records the sound with the least amount of colouring, which helps to minimise feedback problems.\u003c\/p\u003e\n\u003cp\u003eBetter electromagnetic hum rejection—optimised for protecting against computer monitor-generated broadband interference.\u003c\/p\u003e\n\u003cp\u003eTransmission of mechanical noise is essentially eliminated by internal air suspension shock isolation.\u003c\/p\u003e\n\u003cp\u003eEven for close-up singing or narration, the detachable close-talk windscreen eliminates the need for further protection against explosive breath sounds.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":44639542804739,"sku":"SHR-SM7DB","price":799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/shr-sm7db_5_0934a7b9-01fa-459f-9dcc-7be66f29997b.jpg?v=1743267929"},{"product_id":"sony-ecm-s1-wireless-streaming-microphone-system-with-multi-interface-shoe","title":"Sony ECM-S1 Wireless Streaming Microphone System with Multi Interface Shoe","description":"\u003ch2\u003eSony ECM-S1 Wireless Streaming Microphone System with Multi Interface Shoe\u003c\/h2\u003e \u003cp\u003eThis \u003cstrong\u003eSony ECM-S1 Wireless Streaming Microphone System\u003c\/strong\u003e can record your podcast, live stream, or other types of content using your Sony camera, computer, or smartphone, thanks to its numerous wired and wireless audio outputs. The microphone transfers sound to a dual-channel receiver supplied through Bluetooth 5.3 technology to the MI shoe on your Sony camera for steady digital audio. You can place the microphone on your desk or attach it to a boompole thanks to the stand's non-slip base and 1\/4\"-20 thread. Use the USB-C or 3.5mm TRS ports on the receiver or the USB-C port on the microphone to record directly to your laptop, smartphone, or other camera brands if wireless capture is not suitable for your equipment combination.\u003c\/p\u003e\u003cp\u003eUtilise an internal switch on the microphone to choose between three capturing modes. The optimum audio format for narration, voiceover, and podcasting is monoaural unidirectional. Omnidirectional lenses enable the capture of various subjects or the atmosphere of a space. For recording music, stereo unidirectional is suitable. Ploses are lessened by a pop filter when the speaker's mouth is near the microphone.\u003c\/p\u003e\u003cp\u003eUse the receiver's built-in Multi Interface Shoe to connect your compatible Sony camera without cables. When connected, the camera body can power the receiver. Direct digital signal transfers audio for high-quality sound without degrading during transmission.\u003c\/p\u003e\u003cp\u003eFor ideal alignment, the supplied desktop stand may be turned 360 degrees. It is simple to attach to or remove from the microphone. The microphone has a 1\/4\"-20 thread at the bottom that can be used to attach a boom arm or tripod.\u003c\/p\u003e\u003cp\u003eThe devices can be up to 150m apart and still interact with one another using Bluetooth 5.3 low-energy LC3plus codec. The Bluetooth LC3plus codec guarantees low power and latency without sacrificing sound quality.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44639544246531,"sku":"ECM-S1","price":516.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ecm-s1_13_403fa5aa-5d5e-4a55-9d64-7b12b9b0a008.jpg?v=1743267939"},{"product_id":"dzofilm-pavo-28mm-t2-1-2x-anamorphic-prime-lens-neutral-coating-pl-ef-mount-metres","title":"DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Metres)","description":"\u003ch2\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Metres)\u003c\/h2\u003e \u003cp\u003eUsing this \u003cstrong\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e, you may capture breathtaking cinematic images with a vintage anamorphic style. This neutral-coated lens, designed to cover the Super35 sensor of cine-style cameras, has a maximum aperture of T2.1 and employs 2x magnification, achieving what is commonly referred to as \"true\" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional \"waterfall\" bokeh and elegant neutral horizontal flares.\u003c\/p\u003e\u003cp\u003eThe lens can focus at close range, avoiding constraints common with certain anamorphic lenses, and its low-distortion barrel design keeps all of the beneficial characteristics of anamorphic photography without sacrificing image quality. Using the accompanying EF bayonet, the PAVO's PL mount may be readily converted to an EF mount. The focus marks are defined in metres, and the lens's compact size and lightweight build make it a great choice for cameras mounted on drones, mechanical and electronic stabilisers, and handheld scenarios where weight is crucial.\u003c\/p\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44639544738051,"sku":"DZO-PA2821PLMN","price":5149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-pa2821plin_2_2826f5c4-8772-45a4-a7b9-3dcdda7b4b28.jpg?v=1743267967"},{"product_id":"dzofilm-pavo-32mm-t2-1-2x-anamorphic-prime-lens-neutral-coating-pl-ef-mount-metres","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Metres)","description":"\u003ch2\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Metres)\u003c\/h2\u003e \u003cp\u003eUsing this \u003cstrong\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e, you may capture breathtaking cinematic images with a vintage anamorphic style. This neutral-coated lens, designed to cover the Super35 sensor of cine-style cameras, has a maximum aperture of T2.1 and employs 2x magnification, achieving what is commonly referred to as \"true\" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional \"waterfall\" bokeh and elegant neutral horizontal flares.\u003c\/p\u003e\u003cp\u003eThe lens can focus at close range, avoiding constraints common with many anamorphic lenses, and its low-distortion barrel design keeps all of the desirable qualities of anamorphic photography without sacrificing image quality. With the accompanying EF bayonet, the PAVO's PL mount may be readily converted to an EF mount. Focus marks are defined in metres, and the lens's compact size and lightweight design make it a perfect choice for cameras mounted on drones, mechanical and electronic stabilisers, and in handheld scenarios when weight is crucial.\u003c\/p\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44639545131267,"sku":"DZO-PA3221PLMN","price":5149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-pa3221plin_2_81267373-be85-41f8-bd85-b3bc0a9cf4d3.jpg?v=1743267977"},{"product_id":"dzofilm-pavo-55mm-t2-1-2x-anamorphic-prime-lens-neutral-coating-pl-ef-mount-metres","title":"DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Metres)","description":"\u003ch2\u003eDZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens (Neutral Coating, PL\/EF Mount, Metres)\u003c\/h2\u003e \u003cp\u003eUsing this\u003cstrong\u003e DZOFilm PAVO 55mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e, you may capture breathtaking cinematic images with a vintage anamorphic style. This neutral-coated lens, designed to cover the Super35 sensor of cine-style cameras, has a maximum aperture of T2.1 and employs 2x magnification, achieving what is commonly referred to as \"true\" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional \"waterfall\" bokeh and elegant neutral horizontal flares.\u003c\/p\u003e\u003cp\u003eThe lens can focus at close range, avoiding constraints common with certain anamorphic lenses, and its low-distortion barrel design keeps all of the beneficial characteristics of anamorphic photography without sacrificing image quality. Using the accompanying EF bayonet, the PAVO's PL mount may be readily converted to an EF mount. 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This blue-coated lens, designed to cover the Super35 sensor of cine-style cameras, has a maximum aperture of T2.1 and employs 2x magnification, achieving what is commonly referred to as \"true\" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional \"waterfall\" bokeh and elegant blue horizontal flares.\u003c\/p\u003e\u003cp\u003eThe lens can focus at close range, avoiding constraints common with certain anamorphic lenses, and its low-distortion barrel design keeps all of the beneficial characteristics of anamorphic photography without sacrificing image quality. Using the accompanying EF bayonet, the PAVO's PL mount may be readily converted to an EF mount. The focus marks are defined in metres, and the lens's compact size and lightweight build make it a great choice for cameras mounted on drones, mechanical and electronic stabilisers, and handheld scenarios where weight is crucial.\u003c\/p\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44639640092931,"sku":"DZO-PA7521PLMB","price":5149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-pa7521plmb_2_c8cb4a62-01a2-42e8-8998-caffdd85bbd6.jpg?v=1743268834"},{"product_id":"dzofilm-pavo-32mm-t2-1-2x-anamorphic-prime-lens-blue-coating-pl-ef-mount-metres","title":"DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Metres)","description":"\u003ch2\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Metres)\u003c\/h2\u003e \u003cp\u003eUsing this \u003cstrong\u003eDZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e, you may capture breathtaking cinematic images with a vintage anamorphic style. This blue-coated lens, designed to cover the Super35 sensor of cine-style cameras, has a maximum aperture of T2.1 and employs 2x magnification, achieving what is commonly referred to as \"true\" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional \"waterfall\" bokeh and elegant blue horizontal flares.\u003c\/p\u003e\u003cp\u003eThe lens can focus at close range, avoiding constraints common with many anamorphic lenses, and its low-distortion barrel design keeps all of the desirable qualities of anamorphic photography without sacrificing image quality. With the accompanying EF bayonet, the PAVO's PL mount may be readily converted to an EF mount. Focus marks are defined in metres, and the lens's compact size and lightweight design make it a perfect choice for cameras mounted on drones, mechanical and electronic stabilisers, and in handheld scenarios when weight is crucial.\u003c\/p\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44639647695107,"sku":"DZO-PA3221PLMB","price":5149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-pa3221plmb_2_c8e6d863-2d3f-4da0-aa92-5e7eeeda2173.jpg?v=1743268854"},{"product_id":"dzofilm-pavo-28mm-t2-1-2x-anamorphic-prime-lens-blue-coating-pl-ef-mount-metres","title":"DZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Metres)","description":"\u003ch2\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens (Blue Coating, PL\/EF Mount, Metres)\u003c\/h2\u003e \u003cp\u003eUsing this \u003cstrong\u003eDZOFilm PAVO 28mm T2.1 2x Anamorphic Prime Lens\u003c\/strong\u003e, you may capture breathtaking cinematic images with a vintage anamorphic style. This blue-coated lens, designed to cover the Super35 sensor of cine-style cameras, has a maximum aperture of T2.1 and employs 2x magnification, achieving what is commonly referred to as \"true\" anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional \"waterfall\" bokeh and elegant blue horizontal flares.\u003c\/p\u003e\u003cp\u003eThe lens can focus at close range, avoiding constraints common with certain anamorphic lenses, and its low-distortion barrel design keeps all of the beneficial characteristics of anamorphic photography without sacrificing image quality. Using the accompanying EF bayonet, the PAVO's PL mount may be readily converted to an EF mount. The focus marks are defined in metres, and the lens's compact size and lightweight build make it a great choice for cameras mounted on drones, mechanical and electronic stabilisers, and handheld scenarios where weight is crucial.\u003c\/p\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44639649431811,"sku":"DZO-PA2821PLMB","price":5149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-pa2821plmb_3_908525e2-068f-4366-a90f-03c6acc126ba.jpg?v=1743268862"},{"product_id":"sony-a7cr-mirrorless-camera-black","title":"Sony a7CR Mirrorless Camera (Black)","description":"\u003ch2\u003eSony a7CR Mirrorless Camera (Black)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eA Compact Powerhouse for Everyday Carry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePacked with processing and resolving power, \u003cstrong\u003eSony\u003c\/strong\u003e has stuffed the a7R V's 61MP full-frame sensor and BIONZ XR processor into its beefiest compact yet, the black \u003cstrong\u003ea7CR Mirrorless Camera\u003c\/strong\u003e, putting professional image quality into a form factor optimized for all-day, everyday carry.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e61MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Sony a7CR's advanced imaging system is powered by a 61MP Full-Frame Exmor R CMOS sensor and the BIONZ XR processor, a potent combination of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. In terms of shooting speeds, the sensor and processor enable up to 8 fps shooting with the mechanical shutter and 7 fps with the electronic shutter at full resolution with full-time AF\/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eImproved Processing Engine\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA new BIONZ XR processing engine offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePixel Shift Multi-Shooting\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAccurate Exposure and Color\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe a7CR uses AI-powered algorithms like Human Pose Estimation to detect skin areas for more accurately balanced exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto-white balance processing.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAI Processing Unit\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUsing dedicated processing, the a7RC's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHuman, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.\u003c\/li\u003e\n\u003cli\u003eAnimal, Bird, and Animal\/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds, and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.\u003c\/li\u003e\n\u003cli\u003eInsect recognition offers even finer performance with the ability to detect the head or entire insect subject.\u003c\/li\u003e\n\u003cli\u003eCar\/Train and Airplane recognition means the camera can detect the front part of a train, the nose of an airplane, or easily detect the entire fast-moving subject.\u003c\/li\u003e\n\u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAdvanced Fast Hybrid AF\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eCovering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/li\u003e\n\u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\n\u003cli\u003eFor photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.\u003c\/li\u003e\n\u003cli\u003eIn-camera focus bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with a greater-than-possible depth of field.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAF During Video Recording\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/li\u003e\n\u003cli\u003eFocus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/li\u003e\n\u003cli\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/li\u003e\n\u003cli\u003eA unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Recording \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord full frame, 60 fps 4K video in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb\/s, and, if recording externally via the full-size HDMI port, 16-bit raw output can be used for even greater tonal reproduction and post-production flexibility.\u003c\/li\u003e\n\u003cli\u003eIf using a Super 35 crop, full pixel readout recording is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for greater sharpness and detail.\u003c\/li\u003e\n\u003cli\u003eRaw output is supported at up to 4K 60p and simultaneous internal 4K recording is possible, too.\u003c\/li\u003e\n\u003cli\u003eIf recording in Full HD, high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p.\u003c\/li\u003e\n\u003cli\u003eThe S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eBody Design and Connectivity \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e\n\u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts.\u003c\/li\u003e\n\u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e\n\u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.\u003c\/li\u003e\n\u003cli\u003eThe 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e\n\u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e\n\u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e\n\u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44639733022979,"sku":"ILCE7CR","price":4999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ilce7cr_7_80b4deab-a5e6-460d-ba28-df9ac32ce895.jpg?v=1743269413"},{"product_id":"sony-fe-16-35mm-f-2-8-gm-ii-lens","title":"Sony FE 16-35mm f\/2.8 GM II Lens","description":"\u003ch2\u003eSony FE 16-35mm f\/2.8 GM II Lens\u003c\/h2\u003e\u003cp\u003eCombining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f\/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f\/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eG Master Image Quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBright f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.\u003c\/li\u003e\n\u003cli\u003eOne Super ED (extra-low dispersion) and Two ED elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.\u003c\/li\u003e\n\u003cli\u003eFive aspherical elements, including three extreme aspherical elements (XA), minimize spherical aberrations and distortion and reduce 'onion ring' bokeh.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFaster AF and Floating Focus Mechanism\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFaster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour XD (extreme dynamic) linear motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both video and stills.\u003c\/li\u003e\n\u003cli\u003eFaster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.\u003c\/li\u003e\n\u003cli\u003eFloating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.6\" and a maximum magnification of 0.32x across the entire zoom range.\u003c\/li\u003e\n\u003cli\u003eInternal focusing design promotes snappier, more responsive focusing performance and maintains the same center of gravity during lens extension and retraction.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Control and Video Capabilities\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJust as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFocus breathing, focus shift, and axial shift during zooming have all been minimized to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.\u003c\/li\u003e\n\u003cli\u003eSupports the Breathing Compensation function in select cine-line and Alpha cameras.\u003c\/li\u003e\n\u003cli\u003eLinear Response MF provides natural, intuitive manual focus control.\u003c\/li\u003e\n\u003cli\u003eManual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe smallest and lightest f\/2.8 wide-angle zoom in its class, this lens doesn't lose sight of its professional attributes and remains a weather-sealed, durable lens for use in trying working conditions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eApproximately 20% lighter and 10% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.\u003c\/li\u003e\n\u003cli\u003eNow fit with a manual aperture ring, tactile exposure control is possible. 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The innovative DGO system combines two separate gain readings for each photodiode on the sensor, emphasizing saturation in bright areas of your image and lowering noise in darker areas.\u003c\/p\u003e\n\u003cp\u003ePro video functions include unlimited video recording, a motorized ND filter wheel tucked into the shallower RF-mount flange depth, a BNC timecode input\/output connector, and built-in dual mini-XLR audio inputs. The EOS C70 is also the first Cinema EOS camera with an RF mount that enables you to use Canon's line of fast, reliable RF lenses with advanced coatings and image stabilization.\u003c\/p\u003e\n\u003cp\u003eFurther pro video features include Dual Pixel CMOS AF autofocus control and up to 4K 120p or Super 16 2K crop 180 fps capture. This lightweight cine camera also incorporates a 3.5\" Direct Touch Control LCD panel for quick, easy setting changes, and both auto-ISO and auto-gain functions for on-the-go adjustments to changing light levels.\u003c\/p\u003e\n\u003cp\u003eThe EOS C70 Cinema Camera fits into your C300 Mk III workflow as a B camera, as an upgrade for C200 or C100 users, or as an alternative for EOS R owners who are shooting an increasing amount of video. Its touchscreen LCD panel speeds your workflow by enabling you to turn functions on and off directly from the touchscreen; no need to spend time going into multiple menus via a combination of control buttons and jog wheels. Power the EOS C70 using a BPA-60 or BPA-30 battery or the included AC power adapter.\u003c\/p\u003e\n\u003cp\u003eTo provide greater flexibility in lens choices, the EOS C70 camera is also compatible with the separately available EF-EOS R 0.71X EF to RF lens mount adapter. This adapter converts your full-frame lenses to Super35 format while also providing a handy aperture speed boost of around one stop. The EF adapter passes all the EF lens data through the RF mount, providing full Dual-Pixel Auto Focus and metadata information for select lenses. The EOS C70 is also the first Canon EOS cinema camera to feature the EOS iTR AF X autofocus function, which uses a head-tracking algorithm developed with deep-learning technology for improved distance measuring and tracking reliability.\u003c\/p\u003e\n\u003cp\u003eThis digital cine camera records up to DCI 4K resolution video to dual slots using widely available and more affordable SD cards. High frame rates can be recorded in 4K up to 120 fps and up to 180 fps in a 2K cropped Super16 mode. Canon's XF-AVC and Long GOP codecs are supported, providing up to 10-bit, 4:2:2 DCI 4K images with reduced storage requirements. To boost your post-production workflow, the flexible EOS C70 supports both proxy recording rates and simultaneous recording in different formats, including 4K\/HD and XF-AVC\/MP4 options.\u003cbr\u003e\u003cbr\u003eFor greater flexibility during post-production, this camera also offers Canon's Log 2 and Log 3 gamma modes, both of which provide an expanded dynamic range with excellent tonal reproduction for highlights and in low-light areas of your images. The EOS C70 also supports .cube 3D LUTs so you can get the most accurate color reproduction on both the LCD and your external viewing monitors.\u003cbr\u003e\u003cbr\u003eThis cinema camera features one HDMI Type-A output, a BNC timecode input\/output, and a USB Type-C port for control or linking to an external Wi-Fi adapter for streaming. It supports up to 4-channel audio using dual mini-XLR ports, an internal stereo mic, and a 3.5mm mic input. The EOS C70 body comes with a detachable handle unit, a mic holder, a shoulder strap, one BPA-30 battery, a battery charger, an AC adapter with power cord, and a port cap.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44641515766019,"sku":"C70","price":5190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/caec70_8_309408b0-b525-4245-893d-040923ce1e2a.jpg?v=1745862031"},{"product_id":"manfrotto-504x-fluid-video-head-with-536-carbon-fiber-tripod","title":"Manfrotto 504X Fluid Video Head with 536 Carbon Fiber Tripod","description":"\u003ch2\u003eManfrotto 504X Fluid Video Head with 536 Carbon Fiber Tripod\u003c\/h2\u003e\u003cp\u003eThe 504X Fluid Video Head with 536 Carbon Fiber Tripod from Manfrotto. The system features the 504X fluid tripod head, the 536 carbon fibre tripod, a levelling ball to adapt the head to the tripod, and a carry bag.\u003c\/p\u003e\n\u003cp\u003eThe head features a 26.5 lb maximum load, a pan bar, a quick-release plate, a counterbalance system with four presets, and its open bridge design that provides stable, smooth performance and reduces weight. Its flat base with a 3\/8\"-16 female mounting thread allows compatibility with a wide range of tripods, monopods, sliders, jibs, and dollies, and a variety of rigs.\u003c\/p\u003e\n\u003cp\u003eThe single-leg carbon fibre 536 tripod provides a 55 lb maximum load and a 75\/100mm ball head mount. The 504X head mounts onto the 536 tripods using the included levelling ball. A carry bag is included to store and transport the entire system.\u003c\/p\u003e","brand":"Manfrotto","offers":[{"title":"Default Title","offer_id":44641522417923,"sku":"MF-MVK504XCTALL","price":2729.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/mvk504xctall_1_825e9d4c-0922-439c-af2a-c87f0d05f4d2.jpg?v=1745862114"},{"product_id":"dzofilm-pictor-20-55mm-and-50-125mm-t2-8-super35-zoom-lens-bundle-pl-mount-and-ef-mount-black","title":"DZOFilm Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL and EF Mount, Black)","description":"\u003ch2\u003eDZOFilm Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens Bundle (PL and EF Mount, Black)\u003c\/h2\u003e \u003cp\u003eThis bundle of the \u003cstrong\u003ePictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens\u003c\/strong\u003e from \u003cstrong\u003eDZOFilm\u003c\/strong\u003e consists of two lenses with a standard black finish, making them less likely to be seen in on-set reflections. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer diameter, making for fast lens swaps.\u003cbr\u003e\u003cbr\u003eEach lens comes standard with a PL mount and includes a Canon EF Mount, for compatibility with a wide range of digital cinema cameras. The lenses hold focus throughout the focal length range and feature matching 16-blade irises for producing round out-of-focus highlights. This bundle includes a durable protective case for transport and storage.\u003c\/p\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44641592574211,"sku":"DZO-7220001B\/2B-BUNDLE","price":4649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-7220001b-2b-bundle_17_162e27c6-39ba-44d5-aea0-4503f60c050f.jpg?v=1745862686"},{"product_id":"sony-fe-35mm-f-1-4-gm-lens","title":"Sony FE 35mm f\/1.4 GM Lens","description":"\u003ch2\u003eSony FE 35mm f\/1.4 GM Lens\u003c\/h2\u003e\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eA classic wide-angle prime with an updated, sleek design, the Sony FE 35mm f\/1.4 GM is characterized by its speed and relatively compact form factor. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field. Also, as a G Master lens, it features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.\u003c\/p\u003e\n\u003cp\u003eTwo XA (eXtreme Aspherical) elements and one extra-low dispersion element reduce a variety of aberrations, color fringing, and distortion, and the optics are complemented by a Nano AR II coating that also suppresses flare and ghosting for improved contrast. Balancing the optics is an XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. The lens also sports a dust- and moisture-sealed design and fluorine-coated front lens element to support shooting in inclement conditions.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eAs part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eWide-angle 35mm lens is designed for full-frame Sony E-mount mirrorless cameras; however, it can also be used with APS-C models where it provides a 52.5mm equivalent focal length.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eNotably fast f\/1.4 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eTwo XA (extreme aspherical) elements are incorporated into the optical design and feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eOne extra-low dispersion element is featured in the lens design and helps to reduce chromatic aberrations and color fringing for improved clarity and color neutrality.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eNano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eTwo XD Linear Motors, along with an internal focusing design, provides quick, quiet, and precise autofocus performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF\/MF switch is located on the lens barrel for tactile control over this setting.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eA focus hold button is featured on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003ePhysical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eFluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eRounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44641715290371,"sku":"SEL35F14GM","price":1999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/sel35f14gm_5_c2ad764e-e2ff-40a5-bff1-0b536020693c.jpg?v=1745864067"},{"product_id":"sony-fe-135mm-f-1-8-gm-lens","title":"Sony FE 135mm f\/1.8 GM Lens","description":"\u003ch2\u003eSony FE 135mm f\/1.8 GM Lens\u003c\/h2\u003e\u003cp\u003eThe FE 135mm f\/1.8 GM from Sony is a medium telephoto prime characterized by its bright and sophisticated design. The f\/1.8 maximum aperture excels in low-light conditions and also offers increased control over depth of field for working with selective focus techniques. The advanced optical design incorporates two extra-low dispersion elements, including one Super ED element, to reduce chromatic aberrations and one XA (extreme aspherical) element, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and colour fidelity when working in strong lighting conditions.\u003c\/p\u003e\n\u003cp\u003eComplementing the optical assets, this lens is also notable for its inclusion of an 11-blade circular diaphragm to produce smooth, soft-edged bokeh with selective focus imagery. For controlling focus, an XD Linear Motor system is employed that is quick and quiet, and also lends more responsive control for manual focus operation. The lens also sports a dust- and moisture-sealed design to support shooting in inclement conditions and dedicated focus hold buttons, AF\/MF switch, and manual aperture ring lend further control while shooting.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44641733312771,"sku":"SEL135F18GM","price":2499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/sel135f18gm_1_3d5edcac-03a0-4acd-ae37-44b4d1120244.jpg?v=1745864210"},{"product_id":"sony-fe-200-600mm-f-5-6-6-3-g-oss-lens","title":"Sony FE 200-600mm f\/5.6-6.3 G OSS Lens","description":"\u003ch2\u003eSony FE 200-600mm f\/5.6-6.3 G OSS Lens\u003c\/h2\u003e\u003cp\u003eThe FE 200-600mm f\/5.6-6.3 G OSS from Sony is a flexible zoom perfectly suited for nature, wildlife, and sports applications. Its long reach pairs with a modest maximum aperture range to render to a relatively lightweight and portable design, which benefits handheld use. The optical design incorporates a series of low dispersion and aspherical elements, which suppress a variety of aberrations, colour fringing, and distortion in order to produce well-corrected imagery with high sharpness, colour fidelity, and accurate rendering. A Nano AR Coating has also been applied to further reduce surface reflections and flare for improved contrast when working in bright and backlit conditions.\u003c\/p\u003e\n\u003cp\u003eComplementing the optics, this lens also features a sophisticated physical design, which incorporates a Direct Drive Super Sonic wave Motor to realize fast, near-silent autofocus performance as well as full-time manual focus override. Optical SteadyShot image stabilization minimizes the appearance of camera shake to produce sharper imagery when working handheld and a removable, rotating tripod collar is also featured for stable tripod and monopod mounting. Additionally, a rounded 11-blade diaphragm contributes to an especially pleasing bokeh quality and the lens sports a weather-sealed design along with a fluorine-coated front element.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44641737572611,"sku":"SEL200600G","price":2499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/sel200600g_1_14dc5532-35c8-47de-b104-222d6973dbaa.jpg?v=1745864262"},{"product_id":"dzofilm-vespid-25mm-t2-1-lens-pl-and-ef-mounts","title":"DZOFilm VESPID 25mm T2.1 Lens (PL and EF Mounts)","description":"\u003ch2\u003eDZOFilm VESPID 25mm T2.1 Lens (PL and EF Mounts)\u003c\/h2\u003e\u003cp\u003eRelatively small and lightweight, the\u003cstrong\u003e DZOFilm VESPID 25mm T2.1 Lens\u003c\/strong\u003e is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.\u003c\/p\u003e\n\u003cp\u003eThe 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 64° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems. The lens has a magnetically attached rear filter for ND filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cul\u003e\n\u003cli class=\"js-injected-html\"\u003eThis 25mm lens has an image circle that covers a full-frame sensor. 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The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.\u003c\/p\u003e\u003cp\u003eThe 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 68° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\u003cul\u003e \u003cli class=\"js-injected-html\"\u003eThis 75mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.\u003c\/li\u003e \u003cli class=\"js-injected-html\"\u003eThe lens features metal construction to withstand the rigors of daily production.\u003c\/li\u003e \u003cli class=\"js-injected-html\"\u003eThe common 80mm front diameter allows for quick lens changes as you don't have to swap out antireflection donuts or adapters to use the same matte box.\u003c\/li\u003e \u003cli class=\"js-injected-html\"\u003eA minimum focusing distance of 2' allows you to get up close to your subject.\u003c\/li\u003e \u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44641740161283,"sku":"DZO-V07521PL","price":1399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-v07521pl_2_e4e52c2e-81ff-49b6-a1db-8942bd81aa93.jpg?v=1745864283"},{"product_id":"dzofilm-vespid-90mm-macro-t2-8-lens-pl-and-ef-mounts","title":"DZOFilm VESPID 90mm Macro T2.8 Lens (PL and EF Mounts)","description":"\u003ch2\u003eDZOFilm VESPID 90mm Macro T2.8 Lens (PL and EF Mounts)\u003c\/h2\u003e\u003cp\u003eRelatively small and lightweight, the \u003cstrong\u003eDZOFilm VESPID 90mm T2.8 Lens\u003c\/strong\u003e is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.\u003c\/p\u003e\u003cp\u003eThe 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 300° of rotation for precise focus pulls, and the iris ring a generous 68° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eKey Features\u003c\/h3\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\u003cul\u003e\n\u003cli class=\"js-injected-html\"\u003eThis 90mm macro lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.\u003c\/li\u003e\n\u003cli class=\"js-injected-html\"\u003eThe lens features metal construction to withstand the rigors of daily production.\u003c\/li\u003e\n\u003cli class=\"js-injected-html\"\u003eThe common 80mm front diameter allows for quick lens changes as you don't have to swap out antireflection donuts or adapters to use the same matte box.\u003c\/li\u003e\n\u003cli class=\"js-injected-html\"\u003eThis macro focus lens has a close focus distance of 10.157\", allowing you to reproduce an in-focus image with a 1:1 object to image size ratio on the sensor.\u003c\/li\u003e\n\u003cli class=\"js-injected-html\"\u003eEach lens in the set has a magnetically attached read filter, allowing you to swap it out with varying strengths of ND filters for exposure control without affecting your iris.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"DZOFilm","offers":[{"title":"Default Title","offer_id":44641741472003,"sku":"DZO-VM9021PL-I","price":1559.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dzo-vm9021pl_2_8958c847-3f25-43b8-9827-55baf220563e.jpg?v=1745864293"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/collections\/DealsOver450_569791e9-064d-4275-a657-a2efe2a4dc54.png?v=1765170839","url":"https:\/\/videoguys.com.au\/collections\/deals-over-450.oembed?page=5","provider":"Videoguys Australia","version":"1.0","type":"link"}