{"title":"PA Speaker Collection","description":"\u003cp\u003eShop professional \u003cstrong\u003ePA speakers in Australia\u003c\/strong\u003e at Videoguys. Whether you're running live events, church services, school productions, DJ gigs, or corporate presentations, we stock reliable active and passive PA speaker systems designed for powerful, clear sound reinforcement.\u003c\/p\u003e\n\u003ch2\u003eActive \u0026amp; Passive PA Speaker Systems\u003c\/h2\u003e\n\u003cp\u003eChoose from powered (active) PA speakers with built-in amplifiers or passive speakers for use with external amplification. Our range supports everything from portable event setups to permanent installations.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePowered (Active) PA Speakers\u003c\/li\u003e\n\u003cli\u003ePassive PA Speakers\u003c\/li\u003e\n\u003cli\u003ePortable PA Systems\u003c\/li\u003e\n\u003cli\u003eLarge Format Event Speakers\u003c\/li\u003e\n\u003cli\u003eInstallation-Grade Loudspeakers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComplete Your PA System\u003c\/h3\u003e\n\u003cp\u003eBuild a full sound system by pairing your speakers with matching components:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/videoguys.com.au\/search?q=subwoofer\u0026amp;_pos=1\u0026amp;_psq=Subwoofer\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eSubwoofers\u003c\/a\u003e for deeper bass and low-frequency impact\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/videoguys.com.au\/search?q=audio+mixer\u0026amp;_pos=3\u0026amp;_psq=Audio+Mixer\u0026amp;_ss=e\u0026amp;_v=1.0\"\u003eAudio mixers\u003c\/a\u003e for signal control and routing\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/videoguys.com.au\/collections\/speaker-stands-and-accessories\"\u003eSpeaker stands and mounting solutions\u003c\/a\u003e for proper positioning\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eChoosing the Right PA Speaker\u003c\/h3\u003e\n\u003cp\u003eWhen selecting a PA speaker, consider:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRoom or venue size\u003c\/li\u003e\n\u003cli\u003eAudience capacity\u003c\/li\u003e\n\u003cli\u003ePower rating (watts RMS)\u003c\/li\u003e\n\u003cli\u003eCoverage angle\u003c\/li\u003e\n\u003cli\u003ePortability vs fixed installation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOur team can help you select the right speaker system based on your venue requirements and application.\u003c\/p\u003e\n\u003ch3\u003eWhy Buy PA Speakers from Videoguys?\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAustralian owned and operated\u003c\/li\u003e\n\u003cli\u003eTrusted by schools, churches, AV integrators and live production teams\u003c\/li\u003e\n\u003cli\u003eCompetitive pricing on leading audio brands\u003c\/li\u003e\n\u003cli\u003eFast Australia-wide shipping\u003c\/li\u003e\n\u003cli\u003eExpert technical support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNeed assistance designing your PA system? Contact Videoguys Australia for expert advice and tailored solutions.\u003c\/p\u003e","products":[{"product_id":"behringer-nx1000-ultra-lightweight-1000-watt-class-d-power-amplifier","title":"Behringer NX1000 Ultra-Lightweight 1000-Watt Class-D Power Amplifier","description":"\u003ch2\u003eBehringer NX1000 Ultra-Lightweight 1000-Watt Class-D Power Amplifier\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBehringer NX1000 power amplifier\u003c\/strong\u003e packs 1000 Watts (2 x 500 Watts @ 2 Ohms; 2 x 300 Watts @ 4 Ohms; 1000 Watts into 4 Ohms bridge mode) into exceptionally lightweight (7.3 lbs \/ 3.3 kg) and rack-mountable packages. And because the NX1000 is so much more efficient than conventional designs, it runs cooler and doesn’t require the massive heat sinks and heavy toroid transformers typically associated with its conventional counterparts. Thanks to our “Zero-Attack” limiters that offer maximum output level with exceptionally-reliable overload protection and SmartSense Loudspeaker impedance compensation, which provides fully linear frequency response at any speaker load impedance, you can run the NX1000 full-out for hours on-end. Our revolutionary high-density Class-D technology, combined with an ultra-efficient, switch-mode power supply ensure this feather-light powerhouse will drive your rig effortlessly for many years to come.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass-D - Massive Power, Perfect Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to our High-Density Class-D amplifier Technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency – and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremelypowerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSublimely Simple Operation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front panel controls and indicators provide your system’s vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Limit LEDs to indicate when the amplifier is running at full capacity. Just as elegant as the front, the rear panel is home to the combo XLR and 1\/4\" TRS Input connectors, making the NX1000 compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.\u003c\/p\u003e\n\u003cp\u003eThe rear panel is also where you’ll find the switches that enable the NX1000 amp to run in your choice of dual mono, stereo or mono bridge modes. The NX1000’s built-in Crossover switch sets the amp to Full-Range mode, where the output is sent unfiltered to your loudspeakers, or Bi-amp mode, which sends only the low-frequency content (\u0026lt;100 Hz) to passive subwoofers, while the high-frequency content (\u0026gt;100 Hz) is channeled to your full-range loudspeakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmartSense Impedance Compensation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur new SmartSense Technology puts the punch back into Class-D amplification, providing vastly improved full-range frequency response with more powerfully-dynamic bass, and smoother high-frequency reproduction. The resulting output is no longer dependent on the actual load, but is rendered perfectly ruler flat via impedance compensation. NX1000’s design also incorporates a significantly-higher damping factor that yields better amplifier control over the loudspeaker for stronger audio reproduction – especially in the LF area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSporting massive output ratings, lightweight Class-D technology and an equally lightweight price tag – plus all the amenities a professional audio engineer could ask for – the BEHRINGER NX1000 power amplifier is a serious amp for your most demanding applications.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44600560648451,"sku":"450508","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/benx1000_2_b2ec327d-6518-4ba4-a84e-26d9d0f84275.png?v=1743264132"},{"product_id":"behringer-s16-digital-snake-suits-behringer-x32-mixer","title":"Behringer S16 Digital Snake suits Behringer X32 Mixer","description":"\u003ch2\u003eBehringer S16 Digital Snake suits Behringer X32 Mixer\u003c\/h2\u003e\u003cp\u003eDigital mixing has revolutionized so much of the live-entertainment production workflow. But one thing that hasn't changed is having to roll out that heavy, cumbersome old analog snake. That is until now! The new S16 Digital Snake from BEHRINGER takes the burden out of connecting your FOH (Front of House) console with the talent. The S16 provides 16 fully programmable, remotely controllable high-end mic preamps plus 8 analog, balanced XLR returns at the stage end, and connects to the FOH via a single CAT5 cable without the need for a dedicated router. KLARK TEKNIK, a longtime industry-leader in the development of high-end digital audio processing, provided the SuperMAC technology that made all of this possible \u0026amp; BEHRINGER made it affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen used as part of a complete X32 system, two S16 Stage Boxes can be cascaded via the built-in AES50 ports, providing connectivity for up to 32 mic\/line inputs, 16 balanced outputs and the incredibly-affordable POWERPLAY P-16 Personal Monitoring System, which can feed up to 48 individual monitor mixers. We also included two optical ADAT sockets for connecting channels 1-8 and 9-16 to outboard devices, a convenient USB port for system updates via your PC, plus MIDI I\/O for lighting systems and sound module control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandalone Snake Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlthough the S16 was initially designed for use with our flagship X32 and X16 digital consoles, any mixing board with AES50 networking capability can tap into the S16's powerful feature set. So if you happen to work on an analog mixing board occasionally, you could use two pairs of S16 and ADA8000 to form a high-performance, lightweight 16 x 16 digital snake, all on one CAT5 connection, keeping the preamp remote control functionality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemotely Controllable Preamps Make Setup a Breeze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHaving to run back and forth to FOH, or trying to communicate with a tech on stage tracking down a bad cable or connection, can really put a crimp in the gig. S16's ingenious monitoring \/ head amp control section allows you to select any one of the 16 inputs, 8 bus outputs or P16 output streams, for immediate line checks. In addition to signal metering at the stage box, you can set individual input channel Gain, apply +48 V phantom power, plus you have the option of listening directly to the input signal via headphones and much more. Once set, all configuration settings can be locked at the console for total system security.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeamless Integration with P-16 Personal Monitoring System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ULTRANET port on the S16 lets you connect directly to the BEHRINGER POWERPLAY P16 system, which provides an easy, affordable way to give your musicians and vocalists what they really want--\"more me!\" P16-M Personal Mixers let each performer take control of what they hear, allowing you to concentrate on providing the audience with the best possible listening experience. Fast and easy to set up, a basic system can be installed and configured in a matter of minutes and the system can be expanded to adapt to changing needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKLARK TEKNIK AES50\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKLARK TEKNIK SuperMAC (AES50-Compliant) technology gives the S16 its high-capacity digital interconnectivity with ultra-low latency operation, as well as superbly simple deployment and ease of use. KLARK TEKNIK engineers worked hand-in-hand with BEHRINGER product developers to ensure the S16 meets, or exceeds, the requirements of live performance entertainers and their professional audio engineers. Some of the outstanding features are:\u003cbr\u003e\u003cbr\u003e    48 bidirectional audio channels over CAT5 cable (48 kHz)\u003cbr\u003e    24 bidirectional audio channels over CAT5 cable (96 kHz)\u003cbr\u003e    Single cable duplex interconnection for audio and sample clocks \u003cbr\u003e    Ethernet physical layer audio data transmission\u003cbr\u003e    High channel count and ultra-low deterministic latency\u003cbr\u003e    Accurate phase-aligned clock distribution.\u003cbr\u003e    Comprehensive error detection\u003cbr\u003e    and management\u003cbr\u003e    Provision for redundant networking\u003cbr\u003e    Minimal configuration ñ total ease of deployment and use\u003cbr\u003e    Ethernet TCP\/IP protocol-compatible auxiliary data channel\u003cbr\u003e    Royalty-free implementations available as Xilinx FPGA cores\u003cbr\u003e    OEM modules available from developer partners\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExtreme Value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs you can see, the S16 is an extremely versatile 16 x 8 digital stage box solution with lots of unique features, at a price that anyone can afford. 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Plus our new EUROLIVE B207MP3 system is so light you can mount it on a mic stand and aim it right at your ears—allowing you to hear yourself like never before. But don’t let the small size fool you—the B207MP3 cranks out truckloads of high-quality sound; more than enough to serve as a PA system for your more intimate gigs and meetings—and it comes packed with features that will simply blow you away!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Secret to B207MP3’s Amazing Sound\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThanks to our revolutionary Class-D amplifier technology and internal switch-mode power supplies, not only do B207MP3 loudspeakers sound great, they weigh considerably less than most competing active speakers. They pump out 150 of the cleanest, punchiest Watts you’ve ever heard from a compact loudspeaker, and you can link additional active loudspeaker systems via the handy THRU socket. The built-in 4-channel mixer accepts XLR, TRS and RCA inputs, plus channel 2 features a switchable instrument-ready input—no DI required! A dedicated 3-band EQ (Low\/Mid\/High) provides simple, yet effective tonal control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePut the Sound Where You Want It\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSpace limitations often make it impossible to place full-sized monitor wedges where they can do the most good—and passive monitors require lots of external amplifiers and processing gear to function properly. All this adds up to even more gear to move, and if you don’t know what you’re doing, you can easily damage passive monitors by applying too much, or even worse, too little power to them. With the B207MP3 we’ve taken all the guesswork out, giving each loudspeaker its own 150-Watt, Class-D amplifier specifically designed as the perfect mate for the custom-engineered 6.5\" neodymium driver.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom-Engineered Drivers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLet’s face it; the drivers (otherwise known as speakers) are the only part of a sound system you actually hear.So when it comes to ours, we don’t cut any corners. While some of our competitors outsource theirs, we custom-design and build our speakers from scratch. We wind our own voice coils,process the paper pulp into cones and even machine our own speaker back plates and frames. 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Stop by your authorized dealer,or order yours online today!\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44600568119555,"sku":"450117","price":439.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/450117_4.jpg?v=1770247261"},{"product_id":"behringer-truth-b2031a-active-2-way-reference-studio-monitor-single-speaker","title":"Behringer Truth B2031A 8.75\" 265W Active 2-Way Studio Monitor (Single)","description":"\u003ch2\u003eBehringer Truth B2031A 8.75\" 265W Active 2-Way Studio Monitor (Single)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eThe TRUTH\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That’s why we designed the B2031A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind—where every note you play or sing is \"under the microscope.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt on a Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur TRUTH B2031A monitors have been so wildly successful that we’ve sold thousands upon thousands of them to some of the most critical ears on the planet. Due to their high-resolution performance, B2031A active 2-way reference studio monitors are perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra-Linear Frequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TRUTH B2031A is a serious contender capable of achieving output levels in excess of 116 dB SPL. Powered by separate 80- and 25-Watt built-in amplifiers with an active crossover, these monitors provide ultra-linear frequency response from 50 Hz to 21 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe Call it a Speaker Graduation Diploma\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAfter final assembly, each B2031A spends up to a half hour with a Calibration Engineer being meticulously tweaked to ensure ultra-linear frequency response.\u003cbr\u003e\u003cbr\u003eWhen you buy a TRUTH B2031A monitor, you’re truly getting a hand-calibrated unit. We ship a calibration certificate with each B2031A that shows the actual frequency response of your monitor, as tested at the time of manufacture.\u003cbr\u003eAfter all these rigorous tests, only then is the speaker granted its own Graduation Diploma.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRock-Solid Bass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBookshelf-style home stereo speakers can really fool you when it comes to bass output, mainly because they are not designed for critical listening applications. That’s why recording engineers and producers listen to projects through studio reference monitors or studio-grade headphones. The B2031A’s long-throw 8.75\" polypropylene-diaphragm woofer delivers smooth, deep bass all the way down to 50 Hz. Bass content that isn’t exaggerated, as it can be in home speaker systems. Rock-solid bass that is an honest representation of the recorded sound, full of subtle nuance; the sound of fingers on the strings, or the rush of air through the long pipes of a cathedral organ, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy the Polypropylene Woofer?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe’re glad you asked. Polypropylene is light and strong, enabling the speaker cone to respond very quickly to fast transient peaks. This low-mass cone material is also much stiffer than paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. The deformation-resistant aluminum die-cast chassis maintains suspension integrity and provides highly efficient voice-coil cooling, even under extreme operating conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNon-Fatiguing, Wide “Sweet Spot”\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eB2031A’s HF (High Frequency) content comes courtesy of an ultra high-resolution 1.0\" ferrofluid-cooled tweeter mounted on our proprietary wave-guide. While some of our competitor’s studio monitors have a highly focused “sweet spot” (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won’t wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.\u003cbr\u003e\u003cbr\u003eYou also won’t suffer the ravages of “monitor fatigue-syndrome,” an ailment that comes from listening to harsh high-mids and treble content for hours on end, even during those all-night mix-down sessions that can really test your nerves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpect the Best\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe pack 105-Watts of bi-amped technology (including a time- and phase-optimized active crossover) into every B2031A, ensuring that you have the enormous power reserves you’ll need to drive them really hard. The unique BEHRINGER wave-guide and the extremely low-distortion crossover network produce an absolutely linear frequency response with excellent sound dispersion and stereo imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuited for All Placements\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe ideal environment for listening is a room that is “flat,” neither too reflective (echoes) nor too absorptive (where the sound is muffled). But since all rooms are not the same acoustically, all TRUTH monitors come equipped to function in a wide variety of situations. Switches are provided to adapt the monitor’s low- and high-frequency characteristics for optimal performance specific to your listening environment.\u003cbr\u003e\u003cbr\u003ePlacement is also critical. Ideally, all loudspeakers should be placed away from walls to ensure proper bass response. But fear not, B2031A monitors feature Room Compensation switches so you can place them against walls, or even in corners. Walls tend to enhance low-frequency content, and corners exaggerate bass even more, but your TRUTH monitor can be custom-tailored to provide honest bass response for your situation, with the simple flick of a switch or two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlease Standby\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince placement of studio monitors can significantly affect their performance, often they are placed in a manner that makes it inconvenient to get to the power switch on the rear panel. Not to worry, the B2031A provides a simple solution to breaking out the stepladder or climbing onto your desk. The B2031A features an AUTO power switch that, when activated, powers up the system as soon as it detects an input signal. If no signal is detected, the system automatically switches into standby mode after five minutes of silence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXLR and 1\/4\" Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2031A is equipped with servo-balanced inputs on XLR and ¼” TRS connectors to handle a variety of audio sources. Thanks to its compact size and magnetic shielding, the TRUTH B2031A can be placed near video monitors, computer displays or digital audio workstations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHearing is Believing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe could bore you to tears with all the technical jargon (if you like that stuff, you’re sure to enjoy the product spec sheet at the back of the manual), but hearing the TRUTH will make you a believer. We think you’ll agree that nothing in this class outperforms the B2031A monitors. 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Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is “under the microscope.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt on a Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur TRUTH B2030A and B2031A monitors have been so wildly successful that we’ve sold thousands upon thousands of them to some of the most critical ears on the planet — ears that demand the neutral sound of a true reference monitor. Ask any recording engineer and they will tell you that listening to a recording on just a single set of monitors doesn’t always paint an accurate picture of the mix. Since people listen to music at home, in their cars, on mp3 players, etc., it is critical your final mix be heard on as many sizes and types of speakers as possible. 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Kevlar has an incredible strength-to-weight ratio — that’s one reason it’s used in bulletproof vests. Kevlar gives our LF transducer the strength to handle the extremely high energy levels required for distortion-free, chest-pounding bass. And since they have such low mass, Kevlar speaker cones also respond much more quickly than those made of paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. Our Kevlar transducers reproduce even the subtlest nuance of the low-frequency realm without muddying the midrange.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower to the People\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt takes quite a bit more than just a “bulletproof” woofer and a high-tech tweeter stuck inside a fancy box to make a studio monitor of this class. It also takes power — and lots of it! But even more importantly, that power has to be matched to the individual high- and low-frequency transducers. While some of our competitors are content to stick whatever speakers they have on the shelf into haphazardly designed boxes and then strap on a one-size fits-all amplifier package, we build every single component from the ground up. We pack 75-Watts of bi-amped technology (including a time- and phase-corrected active crossover) into every B1030A, ensuring that you have the enormous power reserves you’ll need to drive them really hard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned to Work in Your Environment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ideal environment for listening is a room that is “flat,” neither too reflective (echoes) nor too absorptive (where the sound is muffled). But since all rooms are not the same acoustically, all TRUTH monitors come equipped to function in a wide variety of situations. Switches are provided to adapt the monitor’s low- and high-frequency characteristics for optimal performance specific to your listening environment.\u003cbr\u003ePlacement is also critical. Ideally, all loudspeakers should be placed away from walls to ensure proper bass response. But fear not, B1030A monitors feature Room Compensation switches so you can place them against walls, or even in corners. Walls tend to enhance low frequency content, and corners exaggerate bass even more, but your TRUTH monitor can be custom-tailored to provide honest bass response for your situation, with the simple flick of a switch or two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNon-fatiguing, Wide “Sweet Spot”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile some of our competitors’ studio monitors have a highly focused “sweet spot” (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. 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Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is “under the microscope.”\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt on a Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur monitors have been so wildly successful that we’ve sold thousands upon thousands of them to some of the most critical ears on the planet — ears that demand the neutral sound of a true reference monitor. Ask any recording engineer and they will tell you that listening to a recording on just a single set of monitors doesn’t always paint an accurate picture of the mix. Since people listen to music at home, in their cars, on mp3 players, etc., it is critical your final mix be heard on as many sizes and types of speakers as possible. That’s the reason we created these smaller B1031A monitors, plus they make ideal rear channel speakers for surround sound applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYears of R’n’D\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the past three years our Research and Development team has been on a mission to create the “perfect” studio monitor. Our acoustic engineers tried a variety of transducers and enclosure designs, along with existing and emerging technologies. When all the dust settled, they chose to deploy an ultra-high resolution 1\" dome tweeter and a long-throw 8\" Kevlar-coned woofer in the B1031A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Kevlar?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe’re glad you asked. Kevlar has an incredible strength-to-weight ratio — that’s one reason it’s used in bulletproof vests. 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Switches are provided to adapt the monitor’s lowand high-frequency characteristics for optimal performance specific to your listening environment.\u003cbr\u003e\u003cbr\u003ePlacement is also critical. Ideally, all loudspeakers should be placed away from walls to ensure proper bass response. But fear not, B1031A monitors feature Room Compensation switches so you can place them against walls, or even in corners. Walls tend to enhance low frequency content, and corners exaggerate bass even more, but your TRUTH monitor can be customtailored to provide honest bass response for your situation, with the simple flick of a switch or two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNon-fatiguing, Wide “Sweet Spot”\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhile some of our competitors’ studio monitors have a highly focused “sweet spot” (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. 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Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind—where every note you play or sing is \"under the microscope.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt on a Legacy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TRUTH B2030A has all the great features of a standard-sized active TRUTH monitor packed into an even more compact cabinet! Due to their high-resolution performance, B2030A active 2-way reference studio monitors are perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups. Our TRUTH B2030A monitors have been so wildly successful that we’ve sold thousands upon thousands of them to some of the most critical ears on the planet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon’t Let the Size Fool You\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDespite its small size, the TRUTH B2030A can achieve a peak output level in excess of 113 dB SPL. Powered by built-in 80- and 35-Watt amplifiers combined with a high-precision active crossover, these monitors provide ultra-linear frequency response from 50 Hz to 21 kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe Call it a Speaker Graduation Diploma\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eAfter final assembly, each B2030A spends up to a half hour with a Calibration Engineer being meticulously tweaked to ensure ultra-linear frequency response.\u003cbr\u003e\u003cbr\u003eWhen you buy a TRUTH B2030A monitor, you’re truly getting a hand-calibrated unit. 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Rock-solid bass that is an honest representation of the recorded sound, full of subtle nuance; the sound of fingers on the strings, or the rush of air through the long pipes of a cathedral organ, etc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy the Polypropylene Woofer?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe’re glad you asked. Polypropylene is light and strong, enabling the speaker cone to respond very quickly to fast transient peaks. This low-mass cone material is also much stiffer than paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. The deformation-resistant aluminum die-cast chassis maintains suspension integrity and provides highly efficient voice-coil cooling, even under extreme operating conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNon-Fatiguing, Wide “Sweet Spot”\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eB2030A’s HF (High Frequency) content comes courtesy of an ultra high-resolution 0.75\" ferrofluid-cooled tweeter mounted on our proprietary wave-guide. While some of our competitor’s studio monitors have a highly focused “sweet spot” (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won’t wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.\u003cbr\u003e\u003cbr\u003eYou also won’t suffer the ravages of “monitor fatigue-syndrome,” an ailment that comes from listening to harsh high-mids and treble content for hours on end, even during those all-night mix-down sessions that can really test your nerves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpect the Best\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe packed 115-Watts of bi-amped technology (including a time- and phase-optimized active crossover) into every B2030A, ensuring that you have the enormous power reserves you’ll need to drive them really hard. The unique BEHRINGER wave-guide and the extremely low-distortion crossover network produce an absolutely linear frequency response with excellent sound dispersion and stereo imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned to Work in Your Environment\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ideal environment for listening is a room that is “flat,” neither too reflective (echoes) nor too absorptive (where the sound is muffled). But since all rooms are not the same acoustically, all TRUTH monitors come equipped to function in a wide variety of situations. Switches are provided to adapt the monitor’s low- and high-frequency characteristics for optimal performance specific to your listening environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuited for All Placements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIdeally, all loudspeakers should be placed away from walls to ensure proper bass response. But fear not, B2030A monitors feature Room Compensation switches so you can place them against walls, or even in corners. Walls tend to enhance low-frequency content, and corners exaggerate bass even more, but your TRUTH monitor can be custom-tailored to provide honest bass response for your situation, with the simple flick of a switch or two.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXLR and 1\/4\" Inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2030A is equipped with servo-balanced inputs on XLR and ¼” TRS connectors to handle a variety of audio sources. 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But don’t let the small size fool you—the B205D cranks out high-fidelity sound and comes loaded with features that will simply astound you!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Secret to B205D’s Amazing Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to our revolutionary Class-D amplifier technology and internal switchmode power supplies, not only do B205D loudspeakers sound great, they weigh considerably less than most competing active speakers. They pump out 150 of the cleanest, punchiest Watts you’ve ever heard from a compact loudspeaker, and you can link additional active loudspeaker systems via the handy THRU socket. 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With the B205D we’ve taken all the guesswork out, giving each loudspeaker its own 150-Watt, Class-D amplifier specifically designed as the perfect mate for the custom-engineered 5.25\" neodymium driver.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSay Goodbye to Back-breaking Floor Wedges\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy using an internal switch-mode power supply, we reduced the weight of the B205D to a mere 7.0 lbs (3.2 kg). This means that instead of bringing in your old passive floor wedges one-at-a-time, you can carry all your monitors in one trip—without even breaking a sweat! 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Our no-compromise design means your B205Ds deliver full power with incredible fidelity all night long, without the need for rest cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom-Engineered Drivers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLet’s face it; the drivers (otherwise known as speakers) are the only part of a sound system you actually hear. So when it comes to ours, we don’t cut any corners. While some of our competitors outsource theirs, we custom-design and build our speakers from scratch. We wind our own voice coils, process the paper pulp into cones and even machine our own speaker back plates and frames. This enables us to control the quality, keep production costs down and frankly, to make better components. The premium-grade 5.25\" neodymium driver was designed specifically and optimized solely for use in the B205D.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant PA System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith just a single B205D loudspeaker system and a microphone, you can set up an instant, high-quality sound system. Thanks to the built-in preamp section, you just connect a dynamic mic and raise and lower the volume with the LEVEL control. Plug in your sound source (CD or MP3 player), place the speaker on a tabletop or mic stand and power up. It’s just that easy. And if you need more coverage, you can chain together as many as you like via the convenient LINK OUTPUT XLR connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Music System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can even use two B205Ds for stereo playback of your MP3, CD or cassette deck without any additional hardware—pretty cool for playing background music or making announcements. Just plug the appropriate stereo “breakout” adapter (not included) into your deck’s output jack, run one cable to each loudspeaker and set the Level and EQ controls the same on both B205Ds. Voilà, instant party!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvelous Monitoring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen it comes to live monitoring, it just doesn’t get any more personal than this. With the B205D, you can literally put the sound where you want it—and the sound quality will simply astound you! It is small and light enough to mount on a mic stand (it comes with an integration kit that even works with boom stands), yet powerful enough to be used as a small, high-quality PA system. The built-in 3-channel mixer provides tremendous versatility and even allows additional systems to be linked as slaves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eValue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EUROLIVE B205D provides highquality sound, tremendous functionality and versatility for very little dough. Best of all, since the B205D is so compact and lightweight, making it easy for you to load in or out at the gig. Compare the B205D to the competition and you’ll own BEHRINGER with money to spare!\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640120570115,"sku":"450116","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/450116_4.jpg?v=1770096674"},{"product_id":"behringer-b208d-eurolive-active-8-200-watt-2-way-pa-speaker","title":"Behringer Eurolive B208D Active 2-Way 200W 8\" PA Speaker System","description":"\u003ch2\u003eBehringer Eurolive B208D Active 2-Way 200W 8\" PA Speaker System\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFinally, Great-Sounding Active Loudspeakers That Won’t Break Your Back or Bank Account!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to our revolutionary Class-D amplifier technology and internal switch-mode power supplies, EUROLIVE D Series loudspeakers provide a much better power-to-weight ratio than competing active speakers. Put simply, you get all the power without the back-breaking weight. And the sound quality of these lightweight loudspeakers exceeds that of our extremely popular EUROLIVE B212A and B215A systems — plus we've included two 200-Watt models, the B210D (10\") and B208D (8\") for less demanding applications.\u003cbr\u003eDue to their high-efficiency design, they crank out 550\/200 of the cleanest, punchiest audio Watts you've ever heard from a compact loudspeaker system. The integrated sound processor provides total system control, along with dependable protection of the LF and HF transducers, thanks to the built-in active high-pass filter, which virtually eliminate distortion — even at extreme operating levels. In addition, all four models feature an Ultra-Low Noise (ULN) Mic\/Line input with LEVEL control and a dedicated 2-band EQ (bass\/treble) for easy control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntelligent by Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the coolest things about active loudspeakers is the lack of back-breaking racks of amps, crossovers and EQs that are often required to make passive speaker systems sound almost as good. But that comes with a trade-off — that extra weight is transferred to the loudspeaker, making it difficult for a single user to heave all that mass onto the top of a speaker stand.\u003cbr\u003eBEHRINGER's D Series' \"Intelligent-Design\" merges the best features of active loudspeakers with significantly lower weight by using switch-mode power supplies and Class-D amplifier topology.\u003cbr\u003eHidden deep inside each enclosure is the equivalent of an active 2-way electronic crossover, graphic EQ, parametric EQ, mic preamp, limiter and two Class-D power amplifiers, yet overall weight is less than comparable loudspeaker systems! These components work together seamlessly to provide optimum sound quality — and it all takes place automatically, without you having to touch a single knob.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass D Amplifier Technology Delivers High Power With Low Weight.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstead of operating relatively continuously like Class AB circuits, Class D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces the power losses in the output devices. This is easy in theory and complex in practice, which is why there are so many different Class D designs. Without boring you with terms like PWM Generation and Gate Drivers, let's just say that to realize the benefits of a Class D design requires compensating for a lot of potential problems that can cause audible distortion. BEHRINGER didn't invent Class D technology, but our R\u0026amp;D Department has been working for years to perfect our own version with all the benefits of reduced weight and cool running, and none of the drawbacks. That's why we invested over a solid year of research time eliminating pitfalls like quantizing errors and excess dead time, selecting just the right switching frequency (and other equally tech-y terms). And why we spent an equally long time testing individual components to ensure they will stand up to the rigors of the real world.\u003cbr\u003eWhen combined with switching-mode power supplies that replace heavy toroid transformers, our new designs provide more dynamic punch since the higher switching frequency reloads the supply's capacitors much faster. And, because they are so much more effidcient, the D Series runs cooler and doesn't require huge, heavy heat sinks. The resulting speakers systems are much lighter, making them easy to transport and set up. Our no-compromise design means your D Series active loudspeakers will deliver full power and incredible fidelity all night long, with no need for rest cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant PA System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith just a single D Series loudspeaker system and a microphone or MP3 player, you can set up an instant sound system. Thanks to the built-in preamp section, you just connect a dynamic mic and raise and lower the volume with the Level control. Plug in your sound source, place the speaker on a tabletop or stand, and power up. It's just that easy. And if you need more coverage, simply use the convenient LINK OUTPUT XLR connector to add more active loudspeakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Music System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can even use two D Series enclosures for stereo playback of your MP3, CD or old-skool cassette deck without any additional hardware. Just plug the appropriate stereo \"breakout\" adapter into your deck's output jack and run the cables to the 1\/4\" inputs on each loudspeaker. Set the Level and EQ controls the same on both enclosures. Voilà, instant party!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvelous Monitoring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to their trapezoidal design, these cabinets can be laid on their side providing the ideal angle for onstage monitor wedge applications. Hookup is simple, requiring only a single XLR or 1\/4\" cable from the monitor send on your mixing console and, of course, power. Additional monitors can be chained together via the XLR LINK OUTPUT jack on the rear panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom-Designed Transducers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLet's face it; the transducers (woofers and tweeters) are the only part of a sound system you actually hear, so we don't cut any corners. While some of our competitors are content to buy off-the-shelf transducers and plug them into their boxes, we custom-design and build our transducers from scratch. Not only do we wind our own voice coils, we process the paper pulp into cones and even machine our own backplates. This enables us to control the quality, and frankly, make better components, like the long-excursion LF transducers and state-ofthe- art 1.35\" compression drivers we deploy in each and every EUROLIVE enclosure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Frequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EUROLIVE D Series was built with extended low frequency handling in mind. With a tuned port, internally braced, injection molded enclosure, each model's custom designed LF transducer (woofer) really cranks out tight low end. Keep in mind that bass response varies according to LF transducer size, so the larger the speaker, the more bass you will be able to generate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccurate Non-Fatiguing Midrange and Treble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven if your particular application doesn't include booming bass, you'll love the sheer accuracy of these loudspeakers. Over a year of design went into a exponential horn\/aluminum dome compression driver combination that could do justice to loud hard rock or dance music — yet could also satisfy audiophiles with its musical timbre and attention to detail. For spoken word, singing or acoustical instruments, they are un-matched for being able to articulate complex harmonic details. In fact, many customers think it's the most natural-sounding speaker they've ever heard at anywhere near the price.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProcessor Controlled Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDynamic processing is one of the best ways to maximize output without sacrificing sound quality. The D Series' built-in circuitry automatically adjusts program content, allowing the loudspeaker to operate at extreme levels. It accomplishes this by reducing bass output slightly as you approach the limit of the transducers. This frees up LF amp and transducer resources, so that higher overall volume can be realized. It's like having a tiny soundman inside each cabinet constantly monitoring and changing output parameters. By making subtle changes to the crossover frequency and the audio content, the system is able to crank out more sound — without the slightest hint of distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Power to Size Ratio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCutting-edge technology and high-fidelity speakers are not all it takes to get your message across — you need power, and lots of it. At the heart of each EUROLIVE D Series loudspeaker are two high-current amplifiers with a total output of 550-Watts for the B212D\/B215D and 200-Watts for the B210D\/B208D. They're capable of driving the speakers to their maximum with no distortion — and without speaker damage, thanks to active internal protection circuits. Put simply, they will astound you with their massive punch, smooth mids and articulate top-end!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich Speaker Do I Need?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs you've probably noticed, we make these active loudspeakers in four different woofer sizes. Which one is right for you?\u003cbr\u003eWell, let's start with your application. Is it spoken word in a hotel ballroom? Hard rock in a park? A folk singer or a drum 'n' bass DJ? Loud enough for an 18-year old or loud enough for your grandmother? A huge auditorium or a tiny club? Physics are physics and a 15\" low frequency transducer has almost 40% more surface area with which to move air than a 12\". A 12\" has 30% more area than a 10\", and a 10\" has 35% more than an 8\". So the easiest answer is \"Whether to choose one speaker cabinet over another depends on your bass requirements.\" If you're addressing a small meeting, or demoing the latest \"slice-o-chop-o-vegamatic\" at the swap meet or county fair, the B208D might be all the speaker you'll need. But if you're providing disco to the masses at a standing room only nightclub — or you just need to crank it up louder, then the B215D may be a better choice.\u003cbr\u003eAs you can see, \"Bass requirements\" isn't quite as easy an answer as it sounds. The larger a room's cubic volume, the more energy is required to achieve a given level of bass. In other words, when playing the same tune in a big room versus a small room, big room = less bass; small room = more bass.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640121291011,"sku":"450118","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/450118_5.jpg?v=1770096564"},{"product_id":"behringer-b210d-eurolive-active-200-watt-2-way-10-pa-speaker-in-black","title":"Behringer Eurolive B210D Active 2-Way 200W 10\" PA Speaker System","description":"\u003ch2\u003eBehringer Eurolive B210D Active 2-Way 200W 10\" PA Speaker System\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFinally, Great-Sounding Active Loudspeakers That Won’t Break Your Back or Bank Account!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to our revolutionary Class-D amplifier technology and internal switch-mode power supplies, EUROLIVE D Series loudspeakers provide a much better power-to-weight ratio than competing active speakers. Put simply, you get all the power without the back-breaking weight. And the sound quality of these lightweight loudspeakers exceeds that of our extremely popular EUROLIVE B212A and B215A systems — plus we've included two 200-Watt models, the B210D (10\") and B208D (8\") for less demanding applications.\u003cbr\u003eDue to their high-efficiency design, they crank out 550\/200 of the cleanest, punchiest audio Watts you've ever heard from a compact loudspeaker system. The integrated sound processor provides total system control, along with dependable protection of the LF and HF transducers, thanks to the built-in active high-pass filter, which virtually eliminate distortion — even at extreme operating levels. In addition, all four models feature an Ultra-Low Noise (ULN) Mic\/Line input with LEVEL control and a dedicated 2-band EQ (bass\/treble) for easy control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntelligent by Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the coolest things about active loudspeakers is the lack of back-breaking racks of amps, crossovers and EQs that are often required to make passive speaker systems sound almost as good. But that comes with a trade-off — that extra weight is transferred to the loudspeaker, making it difficult for a single user to heave all that mass onto the top of a speaker stand.\u003cbr\u003eBEHRINGER's D Series' \"Intelligent-Design\" merges the best features of active loudspeakers with significantly lower weight by using switch-mode power supplies and Class-D amplifier topology.\u003cbr\u003eHidden deep inside each enclosure is the equivalent of an active 2-way electronic crossover, graphic EQ, parametric EQ, mic preamp, limiter and two Class-D power amplifiers, yet overall weight is less than comparable loudspeaker systems! These components work together seamlessly to provide optimum sound quality — and it all takes place automatically, without you having to touch a single knob.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass D Amplifier Technology Delivers High Power With Low Weight.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstead of operating relatively continuously like Class AB circuits, Class D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces the power losses in the output devices. This is easy in theory and complex in practice, which is why there are so many different Class D designs. Without boring you with terms like PWM Generation and Gate Drivers, let's just say that to realize the benefits of a Class D design requires compensating for a lot of potential problems that can cause audible distortion. BEHRINGER didn't invent Class D technology, but our R\u0026amp;D Department has been working for years to perfect our own version with all the benefits of reduced weight and cool running, and none of the drawbacks. That's why we invested over a solid year of research time eliminating pitfalls like quantizing errors and excess dead time, selecting just the right switching frequency (and other equally tech-y terms). And why we spent an equally long time testing individual components to ensure they will stand up to the rigors of the real world.\u003cbr\u003eWhen combined with switching-mode power supplies that replace heavy toroid transformers, our new designs provide more dynamic punch since the higher switching frequency reloads the supply's capacitors much faster. And, because they are so much more efficient, the D Series runs cooler and doesn't require huge, heavy heat sinks. The resulting speakers systems are much lighter, making them easy to transport and set up. Our no-compromise design means your D Series active loudspeakers will deliver full power and incredible fidelity all night long, with no need for rest cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant PA System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith just a single D Series loudspeaker system and a microphone or MP3 player, you can set up an instant sound system. Thanks to the built-in preamp section, you just connect a dynamic mic and raise and lower the volume with the Level control. Plug in your sound source, place the speaker on a tabletop or stand, and power up. It's just that easy. And if you need more coverage, simply use the convenient LINK OUTPUT XLR connector to add more active loudspeakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Music System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can even use two D Series enclosures for stereo playback of your MP3, CD or old-skool cassette deck without any additional hardware. Just plug the appropriate stereo \"breakout\" adapter into your deck's output jack and run the cables to the 1\/4\" inputs on each loudspeaker. Set the Level and EQ controls the same on both enclosures. Voilà, instant party!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvelous Monitoring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to their trapezoidal design, these cabinets can be laid on their side providing the ideal angle for onstage monitor wedge applications. Hookup is simple, requiring only a single XLR or 1\/4\" cable from the monitor send on your mixing console and, of course, power. Additional monitors can be chained together via the XLR LINK OUTPUT jack on the rear panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom-designed transducers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLet's face it; the transducers (woofers and tweeters) are the only part of a sound system you actually hear, so we don't cut any corners. While some of our competitors are content to buy off-the-shelf transducers and plug them into their boxes, we custom-design and build our transducers from scratch. Not only do we wind our own voice coils, we process the paper pulp into cones and even machine our own backplates. This enables us to control the quality, and frankly, make better components, like the long-excursion LF transducers and state-ofthe- art 1.35\" compression drivers we deploy in each and every EUROLIVE enclosure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Frequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EUROLIVE D Series was built with extended low frequency handling in mind. With a tuned port, internally braced, injection molded enclosure, each model's custom-designed LF transducer (woofer) really cranks out tight low end. Keep in mind that bass response varies according to LF transducer size, so the larger the speaker, the more bass you will be able to generate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccurate Non-Fatiguing Midrange and Treble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven if your particular application doesn't include booming bass, you'll love the sheer accuracy of these loudspeakers. Over a year of design went into a exponential horn\/aluminum dome compression driver combination that could do justice to loud hard rock or dance music — yet could also satisfy audiophiles with its musical timbre and attention to detail. For spoken word, singing or acoustical instruments, they are un-matched for being able to articulate complex harmonic details. In fact, many customers think it's the most natural-sounding speaker they've ever heard at anywhere near the price.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProcessor Controlled Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDynamic processing is one of the best ways to maximize output without sacrificing sound quality. The D Series' built-in circuitry automatically adjusts program content, allowing the loudspeaker to operate at extreme levels. It accomplishes this by reducing bass output slightly as you approach the limit of the transducers. This frees up LF amp and transducer resources, so that higher overall volume can be realized. It's like having a tiny soundman inside each cabinet constantly monitoring and changing output parameters. By making subtle changes to the crossover frequency and the audio content, the system is able to crank out more sound — without the slightest hint of distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Power to Size Ratio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCutting-edge technology and high-fidelity speakers are not all it takes to get your message across — you need power, and lots of it. At the heart of each EUROLIVE D Series loudspeaker are two high-current amplifiers with a total output of 550-Watts for the B212D\/B215D and 200-Watts for the B210D\/B208D. They're capable of driving the speakers to their maximum with no distortion — and without speaker damage, thanks to active internal protection circuits. Put simply, they will astound you with their massive punch, smooth mids and articulate top-end!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich Speaker do I Need?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs you've probably noticed, we make these active loudspeakers in four different woofer sizes. Which one is right for you?\u003cbr\u003eWell, let's start with your application. Is it spoken word in a hotel ballroom? Hard rock in a park? A folk singer or a drum 'n' bass DJ? Loud enough for an 18-year old or loud enough for your grandmother? A huge auditorium or a tiny club? Physics are physics and a 15\" low frequency transducer has almost 40% more surface area with which to move air than a 12\". A 12\" has 30% more area than a 10\", and a 10\" has 35% more than an 8\". So the easiest answer is \"Whether to choose one speaker cabinet over another depends on your bass requirements.\" If you're addressing a small meeting, or demoing the latest \"slice-o-chop-o-vegamatic\" at the swap meet or county fair, the B208D might be all the speaker you'll need. But if you're providing disco to the masses at a standing room only nightclub — or you just need to crank it up louder, then the B215D may be a better choice.\u003cbr\u003eAs you can see, \"Bass requirements\" isn't quite as easy an answer as it sounds. The larger a room's cubic volume, the more energy is required to achieve a given level of bass. In other words, when playing the same tune in a big room versus a small room, big room = less bass; small room = more bass.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640121749763,"sku":"450119","price":469.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/450119_5.jpg?v=1770096466"},{"product_id":"behringer-b212d-eurolive-active-550-watt-2-way-12-pa-speaker-in-black","title":"Behringer Eurolive B212D Active 2-Way 550W 12\" PA Speaker System","description":"\u003ch2\u003eBehringer Eurolive B212D Active 2-Way 550W 12\" PA Speaker System\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eFinally, Great-Sounding Active Loudspeakers That Won’t Break Your Back or Bank Account!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to our revolutionary Class-D amplifier technology and internal switch-mode power supplies, EUROLIVE D Series loudspeakers provide a much better power-to-weight ratio than competing active speakers. Put simply, you get all the power without the back-breaking weight. And the sound quality of these lightweight loudspeakers exceeds that of our extremely popular EUROLIVE B212A and B215A systems — plus we've included two 200-Watt models, the B210D (10\") and B208D (8\") for less demanding applications.\u003cbr\u003eDue to their high-efficiency design, they crank out 550\/200 of the cleanest, punchiest audio Watts you've ever heard from a compact loudspeaker system. The integrated sound processor provides total system control, along with dependable protection of the LF and HF transducers, thanks to the built-in active high-pass filter, which virtually eliminate distortion — even at extreme operating levels. In addition, all four models feature an Ultra-Low Noise (ULN) Mic\/Line input with LEVEL control and a dedicated 2-band EQ (bass\/treble) for easy control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntelligent by Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the coolest things about active loudspeakers is the lack of back-breaking racks of amps, crossovers and EQs that are often required to make passive speaker systems sound almost as good. But that comes with a trade-off — that extra weight is transferred to the loudspeaker, making it difficult for a single user to heave all that mass onto the top of a speaker stand.\u003cbr\u003eBEHRINGER's D Series' \"Intelligent-Design\" merges the best features of active loudspeakers with significantly lower weight by using switch-mode power supplies and Class-D amplifier topology.\u003cbr\u003eHidden deep inside each enclosure is the equivalent of an active 2-way electronic crossover, graphic EQ, parametric EQ, mic preamp, limiter and two Class-D power amplifiers, yet overall weight is less than comparable loudspeaker systems! These components work together seamlessly to provide optimum sound quality — and it all takes place automatically, without you having to touch a single knob.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass D Amplifier Technology Delivers High Power With Low Weight.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInstead of operating relatively continuously like Class AB circuits, Class D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces the power losses in the output devices. This is easy in theory and complex in practice, which is why there are so many different Class D designs. Without boring you with terms like PWM Generation and Gate Drivers, let's just say that to realize the benefits of a Class D design requires compensating for a lot of potential problems that can cause audible distortion. BEHRINGER didn't invent Class D technology, but our R\u0026amp;D Department has been working for years to perfect our own version with all the benefits of reduced weight and cool running, and none of the drawbacks. That's why we invested over a solid year of research time eliminating pitfalls like quantizing errors and excess dead time, selecting just the right switching frequency (and other equally tech-y terms). And why we spent an equally long time testing individual components to ensure they will stand up to the rigors of the real world.\u003cbr\u003eWhen combined with switching-mode power supplies that replace heavy toroid transformers, our new designs provide more dynamic punch since the higher switching frequency reloads the supply's capacitors much faster. And, because they are so much more efficient, the D Series runs cooler and doesn't require huge, heavy heat sinks. The resulting speakers systems are much lighter, making them easy to transport and set up. Our no-compromise design means your D Series active loudspeakers will deliver full power and incredible fidelity all night long, with no need for rest cycles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant PA System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith just a single D Series loudspeaker system and a microphone or MP3 player, you can set up an instant sound system. Thanks to the built-in preamp section, you just connect a dynamic mic and raise and lower the volume with the Level control. Plug in your sound source, place the speaker on a tabletop or stand, and power up. It's just that easy. And if you need more coverage, simply use the convenient LINK OUTPUT XLR connector to add more active loudspeakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Music System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou can even use two D Series enclosures for stereo playback of your MP3, CD or old-skool cassette deck without any additional hardware. Just plug the appropriate stereo \"breakout\" adapter into your deck's output jack and run the cables to the 1\/4\" inputs on each loudspeaker. Set the Level and EQ controls the same on both enclosures. Voilà, instant party!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMarvelous Monitoring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to their trapezoidal design, these cabinets can be laid on their side providing the ideal angle for onstage monitor wedge applications. Hookup is simple, requiring only a single XLR or 1\/4\" cable from the monitor send on your mixing console and, of course, power. Additional monitors can be chained together via the XLR LINK OUTPUT jack on the rear panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustom-designed transducers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLet's face it; the transducers (woofers and tweeters) are the only part of a sound system you actually hear, so we don't cut any corners. While some of our competitors are content to buy off-the-shelf transducers and plug them into their boxes, we custom-design and build our transducers from scratch. Not only do we wind our own voice coils, we process the paper pulp into cones and even machine our own backplates. This enables us to control the quality, and frankly, make better components, like the long-excursion LF transducers and state-ofthe- art 1.35\" compression drivers we deploy in each and every EUROLIVE enclosure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow Frequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EUROLIVE D Series was built with extended low frequency handling in mind. With a tuned port, internally braced, injection molded enclosure, each model's custom-designed LF transducer (woofer) really cranks out tight low end. Keep in mind that bass response varies according to LF transducer size, so the larger the speaker, the more bass you will be able to generate.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccurate Non-Fatiguing Midrange and Treble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven if your particular application doesn't include booming bass, you'll love the sheer accuracy of these loudspeakers. Over a year of design went into a exponential horn\/aluminum dome compression driver combination that could do justice to loud hard rock or dance music — yet could also satisfy audiophiles with its musical timbre and attention to detail. For spoken word, singing or acoustical instruments, they are un-matched for being able to articulate complex harmonic details. In fact, many customers think it's the most natural-sounding speaker they've ever heard at anywhere near the price.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProcessor Controlled Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDynamic processing is one of the best ways to maximize output without sacrificing sound quality. The D Series' built-in circuitry automatically adjusts program content, allowing the loudspeaker to operate at extreme levels. It accomplishes this by reducing bass output slightly as you approach the limit of the transducers. This frees up LF amp and transducer resources, so that higher overall volume can be realized. It's like having a tiny soundman inside each cabinet constantly monitoring and changing output parameters. By making subtle changes to the crossover frequency and the audio content, the system is able to crank out more sound — without the slightest hint of distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Power to Size Ratio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCutting-edge technology and high-fidelity speakers are not all it takes to get your message across — you need power, and lots of it. At the heart of each EUROLIVE D Series loudspeaker are two high-current amplifiers with a total output of 550-Watts for the B212D\/B215D and 200-Watts for the B210D\/B208D. They're capable of driving the speakers to their maximum with no distortion — and without speaker damage, thanks to active internal protection circuits. Put simply, they will astound you with their massive punch, smooth mids and articulate top-end!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhich Speaker do I Need?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs you've probably noticed, we make these active loudspeakers in four different woofer sizes. Which one is right for you?\u003cbr\u003eWell, let's start with your application. Is it spoken word in a hotel ballroom? Hard rock in a park? A folk singer or a drum 'n' bass DJ? Loud enough for an 18-year old or loud enough for your grandmother? A huge auditorium or a tiny club? Physics are physics and a 15\" low frequency transducer has almost 40% more surface area with which to move air than a 12\". A 12\" has 30% more area than a 10\", and a 10\" has 35% more than an 8\". So the easiest answer is \"Whether to choose one speaker cabinet over another depends on your bass requirements.\" If you're addressing a small meeting, or demoing the latest \"slice-o-chop-o-vegamatic\" at the swap meet or county fair, the B208D might be all the speaker you'll need. But if you're providing disco to the masses at a standing room only nightclub — or you just need to crank it up louder, then the B215D may be a better choice.\u003cbr\u003eAs you can see, \"Bass requirements\" isn't quite as easy an answer as it sounds. The larger a room's cubic volume, the more energy is required to achieve a given level of bass. 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And with integrated overload protection circuitry, they arrive ready to push it to the limit without putting their high or low frequency drivers in danger.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTriumphant Transducers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery stitch of these loudspeakers is built to deliver, but the fact is that their transducers (woofers and tweeters) are the only part you actually hear. While some manufacturers are okay with putting off-the-shelf transducers in their boxes, we custom-design and build ours from scratch. Not only do we wind our own voice coils, we grow the trees that are processed into the paper pulp that becomes the cones. We even machine the frames and backplates. BEHRINGER's quality is truly under control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBig Sound, Lightweight, Low Price\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBig here, small there, lots of this, light on that—everyone's got their preferences, but the EUROLIVE B212XL has proportions we can all agree upon. These loudspeakers pack a clean, punchy wallop (and can handle up to 800 Watts), they are easy to lift by their recessed handles (24 lbs) and are available at insanely low prices. Who wouldn't want to hook up with one of these beauties?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet on the Stick…or Get on Down\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B212XL is perfect either as part of a PA system or as an onstage monitor. If the situation calls for a PA, mount the speakers on stands via the 35mm pole socket. From there, send a line from the MAIN OUT of a mixer (such as a XENYX 1202FX) to a power amplifier (like the EUROPOWER EP1500). Finally, attach a B212XL to each of the amp's outputs. These loudspeakers have inputs for both professional speaker cable and ¼\\\" cable. Because they have two parallel inputs, you can connect up to two of them to any channel on a power amp.\u003cbr\u003eBut these loudspeakers don't have to be confined to an upright position. Just lay them on their sides for use as a floor monitor. You'll find that they tilt to the ideal angle for onstage monitor wedge applications.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640122994947,"sku":"450097","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/450097_5.jpg?v=1770096293"},{"product_id":"behringer-b2520-pro-eurolive-passive-2-200-watt-pa-loudspeaker","title":"Behringer B2520 PRO Eurolive Passive 2,200-Watt PA Loudspeaker","description":"\u003ch2\u003eBehringer B2520 PRO Eurolive Passive 2,200-Watt PA Loudspeaker\u003c\/h2\u003e\u003cp\u003eYou’ve worked hard to get to this point in your musical career. Now you’re ready to take your message to the masses. Your performance, and your audience, deserves a loudspeaker system that delivers the power and clarity of your vision—it deserves EUROLIVE Professional.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Handling Capacity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2520 PRO loudspeaker is engineered to handle the demands of professional gigs, from small clubs to large stages. Capable of handling up to 2,200 Watts, the B2520 PRO’s design makes it a great-sounding PA loudspeaker for front-of-house, as well as side fill monitor applications.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuxurious Lows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn order to produce tight, deep bass, a loudspeaker has to move lots of air. EUROLIVE Professional Series loudspeakers accomplish this by using powerful, long-excursion LF (Low Frequency) drivers that are handmade in our own factory. While some companies are content to use “off-the-shelf” drivers, we custom-design each LF driver to perfectly match its enclosure and application. The B2520 PRO features dual 15\" long-excursion LF drivers in a tuned enclosure, providing rich, tight bass all the way down to 50 Hz. That’s bass that you can feel, as well as hear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpacious Highs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh-frequency (HF) content can easily make or break your performance. Too much and the sound becomes brittle and obnoxious, too little and it sounds muddy and poorly defined. The EUROLIVE PRO Series’ 1.75\" titanium-diaphragm compression driver provides natural-sounding high end, with an ultra-wide 100° x 50° sound dispersion pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLet’s Get Technical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eB2520 PRO’s unique enclosure profile allows multiple positioning options: 10° or 35° cluster and stacking mode, or positioning as a side fill monitor. The B2520 PRO is capable of extremely high sound pressure levels (99 dB full space 1 W @ 1 m) and provides a 50 Hz to 18 kHz frequency range. Built-in overload-protection circuitry ensures optimal HF driver protection.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640123584771,"sku":"450093","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/450093_1.png?v=1778645048"},{"product_id":"behringer-europower-ep2000-2-000-watt-power-amplifier","title":"Behringer Europower EP2000 2,000-Watt Power Amplifier","description":"\u003ch2\u003eBehringer Europower EP2000 2,000-Watt Power Amplifier\u003c\/h2\u003e\u003cp\u003eThe EP2000 and EP4000 represent everything musicians love about our popular EP1500\/EP2500—excellent sound quality, road-worthy toughness and reliability, low-noise operation and incredible power. With 2,000 and 4,000-Watts respectively, the EP2000 and EP4000 amplifiers are perfect for medium-sized club gigs, mobile PA systems, church services or public spaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEverything You Need, Nothing You Don’t\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe über-simple front panel controls of these amps give you all of your sound’s vital signs at a glance. After flipping the MAIN switch, the POWER LED will light when the amp is ready for action. Both channels have independent gain dials as well as clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also SIGNAL LEDs that light up when a signal is present at the input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePanel Discussion\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA panel of switches found on the back panel offers an array of cool options to apply to both channels of the EP2000 and EP4000. The Clip Limiter lets you get even more out of the amplifier without overdriving either it or your speaker system. Built-in circuitry automatically senses when the EP2000 or EP4000 is being overdriven into “clipping” and then momentarily reduces the input level to avoid clipping distortion. This all happens in a few thousandths of a second, so it’s an inaudible way of avoiding audible clipping distortion. Of course, you can turn the Limiter off if you’re feeling lucky.\u003cbr\u003e\u003cbr\u003eUltra-low frequency sounds (infrasonics) are caused by rickety stage vibrations, mic thumps and wind noise. While technically inaudible, they can cause a huge drain on amp power, potential damage to your speakers and a sludgy sound in the audible bass ranges. Both EP models feature a defeatable Low Cut Filter that chops off unwanted frequencies below 50Hz or 30Hz (depending on your PA system’s capabilities).\u003cbr\u003e\u003cbr\u003eThe same panel contains the switches that allow you to put these amps to work in either stereo or bridge (mono) mode. Both the EP2000 and EP4000 can be linked to additional power amps by switching into parallel mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThese Amps Have Guts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere’s plenty of awesome features on the outside of the EP2000 and EP4000, but there’s also a team of cool components on the inside helping it work its magic. They come loaded with famously reliable Toshiba\/Fairchild power transistors as well as a high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects the amplifier and speakers from any show-stopping meltdowns. There’s no need for fuses, giving you one fewer potential mid-gig headache.\u003cbr\u003e\u003cbr\u003eThe EP2000 and EP4000 have both XLR and 1\/4\" TRS inputs. Even the outputs are totally flexible, consisting of Speakon-compatible outputs and five-way binding posts. Whether you’re dealing with bare wire or boutique audiophile cabling, the EP2000 and EP4000 are right at home.\u003cbr\u003eThe exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps these amps working in the mild temperatures they love, even through periods of extended use. Finally, an impact-resistant, all-steel 2U rackmount chassis helps these workhorses stand up to all the rigors of the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerated Transient Response Delivers the Knock-Out Punch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely highslew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Legend Powers On\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you read the reviews of the EP2000 and EP4000’s older brothers, the EP1500 and EP2500, and it’s clear that those amps are renowned not only for their performance and durability, but also their astoundingly low price tags. The EP2000 and EP4000 extend that legacy to the next level. Why shell out for a “Brand-X” amp when you can get a BEHRINGER EUROPOWER amp and have money left over for other gear?\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640128139523,"sku":"450170","price":659.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/beh-ep2000_8a23e475-b72a-474a-a33a-a6d9ec4b022e.jpg?v=1743272343"},{"product_id":"behringer-europower-ep4000-4-000-watt-power-amplifier","title":"Behringer Europower EP4000 4,000-Watt Power Amplifier","description":"\u003ch2\u003eBehringer Europower EP4000 4,000-Watt Power Amplifier\u003c\/h2\u003e\u003cp\u003eThe EP2000 and EP4000 represent everything musicians love about our popular EP1500\/EP2500—excellent sound quality, road-worthy toughness and reliability, low-noise operation and incredible power. With 2,000 and 4,000-Watts respectively, the EP2000 and EP4000 amplifiers are perfect for medium-sized club gigs, mobile PA systems, church services or public spaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEverything You Need, Nothing You Don’t\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe über-simple front panel controls of these amps give you all of your sound’s vital signs at a glance. After flipping the MAIN switch, the POWER LED will light when the amp is ready for action. Both channels have independent gain dials as well as clip LEDs that indicate when the signal is distorted and you need to reduce the gain. There are also SIGNAL LEDs that light up when a signal is present at the input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePanel Discussion\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA panel of switches found on the back panel offers an array of cool options to apply to both channels of the EP2000 and EP4000. The Clip Limiter lets you get even more out of the amplifier without overdriving either it or your speaker system. Built-in circuitry automatically senses when the EP2000 or EP4000 is being overdriven into “clipping” and then momentarily reduces the input level to avoid clipping distortion. This all happens in a few thousandths of a second, so it’s an inaudible way of avoiding audible clipping distortion. Of course, you can turn the Limiter off if you’re feeling lucky.\u003cbr\u003e\u003cbr\u003eUltra-low frequency sounds (infrasonics) are caused by rickety stage vibrations, mic thumps and wind noise. While technically inaudible, they can cause a huge drain on amp power, potential damage to your speakers and a sludgy sound in the audible bass ranges. Both EP models feature a defeatable Low Cut Filter that chops off unwanted frequencies below 50Hz or 30Hz (depending on your PA system’s capabilities).\u003cbr\u003e\u003cbr\u003eThe same panel contains the switches that allow you to put these amps to work in either stereo or bridge (mono) mode. Both the EP2000 and EP4000 can be linked to additional power amps by switching into parallel mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThese Amps Have Guts\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere’s plenty of awesome features on the outside of the EP2000 and EP4000, but there’s also a team of cool components on the inside helping it work its magic. They come loaded with famously reliable Toshiba\/Fairchild power transistors as well as a high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects the amplifier and speakers from any show-stopping meltdowns. There’s no need for fuses, giving you one fewer potential mid-gig headache.\u003cbr\u003e\u003cbr\u003eThe EP2000 and EP4000 have both XLR and 1\/4\" TRS inputs. Even the outputs are totally flexible, consisting of Speakon-compatible outputs and five-way binding posts. Whether you’re dealing with bare wire or boutique audiophile cabling, the EP2000 and EP4000 are right at home.\u003cbr\u003eThe exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps these amps working in the mild temperatures they love, even through periods of extended use. Finally, an impact-resistant, all-steel 2U rackmount chassis helps these workhorses stand up to all the rigors of the road.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerated Transient Response Delivers the Knock-Out Punch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely highslew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. 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Why shell out for a “Brand-X” amp when you can get a BEHRINGER EUROPOWER amp and have money left over for other gear?\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640128762115,"sku":"450169","price":789.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/beh-ep4000_1.png?v=1770095414"},{"product_id":"behringer-multicom-pro-xl-mdx4600-4-channel-expander-gate-compressor","title":"Behringer Multicom Pro-XL MDX4600 4-Channel Expander\/Gate\/Compressor","description":"\u003ch2\u003eBehringer Multicom Pro-XL MDX4600 4-Channel Expander\/Gate\/Compressor\u003c\/h2\u003e\u003cp\u003eThe MULTICOM PRO-XL MDX4600 gives you four channels of first-class dynamic control in a single rack space.\u003c\/p\u003e\n\u003cp\u003eWith a multitude of new features like the advanced program-adaptive expander gate, extensive metering plus a variety of configuration options, the MULTICOM PRO-XL puts a lot of dynamic processing power in your rack.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640131678467,"sku":"450523","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/beh-mdx4600_1.jpg?v=1770098410"},{"product_id":"behringer-ms16-active-compact-monitors-pair","title":"Behringer MS16 Active 16W Personal Monitor Speakers (Pair)","description":"\u003ch2\u003eBehringer MS16 Active 16W Personal Monitor Speakers (Pair)\u003c\/h2\u003e\u003cp data-start=\"179\" data-end=\"598\"\u003eThe \u003cstrong data-start=\"183\" data-end=\"201\"\u003eBehringer MS16\u003c\/strong\u003e is a compact and versatile pair of active two-way monitor speakers designed for project studios, multimedia workstations, gaming setups, and home listening environments. Delivering impressive sound quality in a small footprint, the MS16 system offers a simple yet effective upgrade for anyone seeking better audio performance from their computer, keyboard, or small recording setup.\u003c\/p\u003e\n\u003cp data-start=\"600\" data-end=\"1049\"\u003eThis 16-watt stereo system features powerful 4\" woofers and 1.5\" tweeters, providing clear, balanced sound with strong bass response and crisp highs. Dedicated front-panel controls for Volume, Bass, and Treble make it easy to fine-tune your sound to suit any application, whether you’re mixing music, watching movies, or playing games. Compact and lightweight, the MS16 speakers are ideal for desktop setups where space is limited.\u003c\/p\u003e\n\u003cp data-start=\"1051\" data-end=\"1585\"\u003eThe MS16 takes flexibility even further with a built-in mixer that supports a wide range of audio sources. You can connect CD\/MP3 players or mobile devices via the 3.5 mm stereo input, plug in keyboards or other equipment using the dual RCA inputs, or even connect a microphone or electric guitar through the ¼\" input. This allows you to sing, play, or jam along with your favourite tracks effortlessly. For private listening, the 3.5 mm headphone output automatically mutes the speakers when in use.\u003c\/p\u003e\n\u003cp data-start=\"1587\" data-end=\"1990\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eDesigned for convenience and versatility, the Behringer MS16 also features magnetically shielded enclosures, allowing you to place the speakers near computer monitors without interference. 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These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Class-D Technology?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInstead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. 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Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Control, State-of-the-Art Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. 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These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Class-D Technology?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInstead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. 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Powered outputs on these mixers are available in professional Speakon-compatible format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmall, Simple, Superb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMedium-sized events call for a lightweight (PMP6000: 13.1 kg\/ 28.9 lbs; PMP4000: 0.4 kg\/22.9 lbs; PMP1680S: 9.9 kg\/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. 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These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat is Class-D Technology?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eInstead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.\u003cbr\u003e\u003cbr\u003eWhen used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMassive Mono or Stunning Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Control, State-of-the-Art Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. 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You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.\u003cbr\u003e\u003cbr\u003eA STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD\/TAPE inputs.\u003cbr\u003e\u003cbr\u003eThe FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Ins and Outs\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eUse the CD\/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.\u003cbr\u003e\u003cbr\u003eCD\/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼\\\" connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. 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This mixer works perfectly for small bands or churches, business conferences with both microphone and A\/V equipment as well as sub-mixing keyboards, drums, samplers or multiple vocal mics. It’s also the ideal choice for monitoring multi-track recording projects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChannel Some Serious Mojo\u003c\/strong\u003e\u003cbr\u003eSometimes you feel like a mic… or a sampler…or a drum machine. Sometimes you don’t. Whatever the situation calls for, the RX1202FX is ready to accommodate. Each mono channel (1-8) features an XLR input, a balanced 1\/4\" mono input and an INSERT jack for patching external signal processors directly into the channel. Mono channels feature a TRIM control and CLIP LED to adjust the input gain; a two-band EQ (HIGH, MID and LOW controls); FX control to determine how much of an effect to apply to the channel; a PAN control; and a smooth 60mm fader to determine the channel’s level in the mix. 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For live performances, keep pre-recorded music cued up for between-set breaks by connecting a CD player or MP3 player via the stereo CD\/TAPE IN jacks. If the band wants a recording of their performance, send signal to a recording device such as a mini-disc recorder via the CD\/TAPE OUT jacks. Use the MON AUX SEND to send signal to floor monitors in a live setting, or to a headphone amp in a recording setting. When it’s time for playback of recorded material, send signal to studio monitors through the CTRL OUT jack.\u003cbr\u003e\u003cbr\u003eIf a recording session or live performance calls for an effect not programmed in the onboard FX processor, send signal to an outboard effects unit via the FX AUX SEND, then feed the signal back to the RX1202FX through the AUX RETURN jacks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffects, Effortlessly\u003c\/strong\u003e\u003cbr\u003eThe FX\/CTRL section puts sophisticated digital effects at your fingertips. 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Our engineers have really outdone themselves, creating two self-contained PA solutions that merge state-of-the-art, 1,000-Watt Class-D power amp technology, built-in wireless microphone capability and exceptional portability. These professional active loudspeakers are destined to become legends in its own right, alongside the other EUROLIVE models that have made BEHRINGER the world leader in active loudspeakers.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCut the Fat; Keep the Beef\u003c\/strong\u003e\u003cbr\u003eWe drew from our considerable experience to build these performance-grade loudspeakers and made them lighter (B115D: 38 lbs.\/17.2 kg; B112D: 32 lbs.\/14.5 kg) and more powerful. We started with custom-engineered Class-D power amps for the ultimate in low-distortion power and efficiency. 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With its 40-Watt Class-D amplifier and premium 2-way speaker system, the MPA40BT-PRO provides superb sound – and the rechargeable battery lasts up to 12 hours. We’ve included a high-quality dynamic microphone, but you can easily add 1 or 2 of our ULM digital microphones (not included) to create a supremely easy-to-use wireless, go-anywhere PA system – on wheels!\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBluetooth Ready\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe days of tape decks, CD and even mp3 players are long gone. Now your music lives on your smartphone or computer tablet, so you can stop searching for those outdated cables and fancy adapters. Now with a simple wave of your hand, you can stream music from any Bluetooth-equipped device such as your iPad, iPod touch, iPhone or even your laptop computer. 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The PPA2000BT’s integrated 8-channel mixer has enough inputs for 4 microphones, 2 musical instruments, your favorite MP3 player and more – making it ideal for parties, schools, corporate and educational presentations, working musicians and even weddings. Built-in Bluetooth connectivity allows you to stream music from your smart-phone, tablet or other Bluetooth-equipped device. Best of all, the PPA2000BT is “wireless ready” for our high-quality ULM Series digital microphones, so you can become completely mobile. This powerful, 2,000-Watt marvel also features the crème de la crème of professional vocal effects from world-famous KLARK TEKNIK – and our amazing FBQ Feedback Detection System for the ultimate freedom from feedback. 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