{"title":"Portable Broadcast \u0026 Field Kits","description":"\u003ch2\u003ePortable Broadcast \u0026amp; Field Kits for On‑Location Production\u003c\/h2\u003e\n\u003cp\u003eTake your production anywhere with our range of \u003cstrong\u003eportable broadcast and field kits\u003c\/strong\u003e from Videoguys Australia. Designed for mobile AV professionals, these kits combine the essential tools needed for live streaming, field recording, ENG, and on‑location broadcasting. Each solution is carefully curated to help you deliver professional‑quality audio and video no matter where your work takes you.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact switchers, encoders, recorders, and monitors\u003c\/li\u003e\n\u003cli\u003eWireless AV systems, microphones, and camera rigs\u003c\/li\u003e\n\u003cli\u003eMobile‑ready gear from trusted brands like Blackmagic, Hollyland, Zoom, and Atomos\u003c\/li\u003e\n\u003cli\u003eIdeal for news crews, educators, churches, and remote content teams\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhether you're streaming live, capturing breaking news, or filming in the field, our kits are built for quick deployment, portability, and pro‑level performance. Combine multiple components to create a fully integrated setup, from lightweight camera rigs to rugged monitors and wireless audio solutions. Every kit is backed by our expert support team, ensuring you have the right tools for any project and can set up with confidence wherever your production takes you.\u003c\/p\u003e","products":[{"product_id":"manfrotto-209-table-top-stand","title":"Manfrotto 209 Table Top Stand","description":"\u003ch2\u003eManfrotto 209 Table Top Stand\u003c\/h2\u003e\u003cp\u003e\u003cbr\u003eMade of rugged, heavy-duty aluminum, the\u003cstrong\u003e Manfrotto 209 Tabletop Tripod\u003c\/strong\u003e folds down small enough to slip into your camera bag or coat pocket, and is ready to give quick support to a lightweight camera. It features sturdy legs with sure-grip tips for stability. 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Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake.\u003c\/p\u003e\u003cp\u003eIn terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0\" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLumix S 20-60mm f\/3.5-5.6 Lens\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIncluded with the camera body is the ultra-wide to short portrait-length Lumix S 20-60mm f\/3.5-5.6 zoom. The distinct range of focal lengths is complemented by impressive close-focusing capabilities, which permit working with subjects as close as 5.9\" with a 0.43x magnification for near-macro performance. In terms of optics, the lens incorporates a series of aspherical, high refractive index, and low dispersion elements to control a variety of aberrations and realize a high degree of clarity and sharpness. A fluorine coating has been applied to the front element to reduce smudging and make it easier to clean and then lens also features a weather-sealed design for working in harsh environmental conditions. 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The metal surface is resistant to wear and tear. Utilizing the USB 3.2 Gen 2 Type-C standard, the reader supports up to 10 Gb\/s data transfer rates for quickly offloading high-res photos and videos. 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This revolutionary sensor technology raises the bar for full-frame imaging, including the ability to shoot raw continuously at up to 120 fps and enjoy flash sync up to the maximum shutter speed of 1\/80,000 second. Blending the functionality of this 24.6MP sensor with Sony's powerful BIONZ XR processor and AI Processing Unit results in a system that will provide unmatched performance for those looking for an incredibly responsive and reliable camera system.\u003c\/p\u003e\n\u003cp\u003eSony delivered the first full-frame global shutter mirrorless camera with the a9 III. Using a global shutter provides a leap in performance over the rolling shutter technology used for decades. A global shutter provides a near-instantaneous and simultaneous readout of all 24.6MP, eliminating skew and other artifacts that plagued rolling shutters. It also surpasses mechanical shutter technology in every way, making the physical shutter unnecessary in the a9 III.\u003c\/p\u003e\n\u003cp\u003eGlobal shutters help ensure consistent and uniform exposure across the entire frame in all lighting conditions. Flash sync is possible at any shutter speed the maximum of 1\/80,000 second. The simultaneous readout also prevents banding from certain light sources, such as fluorescent lighting. In a gym, outside, or with mixed artificial lighting, the a9 III will easily handle it.\u003c\/p\u003e\n\u003cp\u003eAlong with the key technology delivered by the sensor, the a9 III offers features new features to unlock the camera's full potential.\u003cbr\u003ePre-Capture: The a9 III can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.05-1.0 seconds. 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It can be attached to a handheld microphone of your choice for man-on-the-street interviews or to a shotgun mic for wireless booming. The plug-on provides 48V phantom power, giving you the option to use a condenser microphone. There is also a 3.5mm mic input for connecting a lavalier mic. 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Lightweight and comfortable for performers and presenters to wear, the bodypack features a rugged, all-metal housing well suited for daily use on stage.\u003c\/p\u003e\u003cp\u003eThe EW-D SK is equipped with a locking 3.5mm connector that accommodates the compatible lavalier or headset microphone of your choice, or an adapter cable for guitar and bass. With a remarkable 134 dB dynamic range on its input, it can handle a wide variety of sound sources, including loud vocalists and performers, connections to musical instruments, and even line-level signals from mixers, all without requiring any gain adjustment.\u003c\/p\u003e\u003cp\u003eThe unit features a mute button that can be locked out and overridden from the receiver or a mobile device during a performance. It quickly pairs with the receiver via Bluetooth at a distance up to 120', at the press of a button. 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The L70 USB dual-charging station (available separately) is required for the BA 70 batteries.\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cstrong\u003eNote: The EW-D SK is NOT backward-compatible with previous evolution analog systems.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44639510135043,"sku":"508781","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/508781_1_743eb54d-8b21-4b39-9cf5-9ef40ac1852f.jpg?v=1743267411"},{"product_id":"atomos-7-shogun-ultra-monitor-recorder","title":"Atomos 7\" Shogun Ultra Monitor-Recorder","description":"\u003ch2\u003eAtomos 7\" Shogun Ultra Monitor-Recorder\u003c\/h2\u003e\u003cp\u003eThe 7\" Shogun Ultra Monitor-Recorder, the latest in the ATOMOS line of Shogun onboard camera video monitor-recorders, brings built-in network connectivity to your mirrorless, DSLR, and cine-style capture, enabling fast and productive workflows. Efficient cloud-based workflow options include dual ProRes RAW\/H.265 recording for Camera to Cloud, automated matching file names with popular cine-style cameras, and 4K H.265 capture for instant publishing from the cloud. Partnering with industry-leading camera manufacturers ensures that the Shogun Ultra will work seamlessly with an increasingly wide range of cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAtomOS 11\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe 7\" Shogun Ultra features the new AtomOS 11 operating system with EL Zone exposure-referenced colorized images, ARRI false color, and new scheduled recording and playback tools.\u003c\/li\u003e\n\u003cli\u003eAn increased number of standard codecs include up to 8K Apple ProRes Raw, DNxHD, and H.265.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eComplete Connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMore Codecs: the 7\" Shogun Ultra's additional standard codecs include 8K Apple ProRes Raw, DNxHD, and H.265.\u003c\/li\u003e\n\u003cli\u003eDual Recording: the ability to record full-quality Apple ProRes Raw files at rates up to UHD 4K 60p while at the same time recording 1080p 60 to H.265 makes the 7\" Shogun Ultra ideal for use with cine-style cameras.\u003c\/li\u003e\n\u003cli\u003eMatched Files: file name matching provides easier workflows with ARRI, Canon, RED, and Sony cameras.\u003c\/li\u003e\n\u003cli\u003eImproved Monitoring: improved monitoring functions include EL ZONE System exposure and ARRI false color.\u003c\/li\u003e\n\u003cli\u003eRemoteView: this new feature enables you to share live views from your screen over the internet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eNDI TX Option\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUse the optional NDI transmission function to send high-quality video over ordinary networks (including Wi-Fi and mobile) using remarkably low bandwidth requirements.\u003c\/li\u003e\n\u003cli\u003eNDI is increasingly being used in live production, and now your Shogun can be part of an NDI environment.\u003c\/li\u003e\n\u003cli\u003eThe NDI TX option turns your Shogun into an NDI source, visible to all other authorized devices on the network.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eUltrabright Screen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Shogun Ultra's super-bright, large 7\" screen is viewable in almost every kind of light: indoors, outdoors, or anywhere you need critical, instantly viewable feedback on your images.\u003c\/li\u003e\n\u003cli\u003eI2000 cd\/m² brightness makes the Shogun Ultra ideal for checking your HDR footage while you’re still on set.\u003c\/li\u003e\n\u003cli\u003ePlay back your recently captured shots on the same pristine screen for reviewing or even uploading to the cloud.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDurable Build\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Shogun Ultra's durable housing is suitable for use in all environments.\u003c\/li\u003e\n\u003cli\u003eUse the built-in tally light to quickly see the recording status.\u003c\/li\u003e\n\u003cli\u003eThe solid Wi-Fi and AirGlu RF antennas ensure stable transmission.\u003c\/li\u003e\n\u003cli\u003ePower the Shogun Ultra using the L-series battery plate on the back of each monitor or optional DC power input.\u003c\/li\u003e\n\u003cli\u003eMount this monitor-recorder using the 3\/8”-16 threads on the top and bottom or use the included 1\/4”-20 adapter.\u003c\/li\u003e\n\u003cli\u003eThe Shogun Ultra has a built-in slot for the included Master Caddy III, an SD card slot that supports cards up to 4TB, and CFast II card compatibility using an SSDmini adapter to record as long as your media allows.\u003c\/li\u003e\n\u003cli\u003eThe USB-C port can be used to add options and for future AtomOS updates.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":44639565676803,"sku":"ATOMSHGU01","price":1899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/atomshgu01_4.jpg?v=1769571152"},{"product_id":"panasonic-lumix-g9-mark-ii-compact-system-camera-with-leica-12-35mm-f-2-8-lens","title":"Panasonic Lumix G9 Mark II Compact System Camera with Leica 12-35mm f\/2.8 Lens","description":"\u003ch2\u003ePanasonic Lumix G9 Mark II Compact System Camera with Leica 12-35mm f\/2.8 Lens\u003c\/h2\u003e \u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUnleash Your Adventurous Spirit with the LUMIX G9II. Featuring an all-new sensor, a revolutionary engine, and the first-ever Phase Hybrid Auto Focus in the LUMIX G Series.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEngineered for high-speed high-resolution imaging, the G9 II comes equipped with a 25.2MP Live MOS Micro Four Thirds sensor and an updated processor to create sharp, detailed stills and cinematic-quality DCI 4K and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, delivering realistic color tones and lifelike three-dimensional imagery. Additionally, the G9 II features a handheld high-res mode that compiles multiple exposures to create a single 100MP raw or JPEG file.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eBeyond stills shooting, the G9 II is a highly-capable video camera featuring up to DCI 4K and UHD 4K 60p unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K\/4K 120p video capture with 4:2:0 10-bit color.\u003c\/li\u003e\n\u003cli\u003eFrame Indicator function surrounds the frame with a red border as you record, helping you to avoid mistakes such as forgetting to press the record button.\u003c\/li\u003e\n\u003cli\u003eSimplifying the conversion process from anamorphic videos to vertical videos for social media, the Frame Marker function lets you record video while imagining the angle of view when cropping in post production.\u003c\/li\u003e\n\u003cli\u003eAWB Lock mode locks in auto white balance to optimize efficiency in situations where the light source is variable indoors due to a mixture of artificial and natural light, or in situations where manual settings based on color temperature would have been required.\u003c\/li\u003e\n\u003cli\u003eVertical Position Information function detects the vertical orientation of the video, allowing you to select whether or not to add the vertical position video information from the menu.\u003c\/li\u003e\n\u003cli\u003eAn advanced Focus Transition function automatically shifts the focus point at a constant speed for precise in-focus to out-focus points to give you the impressive rack focus motion picture effect.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePro-Level Video Versatility\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eV-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve, and an equivalent 13+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.\u003c\/li\u003e\n\u003cli\u003eWith the Lumix G9 II, recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.\u003c\/li\u003e\n\u003cli\u003eSupports ProRes 422 codec delivering outstanding image quality with low compression. This significantly reduces the load on your computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.\u003c\/li\u003e\n\u003cli\u003eReal Time LUT video recording to streamline your workflow and color grading.\u003c\/li\u003e\n\u003cli\u003eSupports .CUBE, .VLT, and .TXT formats for V-Log View Assist in real time to approximate the final look of your deliverable.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePhase Hybrid AF System\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe G9 II is the first Lumix G-series mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the G9 II persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e5-Axis Sensor-Shift Image Stabilization \u0026amp; Dual I.S. 2\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eHelping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the camera's 8 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization.\u003c\/li\u003e\n\u003cli\u003eDesigned for video applications, features Boost I.S., a digital image stabilization technology that aids in creating a stable composition when recording from a fixed perspective.\u003c\/li\u003e\n\u003cli\u003eNew Active I.S. mode that corrects for camera shake when shooting on the move. Additionally, an improved E.I.S system corrects for even larger camera shakes during running situations.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePowerful Photographic Features\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eEquipped with several recently-developed pre-programmed settings, the G9 II features the Leica Monochrome photo style, which delivers beautiful creations of black and white scenes.\u003c\/li\u003e\n\u003cli\u003eDynamic Range Boost setting creates a real-time HDR composition with a single exposure to rival the image quality of a full-frame camera.\u003c\/li\u003e\n\u003cli\u003eLive View Composite mode for nighttime photographers capturing starry skies and fireworks.\u003c\/li\u003e\n\u003cli\u003eImproved pre-burst shooting with 0.5, 1, and 1.5-second settings, allowing you to go back in time to capture those perfect moments.\u003c\/li\u003e\n\u003cli\u003eContinuous shooting rates of up to 75 fps when using the camera's electronic shutter, or up to 14 fps when using the mechanical shutter\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBody Design\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eA high-resolution 3.68m-dot OLED EVF offers a clear 0.8x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.\u003c\/li\u003e\n\u003cli\u003eLarge 3.0\" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.\u003c\/li\u003e\n\u003cli\u003eAn 8-direction joystick and easy-to-use menu design enable quick and efficient operation.\u003c\/li\u003e\n\u003cli\u003eDual SD memory card slots - both UHS-II-compatible - offer improved flexibility for image storage, allowing you to designate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.\u003c\/li\u003e\n\u003cli\u003eA USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.\u003c\/li\u003e\n\u003cli\u003eOptional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.\u003c\/li\u003e\n\u003cli\u003eA robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBluetooth \u0026amp; Wi-Fi\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBluetooth Low Energy (5.0) provides a constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b\/g\/n and 802.11a\/n\/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44639603589379,"sku":"DC-G9M2LPRO","price":4699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dc-g9m2lpro_2_74a6d150-0d1e-40c1-8839-4f19a7d98063.jpg?v=1743268586"},{"product_id":"panasonic-lumix-g9-mark-ii-compact-system-camera-with-leica-dg-12-60mm-f-2-8-4-0-lens","title":"Panasonic Lumix G9 Mark II Compact System Camera with Leica DG 12-60mm f\/2.8-4.0 Lens","description":"\u003ch2\u003ePanasonic Lumix G9 Mark II Compact System Camera with Leica DG 12-60mm f\/2.8-4.0 Lens\u003c\/h2\u003e \u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUnleash Your Adventurous Spirit with the LUMIX G9II. Featuring an all-new sensor, a revolutionary engine, and the first-ever Phase Hybrid Auto Focus in the LUMIX G Series.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEngineered for high-speed high-resolution imaging, the G9 II comes equipped with a 25.2MP Live MOS Micro Four Thirds sensor and an updated processor to create sharp, detailed stills and cinematic-quality DCI 4K and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, delivering realistic color tones and lifelike three-dimensional imagery. Additionally, the G9 II features a handheld high-res mode that compiles multiple exposures to create a single 100MP raw or JPEG file.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eBeyond stills shooting, the G9 II is a highly-capable video camera featuring up to DCI 4K and UHD 4K 60p unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K\/4K 120p video capture with 4:2:0 10-bit color.\u003c\/li\u003e\n\u003cli\u003eFrame Indicator function surrounds the frame with a red border as you record, helping you to avoid mistakes such as forgetting to press the record button.\u003c\/li\u003e\n\u003cli\u003eSimplifying the conversion process from anamorphic videos to vertical videos for social media, the Frame Marker function lets you record video while imagining the angle of view when cropping in post production.\u003c\/li\u003e\n\u003cli\u003eAWB Lock mode locks in auto white balance to optimize efficiency in situations where the light source is variable indoors due to a mixture of artificial and natural light, or in situations where manual settings based on color temperature would have been required.\u003c\/li\u003e\n\u003cli\u003eVertical Position Information function detects the vertical orientation of the video, allowing you to select whether or not to add the vertical position video information from the menu.\u003c\/li\u003e\n\u003cli\u003eAn advanced Focus Transition function automatically shifts the focus point at a constant speed for precise in-focus to out-focus points to give you the impressive rack focus motion picture effect.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePro-Level Video Versatility\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eV-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve, and an equivalent 13+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.\u003c\/li\u003e\n\u003cli\u003eWith the Lumix G9 II, recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.\u003c\/li\u003e\n\u003cli\u003eSupports ProRes 422 codec delivering outstanding image quality with low compression. This significantly reduces the load on your computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.\u003c\/li\u003e\n\u003cli\u003eReal Time LUT video recording to streamline your workflow and color grading.\u003c\/li\u003e\n\u003cli\u003eSupports .CUBE, .VLT, and .TXT formats for V-Log View Assist in real time to approximate the final look of your deliverable.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePhase Hybrid AF System\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe G9 II is the first Lumix G-series mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the G9 II persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e5-Axis Sensor-Shift Image Stabilization \u0026amp; Dual I.S. 2\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eHelping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the camera's 8 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization.\u003c\/li\u003e\n\u003cli\u003eDesigned for video applications, features Boost I.S., a digital image stabilization technology that aids in creating a stable composition when recording from a fixed perspective.\u003c\/li\u003e\n\u003cli\u003eNew Active I.S. mode that corrects for camera shake when shooting on the move. Additionally, an improved E.I.S system corrects for even larger camera shakes during running situations.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePowerful Photographic Features\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eEquipped with several recently-developed pre-programmed settings, the G9 II features the Leica Monochrome photo style, which delivers beautiful creations of black and white scenes.\u003c\/li\u003e\n\u003cli\u003eDynamic Range Boost setting creates a real-time HDR composition with a single exposure to rival the image quality of a full-frame camera.\u003c\/li\u003e\n\u003cli\u003eLive View Composite mode for nighttime photographers capturing starry skies and fireworks.\u003c\/li\u003e\n\u003cli\u003eImproved pre-burst shooting with 0.5, 1, and 1.5-second settings, allowing you to go back in time to capture those perfect moments.\u003c\/li\u003e\n\u003cli\u003eContinuous shooting rates of up to 75 fps when using the camera's electronic shutter, or up to 14 fps when using the mechanical shutter\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBody Design\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eA high-resolution 3.68m-dot OLED EVF offers a clear 0.8x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.\u003c\/li\u003e\n\u003cli\u003eLarge 3.0\" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.\u003c\/li\u003e\n\u003cli\u003eAn 8-direction joystick and easy-to-use menu design enable quick and efficient operation.\u003c\/li\u003e\n\u003cli\u003eDual SD memory card slots - both UHS-II-compatible - offer improved flexibility for image storage, allowing you to designate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.\u003c\/li\u003e\n\u003cli\u003eA USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.\u003c\/li\u003e\n\u003cli\u003eOptional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.\u003c\/li\u003e\n\u003cli\u003eA robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBluetooth \u0026amp; Wi-Fi\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBluetooth Low Energy (5.0) provides a constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b\/g\/n and 802.11a\/n\/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44639609159939,"sku":"DC-G9M2LEICA","price":4399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dc-g9m2leica_6_f33e76f4-680c-4fef-955c-adbaed262161.jpg?v=1743268603"},{"product_id":"panasonic-lumix-g9-mark-ii-compact-system-camera-with-lumix-g-12-60mm-f-3-5-5-6-lens","title":"Panasonic Lumix G9 Mark II Compact System Camera with Lumix G 12-60mm f\/3.5-5.6 Lens","description":"\u003ch2\u003ePanasonic Lumix G9 Mark II Compact System Camera with Lumix G 12-60mm f\/3.5-5.6 Lens\u003c\/h2\u003e \u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUnleash Your Adventurous Spirit with the LUMIX G9II. Featuring an all-new sensor, a revolutionary engine, and the first-ever Phase Hybrid Auto Focus in the LUMIX G Series.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEngineered for high-speed high-resolution imaging, the G9 II comes equipped with a 25.2MP Live MOS Micro Four Thirds sensor and an updated processor to create sharp, detailed stills and cinematic-quality DCI 4K and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, delivering realistic color tones and lifelike three-dimensional imagery. Additionally, the G9 II features a handheld high-res mode that compiles multiple exposures to create a single 100MP raw or JPEG file.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eBeyond stills shooting, the G9 II is a highly-capable video camera featuring up to DCI 4K and UHD 4K 60p unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K\/4K 120p video capture with 4:2:0 10-bit color.\u003c\/li\u003e\n\u003cli\u003eFrame Indicator function surrounds the frame with a red border as you record, helping you to avoid mistakes such as forgetting to press the record button.\u003c\/li\u003e\n\u003cli\u003eSimplifying the conversion process from anamorphic videos to vertical videos for social media, the Frame Marker function lets you record video while imagining the angle of view when cropping in post production.\u003c\/li\u003e\n\u003cli\u003eAWB Lock mode locks in auto white balance to optimize efficiency in situations where the light source is variable indoors due to a mixture of artificial and natural light, or in situations where manual settings based on color temperature would have been required.\u003c\/li\u003e\n\u003cli\u003eVertical Position Information function detects the vertical orientation of the video, allowing you to select whether or not to add the vertical position video information from the menu.\u003c\/li\u003e\n\u003cli\u003eAn advanced Focus Transition function automatically shifts the focus point at a constant speed for precise in-focus to out-focus points to give you the impressive rack focus motion picture effect.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePro-Level Video Versatility\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eV-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve, and an equivalent 13+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.\u003c\/li\u003e\n\u003cli\u003eWith the Lumix G9 II, recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.\u003c\/li\u003e\n\u003cli\u003eSupports ProRes 422 codec delivering outstanding image quality with low compression. This significantly reduces the load on your computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.\u003c\/li\u003e\n\u003cli\u003eReal Time LUT video recording to streamline your workflow and color grading.\u003c\/li\u003e\n\u003cli\u003eSupports .CUBE, .VLT, and .TXT formats for V-Log View Assist in real time to approximate the final look of your deliverable.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePhase Hybrid AF System\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe G9 II is the first Lumix G-series mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the G9 II persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e5-Axis Sensor-Shift Image Stabilization \u0026amp; Dual I.S. 2\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eHelping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the camera's 8 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization.\u003c\/li\u003e\n\u003cli\u003eDesigned for video applications, features Boost I.S., a digital image stabilization technology that aids in creating a stable composition when recording from a fixed perspective.\u003c\/li\u003e\n\u003cli\u003eNew Active I.S. mode that corrects for camera shake when shooting on the move. Additionally, an improved E.I.S system corrects for even larger camera shakes during running situations.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePowerful Photographic Features\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eEquipped with several recently-developed pre-programmed settings, the G9 II features the Leica Monochrome photo style, which delivers beautiful creations of black and white scenes.\u003c\/li\u003e\n\u003cli\u003eDynamic Range Boost setting creates a real-time HDR composition with a single exposure to rival the image quality of a full-frame camera.\u003c\/li\u003e\n\u003cli\u003eLive View Composite mode for nighttime photographers capturing starry skies and fireworks.\u003c\/li\u003e\n\u003cli\u003eImproved pre-burst shooting with 0.5, 1, and 1.5-second settings, allowing you to go back in time to capture those perfect moments.\u003c\/li\u003e\n\u003cli\u003eContinuous shooting rates of up to 75 fps when using the camera's electronic shutter, or up to 14 fps when using the mechanical shutter\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBody Design\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eA high-resolution 3.68m-dot OLED EVF offers a clear 0.8x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.\u003c\/li\u003e\n\u003cli\u003eLarge 3.0\" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.\u003c\/li\u003e\n\u003cli\u003eAn 8-direction joystick and easy-to-use menu design enable quick and efficient operation.\u003c\/li\u003e\n\u003cli\u003eDual SD memory card slots - both UHS-II-compatible - offer improved flexibility for image storage, allowing you to designate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.\u003c\/li\u003e\n\u003cli\u003eA USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.\u003c\/li\u003e\n\u003cli\u003eOptional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.\u003c\/li\u003e\n\u003cli\u003eA robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBluetooth \u0026amp; Wi-Fi\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBluetooth Low Energy (5.0) provides a constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b\/g\/n and 802.11a\/n\/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44639611126019,"sku":"DC-G9M2M","price":3499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dc-g9m2m_5_6c4939c4-5a19-4fe9-a23b-5208322d6625.jpg?v=1743268626"},{"product_id":"panasonic-lumix-g9-mark-ii-compact-system-camera-body-only","title":"Panasonic Lumix G9 Mark II Compact System Camera (Body Only)","description":"\u003ch2\u003ePanasonic Lumix G9 Mark II Compact System Camera (Body Only)\u003c\/h2\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eUnleash Your Adventurous Spirit with the LUMIX G9II. Featuring an all-new sensor, a revolutionary engine, and the first-ever Phase Hybrid Auto Focus in the LUMIX G Series.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEngineered for high-speed high-resolution imaging, the G9 II comes equipped with a 25.2MP Live MOS Micro Four Thirds sensor and an updated processor to create sharp, detailed stills and cinematic-quality DCI 4K and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, delivering realistic color tones and lifelike three-dimensional imagery. Additionally, the G9 II features a handheld high-res mode that compiles multiple exposures to create a single 100MP raw or JPEG file.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eBeyond stills shooting, the G9 II is a highly-capable video camera featuring up to DCI 4K and UHD 4K 60p unlimited recording with 4:2:2 10-bit color, and for videographers who want to create high-resolution slow-motion video, the camera also supports C4K\/4K 120p video capture with 4:2:0 10-bit color.\u003c\/li\u003e\n\u003cli\u003eFrame Indicator function surrounds the frame with a red border as you record, helping you to avoid mistakes such as forgetting to press the record button.\u003c\/li\u003e\n\u003cli\u003eSimplifying the conversion process from anamorphic videos to vertical videos for social media, the Frame Marker function lets you record video while imagining the angle of view when cropping in post production.\u003c\/li\u003e\n\u003cli\u003eAWB Lock mode locks in auto white balance to optimize efficiency in situations where the light source is variable indoors due to a mixture of artificial and natural light, or in situations where manual settings based on color temperature would have been required.\u003c\/li\u003e\n\u003cli\u003eVertical Position Information function detects the vertical orientation of the video, allowing you to select whether or not to add the vertical position video information from the menu.\u003c\/li\u003e\n\u003cli\u003eAn advanced Focus Transition function automatically shifts the focus point at a constant speed for precise in-focus to out-focus points to give you the impressive rack focus motion picture effect.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePro-Level Video Versatility\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eV-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve, and an equivalent 13+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.\u003c\/li\u003e\n\u003cli\u003eWith the Lumix G9 II, recording and playback is supported using an external SSD via USB. Additionally, you have the ability to record ProRes 422 HQ and 4:2:2 10-bit All-Intra directly to an SSD, which combines portability and high capacity for improved efficiency in data backup and post-processing.\u003c\/li\u003e\n\u003cli\u003eSupports ProRes 422 codec delivering outstanding image quality with low compression. This significantly reduces the load on your computer during post-production and allows non-linear editing without transcoding, streamlining your workflow from start to finish.\u003c\/li\u003e\n\u003cli\u003eReal Time LUT video recording to streamline your workflow and color grading.\u003c\/li\u003e\n\u003cli\u003eSupports .CUBE, .VLT, and .TXT formats for V-Log View Assist in real time to approximate the final look of your deliverable.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePhase Hybrid AF System\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe G9 II is the first Lumix G-series mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the G9 II persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e5-Axis Sensor-Shift Image Stabilization \u0026amp; Dual I.S. 2\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eHelping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the camera's 8 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization.\u003c\/li\u003e\n\u003cli\u003eDesigned for video applications, features Boost I.S., a digital image stabilization technology that aids in creating a stable composition when recording from a fixed perspective.\u003c\/li\u003e\n\u003cli\u003eNew Active I.S. mode that corrects for camera shake when shooting on the move. Additionally, an improved E.I.S system corrects for even larger camera shakes during running situations.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePowerful Photographic Features\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eEquipped with several recently-developed pre-programmed settings, the G9 II features the Leica Monochrome photo style, which delivers beautiful creations of black and white scenes.\u003c\/li\u003e\n\u003cli\u003eDynamic Range Boost setting creates a real-time HDR composition with a single exposure to rival the image quality of a full-frame camera.\u003c\/li\u003e\n\u003cli\u003eLive View Composite mode for nighttime photographers capturing starry skies and fireworks.\u003c\/li\u003e\n\u003cli\u003eImproved pre-burst shooting with 0.5, 1, and 1.5-second settings, allowing you to go back in time to capture those perfect moments.\u003c\/li\u003e\n\u003cli\u003eContinuous shooting rates of up to 75 fps when using the camera's electronic shutter, or up to 14 fps when using the mechanical shutter\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBody Design\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cul\u003e\n\u003cli\u003eA high-resolution 3.68m-dot OLED EVF offers a clear 0.8x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.\u003c\/li\u003e\n\u003cli\u003eLarge 3.0\" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.\u003c\/li\u003e\n\u003cli\u003eAn 8-direction joystick and easy-to-use menu design enable quick and efficient operation.\u003c\/li\u003e\n\u003cli\u003eDual SD memory card slots - both UHS-II-compatible - offer improved flexibility for image storage, allowing you to designate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.\u003c\/li\u003e\n\u003cli\u003eA USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.\u003c\/li\u003e\n\u003cli\u003eOptional XLR Microphone Adapter that provides XLR inputs and physical controls through a hot shoe connection.\u003c\/li\u003e\n\u003cli\u003eA robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBluetooth \u0026amp; Wi-Fi\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBluetooth Low Energy (5.0) provides a constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b\/g\/n and 802.11a\/n\/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44639638225155,"sku":"DC-G9M2GN","price":3299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dc-g9m2gn_8_42209f7d-3485-4a9b-8e8a-b6122e995e1e.jpg?v=1743268820"},{"product_id":"sony-a7cr-mirrorless-camera-black","title":"Sony a7CR Mirrorless Camera (Black)","description":"\u003ch2\u003eSony a7CR Mirrorless Camera (Black)\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eA Compact Powerhouse for Everyday Carry\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePacked with processing and resolving power, \u003cstrong\u003eSony\u003c\/strong\u003e has stuffed the a7R V's 61MP full-frame sensor and BIONZ XR processor into its beefiest compact yet, the black \u003cstrong\u003ea7CR Mirrorless Camera\u003c\/strong\u003e, putting professional image quality into a form factor optimized for all-day, everyday carry.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e61MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Sony a7CR's advanced imaging system is powered by a 61MP Full-Frame Exmor R CMOS sensor and the BIONZ XR processor, a potent combination of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. In terms of shooting speeds, the sensor and processor enable up to 8 fps shooting with the mechanical shutter and 7 fps with the electronic shutter at full resolution with full-time AF\/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eImproved Processing Engine\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA new BIONZ XR processing engine offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003ePixel Shift Multi-Shooting\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAccurate Exposure and Color\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe a7CR uses AI-powered algorithms like Human Pose Estimation to detect skin areas for more accurately balanced exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto-white balance processing.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAI Processing Unit\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUsing dedicated processing, the a7RC's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eHuman, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.\u003c\/li\u003e\n\u003cli\u003eAnimal, Bird, and Animal\/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds, and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.\u003c\/li\u003e\n\u003cli\u003eInsect recognition offers even finer performance with the ability to detect the head or entire insect subject.\u003c\/li\u003e\n\u003cli\u003eCar\/Train and Airplane recognition means the camera can detect the front part of a train, the nose of an airplane, or easily detect the entire fast-moving subject.\u003c\/li\u003e\n\u003cli\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAdvanced Fast Hybrid AF\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eCovering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/li\u003e\n\u003cli\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/li\u003e\n\u003cli\u003eFor photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.\u003c\/li\u003e\n\u003cli\u003eIn-camera focus bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with a greater-than-possible depth of field.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAF During Video Recording\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/li\u003e\n\u003cli\u003eFocus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/li\u003e\n\u003cli\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/li\u003e\n\u003cli\u003eA unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Recording \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord full frame, 60 fps 4K video in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb\/s, and, if recording externally via the full-size HDMI port, 16-bit raw output can be used for even greater tonal reproduction and post-production flexibility.\u003c\/li\u003e\n\u003cli\u003eIf using a Super 35 crop, full pixel readout recording is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for greater sharpness and detail.\u003c\/li\u003e\n\u003cli\u003eRaw output is supported at up to 4K 60p and simultaneous internal 4K recording is possible, too.\u003c\/li\u003e\n\u003cli\u003eIf recording in Full HD, high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p.\u003c\/li\u003e\n\u003cli\u003eThe S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstrong\u003eBody Design and Connectivity \u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eThe introduction of a front command dial puts an added level of control and speed at the tip of your forefinger and ensures that you won't be all thumbs at the moment of peak action.\u003c\/li\u003e\n\u003cli\u003eUse the camera's USB output function with UVC\/UAC control via a computer for streaming applications and broadcasts.\u003c\/li\u003e\n\u003cli\u003eBuilt-in 802.11a\/b\/g\/n\/ac Wi-Fi allows communication on the 2.4 GHz and 5 GHz bands to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites.\u003c\/li\u003e\n\u003cli\u003eIntegrated 3.5mm headphone and microphone ports afford greater control over audio during video recording.\u003c\/li\u003e\n\u003cli\u003eThe 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution, .70x magnification means for eye-level monitoring and sports and a dedicated 120 fps mode for smoother viewing when tracking moving subjects.\u003c\/li\u003e\n\u003cli\u003eThe side-opening, vari-angle 3.0\" 1.03m-dot LCD touchscreen works from high, low, and front-facing angles.\u003c\/li\u003e\n\u003cli\u003eAccepts the high-capacity Z battery rechargeable lithium-ion battery and can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.\u003c\/li\u003e\n\u003cli\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44639733022979,"sku":"ILCE7CR","price":4999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ilce7cr_7_80b4deab-a5e6-460d-ba28-df9ac32ce895.jpg?v=1743269413"},{"product_id":"sony-a7c-ii-mirrorless-camera-black","title":"Sony a7C II Mirrorless Camera (Black)","description":"\u003ch2\u003eSony a7C II Mirrorless Camera (Black)\u003c\/h2\u003e\u003cp\u003eBuilding off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e33.0MP Exmor R CMOS Sensor and BIONZ XR Processor\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. Introducing the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and a wide dynamic range.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAlong with its powerful sensor and processor, the Sony a7C brings a strong suite of video features to everyday content creators and videographers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/li\u003e\n\u003cli\u003eFull-frame 4K recording is possible with frame rates up to 30p, up to 60p in 4K with a Super35 crop, and full HD recording up to 120p, using full 1:1 pixel readout without binning.\u003c\/li\u003e\n\u003cli\u003eThe high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.\u003c\/li\u003e\n\u003cli\u003eSlow \u0026amp; Quick (S\u0026amp;Q) mode allows shooters to capture 4K video at specified steps between 1-60 fps and Full HD between 1-120 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene.\u003c\/li\u003e\n\u003cli\u003eThe S-Log3 and S-Gamut3.Cine gamma curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAI-Powered Autofocus and Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase-detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eVlog-Friendly AI-Enhanced Framing\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAdditionally, the AI Processing Unit recognizes and tracks subjects when recording video, seamlessly auto-cropping to maintain the subject in a prominent position in the frame and lending ease to otherwise difficult camerawork. This tracking can be custom-located within the frame and adjusted for speed and sensitivity, all at the touch of a finger.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle3_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eNow offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003eAdvanced Rendering\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFor stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters. For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44639737807107,"sku":"ILCE7CM2B","price":2999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ilce7cm2b_5_c34b021a-3e11-4042-9049-2ab8a1fad8e0.jpg?v=1743269434"},{"product_id":"behringer-micromix-mx400-ultra-low-noise-4-channel-line-mixer","title":"Behringer Micromix MX400 Ultra Low Noise 4 Channel Mono Line Mixer","description":"\u003ch2\u003eBehringer Micromix MX400 Ultra Low Noise 4 Channel Mono Line Mixer\u003c\/h2\u003e\u003cp\u003eDespite its ultra-compact size, this 4-channel mono line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance—the same op amps found in its much bigger brethren.\u003c\/p\u003e\n\u003cp\u003eExpanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer.\u003c\/p\u003e\n\u003cp\u003eIf you are running short on available channels on your “big” mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400’s output to a single input on your main mixer.\u003cbr\u003e\u003cbr\u003eIt will catch your eye because it’s cute as a button, but you’ll want to own one because of what it can do for your performance.\u003c\/p\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":44640133251331,"sku":"450059","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/beh-mx400_1.png?v=1770098341"},{"product_id":"sennheiser-skp2000-aw-wireless-plug-in-transmitter","title":"Sennheiser SKP2000-XPs Wireless Plug-In Transmitter","description":"\u003ch2\u003eSennheiser SKP2000-XPs Wireless Plug-In Transmitter\u003c\/h2\u003e \u003cp\u003ePractically any wired microphone can be a player in Sennheiser's 2000 ensemble. This plug-on transmitter makes it possible. Five frequency ranges with up to 75 MHz switching bandwidth also provide optimum flexibility for all components in the 2000 series. The transmitter settings on SKP 2000 can also be synchronized quickly and easily using infrared technology. Equipped with triple switchable transmission power and phantom powering, SKP 2000 is incredibly versatile.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e Rugged metal housing\u003cbr\u003e Up to 75 MHz switching bandwidth\u003cbr\u003e 20 fixed frequency bands with up to 64 compatible presets\u003cbr\u003e 6 banks each with up to 64 tunable channels\u003cbr\u003e Frequency setting in 25 kHz steps\u003cbr\u003e Pilot tone squelch for interference-free operation\u003cbr\u003e 48 V switchable phantom powering\u003cbr\u003e Backlit display on transmitter (keystroke activation)\u003cbr\u003e Auto-lock feature to prevent buttons from accidently being pressed\u003cbr\u003e Audio and RF MUTE feature for muting the transmitterTransmitters can be configured from the receiver menu\u003cbr\u003e Can be synchronized with the receiver using infrared interface\u003cbr\u003e Wide range of accessories for virtually any use\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44640459260163,"sku":"504051","price":909.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/504051_4f501cbd-3e28-405c-8520-7b73348826d7.jpg?v=1743274691"},{"product_id":"sennheiser-avx-ekp-camera-plug-on-wireless-receiver-1880-1900mhz","title":"Sennheiser AVX EKP Camera-Mount Digital Plug-In Receiver (1880-1900MHZ)","description":"\u003ch2\u003eSennheiser AVX EKP Camera-Mount Digital Plug-In Receiver (1880-1900MHZ)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eEKP AVX\u003c\/strong\u003e is the receiver for the AVX wireless microphone system. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. \u003cbr\u003e\u003cbr\u003eThe ultra compact receiver rotates around the XLR connector to avoid collision with other devices mounted on your camera. It switches on and off automatically with your camera - saving battery power. \u003cbr\u003e\u003cbr\u003eThe AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 11pt;\"\u003eLink Protection\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEnsures dependable transmission\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv 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primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 11pt;\"\u003eUltracompact Receiver\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOffers better space savings with less weight.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 11pt;\"\u003e\u003cstrong\u003eSwitches On\/Off by P48 Phantom Power\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eExtends the duration of the procedure to its fullest.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 11pt;\"\u003e\u003cstrong\u003eAuto Frequency Management\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSimplifies and streamlines the setup procedure\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 11pt;\"\u003e\u003cstrong\u003eAES 256 Encryption\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003ePrevents unauthorised parties from intercepting the system's signals.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 11pt;\"\u003e\u003cstrong\u003eLicense Free Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eOffers a handy wireless transmission alternative.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 11pt;\"\u003e\u003cstrong\u003eMetal Housing\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003eAllows for everyday use in professional applications.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44640517652739,"sku":"505854","price":699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/505854_2_eec1c673-eab0-4e8c-96e5-3de684fec8b1.jpg?v=1743274914"},{"product_id":"atomos-powered-docking-station-with-usb-3-1-gen-1-2-0","title":"Atomos Powered Docking Station with USB 3.1 Gen 1 \u0026 2.0","description":"\u003ch2\u003eAtomos Powered Docking Station with USB 3.1 Gen 1 \u0026amp; 2.0\u003c\/h2\u003e\u003cp\u003eAtomos Powered Docking Station will be an elegant addition to your computer desk as well as compact accessory for your transport bag. It supports a single drive caddy at a time and efficiently offloads the drive contents direct to your computer via an integrated USB cable. Both Master Caddy and Master Caddy II models are supported. This powered model is an upgrade over the previous Atomos USB 3.0 docking station, additionally featuring support for an Atomos RAID Caddy power cable for if you ever need to connect a RAID caddy.\u003c\/p\u003e\n\u003cp\u003eThe integrated USB cable features one USB 3.0 and one USB 2.0 connector, with the latter provided for compatibility with older computers. Older computer models may require both ports to be connected for a sufficient supply of power.\u003c\/p\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":44640527253763,"sku":"ATOMDCK003","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/atomdck003.jpg?v=1769565264"},{"product_id":"glanz-led-312-varicolor-pro-video-dslr-led-light","title":"Glanz LED-312 VariColor Pro Video \u0026 DSLR LED Light","description":"\u003ch2\u003eGlanz LED-312 VariColor Pro Video \u0026amp; DSLR LED Light\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGlanz LED312A VariColor Pro Video \u0026amp; DSLR LED Light\u003c\/strong\u003e, with 312 LEDS, has the ability to adjust color balance between Daylight and Tungsten. Complete with Batteries, Charger, \u0026amp; Bag\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e• 312 High intensity LEDs produce a bright \u0026amp; powerful light beam\u003cbr\u003e• User controlled variable color temperature 5600K daylight to 3200K tungsten\u003cbr\u003e• Adjustable stepless dimmer for 10 - 100% brightness control \u003cbr\u003e• Unit runs on: 2x 7.4V Li-Ion Batteries or AC\/DC Power supply (both included)\u003cbr\u003e• Compatible with Sony L Series (F550, F760, F960) Batteries\u003cbr\u003e• Magnetic mounting system for fast \u0026amp; secure diffuser application \u003cbr\u003e• HD Wide Angle (16:9) and Standard (4:3) Format compatible\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Glanz","offers":[{"title":"Default Title","offer_id":44640626114819,"sku":"VA LED312A#","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/led-312_8_69f70bfc-30eb-419e-a159-5ccd988eb89c.jpg?v=1743275357"},{"product_id":"sony-smadp3d-multi-interface-shoe-adapter","title":"Sony SMADP3D Multi-Interface Shoe Adapter","description":"\u003ch2\u003eSony SMADP3D Multi-Interface Shoe Adapter\u003c\/h2\u003e \u003cp\u003eDual channel Multi Interface Shoe (MI Shoe) adaptor for cable-free connection\u003cbr\u003e\u003cbr\u003eThe 2-channel wireless receiver URX-P03D can be attached to camcorders or interchangeable-lens cameras that have an MI (Multi-Interface) shoe using the 2-channel MI shoe adaptor SMAD-P3D. This eliminates the need for connecting cables. By using the MI shoe adaptor, audio signals can be transmitted from the wireless receiver to a camera. In addition, the wireless receiver can get power from the camera, and the camera can control power ON\/OFF, unifying power management.\u003cbr\u003e\u003cbr\u003eThe SMAD-P3D is applicable to XDCAM Camcorder PXW-X70, PXW-X160, PXW-X180, PXW-X280, PXW-X200*, PXW-Z150**, PXW-FS7, PXW-FS5 and PXW-FS5K, NXCAM Camcorder HXR-NX100, HXR-MC2500, Handycam FDR-AX100 ***, NEX-VG900* ***, \u0026amp; NEX-VG30 ***, plus interchangeable lens digital camera a7* ***, a7R ***, a7S ***, a7 Mark? ***, a7R Mark? ***, a7S Mark? ***, a99 ***, a6000***, a6300 ***, and Cyber-shot DSC-RX10 ***, (as of April 2016).\u003cbr\u003e\u003cbr\u003e* PXW-X200 firmware should be upgraded to Ver.2.00 or later for using SMAD-P3D.\u003cbr\u003e\u003cbr\u003e** When using with PMW-Z150 operated by AC power, please set a battery on the camera. Without a battery, the power supply function and power ON\/OFF control function will not be available. In that case, insert new AA alkaline batteries in the receiver and set the receiver’s power select (PWR SOURCE) menu item to BATT ONLY mode to avoid an unexpected shutdown of the camera or data loss.\u003cbr\u003e\u003cbr\u003e*** When using with these specific camera models, the power supply function and power ON\/OFF control function will not be available. Insert new AA alkaline batteries in the receiver and set the receiver’s power select (PWR SOURCE) menu item to BATT ONLY mode to avoid unexpected shutdown of the camera or data loss.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eNo need for separate XLR cable\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eUsing an MI Shoe connection, the 2-channel audio signal from wireless receiver URX-P03D can be input to the camera without XLR cables.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003ePower can be supplied by camera\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePower can be switched on and off from the camera\/camcorder.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44640630210819,"sku":"SMADP3D","price":109.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/smadp3d_cfde705d-4211-4231-b13a-88e783d60000.jpg?v=1743275383"},{"product_id":"glanz-led-144-varicolor-pro-video-dslr-led-light","title":"Glanz LED-144 VariColor Pro Video \u0026 DSLR LED Light","description":"\u003ch2\u003e\u003c\/h2\u003e\n\u003ch2\u003eGlanz LED-144 VariColor Pro Video \u0026amp; DSLR LED Light\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eGlanz LED 144AS Video Light\u003c\/strong\u003e is the perfect companion for camcorders \u0026amp; digital cameras.\u003c\/p\u003e\n\u003cp\u003eProvides a continuous, cool, soft \u0026amp; bright light for many applications from the 144pcs LED.\u003c\/p\u003e\n\u003cp\u003eApproximately 120 minutes continuous runtime provided by 1 x NP-F550 type batteries.\u003c\/p\u003e\n\u003cp\u003eEliminates red-eye \u0026amp; aids focusing in low light situations.\u003c\/p\u003e\n\u003cp\u003eAdjustable step-less in brightness from 10-100% brightness.\u003c\/p\u003e\n\u003cp\u003eAdjustable step-less in colour from 3200K to 5600K.\u003c\/p\u003e\n\u003cp\u003eIncluded removable magnetic diffuser for extra soft light output.\u003c\/p\u003e\n\u003cp\u003eStandard 1\/4\" diametre screw mount on bottom of light for mounting to tripod or the included ball head.\u003c\/p\u003e\n\u003cp\u003eIncluded ball head comes with detachable hot shoe mount.\u003c\/p\u003e\n\u003cp\u003eCan run off the included AC battery charger adapter for longer continuous run-time.\u003c\/p\u003e","brand":"Glanz","offers":[{"title":"Default Title","offer_id":44640638697731,"sku":"VA LED144AS#","price":179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/va-led144as_2_aad2fe29-b6f8-4d51-9773-82c6d8b758e6.jpg?v=1743275423"},{"product_id":"sennheiser-sk-avx-3-bodypack-transmitter","title":"Sennheiser SK AVX-3 Bodypack Transmitter","description":"\u003ch2\u003eSennheiser SK AVX-3 Bodypack Transmitter\u003c\/h2\u003e \u003cp\u003eThe SK AVX is the bodypack transmitter for the AVX system. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. The AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":44640639680771,"sku":"505859","price":559.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/505859_e90a99cf-0f1e-4bb5-b5c3-c53bf0caf159.jpg?v=1743275429"},{"product_id":"sony-utx-b40-wireless-bodypack-transmitter-with-omni-lavalier-mic-638-to-694-mhz","title":"Sony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (638 to 694 MHz)","description":"\u003ch2\u003eSony UTX-B40 Wireless Bodypack Transmitter with Omni Lavalier Mic (638 to 694 MHz)\u003c\/h2\u003e \u003cp\u003e\u003cstrong\u003eDigital Audio Processing for high quality sound for ENG \/ EFP productions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe \u003cstrong\u003eUTX-B40 belt-pack transmitter\u003c\/strong\u003e forms part of a complete UWP-D audio system offering the sound quality of digital audio processing combined with the reliability of analogue FM modulation.\u003c\/p\u003e\u003cp\u003eThe UTX-B40 package offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from.\u003c\/p\u003e\u003cp\u003eEasy-to-use features include a large display, automatic channel setting function, USB connection for power supply and line input availability. 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Using a 16MP MOS sensor, this mirrorless camera has a sensitivity range from ISO 200-25600 to suit working in a variety of lighting conditions, and also affords quick shooting speeds up to 10 fps with single-shot autofocus, or 6 fps with continuous autofocus, as well as up to 40 fps when using an electronic shutter function and 30 fps at 8MP with 4K PHOTO Modes. Benefitting working in difficult lighting conditions, 5-axis sensor-shift image stabilisation can be used to dramatically reduce the appearance of camera shake, and this IS system pairs with select lens' image stabilisation systems for Dual I.S.\u003cbr\u003e\u003cbr\u003eComplementing the imaging attributes, the camera also incorporates both a 2.36m-dot electronic viewfinder as well as a 3.0\\\\\" 1.04m-dot touchscreen LCD, which has a free-angle design to better enable working from high and low angles. Built-in Wi-Fi is also integrated into the design, which facilitates wireless image transferring and remote camera control from linked smartphones or tablets. Additionally, the body construction is weather-sealed to guard against dust and moisture for working in inclement weather conditions.\u003cbr\u003e\u003cbr\u003eIncluded with the camera body is the Lumix G Vario 12-60mm f\/3.5-5.6 ASPH. POWER O.I.S., which is a standard zoom lens that provides a 24-120mm equivalent focal length range. Its optical design incorporates three aspherical elements and one extra-low dispersion element to reduce both chromatic and spherical aberrations throughout the zoom range. POWER O.I.S. is also featured to minimise the appearance of camera shake, and works in conjunction with the camera's sensor-shift IS for more effective shake correction.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e16MP Live MOS Sensor\u003c\/strong\u003e\u003cbr\u003eUsing a 16MP Live MOS sensor, the G85 is capable of capturing clear, high-resolution stills as well as UHD 4K video. The sensor's design omits an optical low-pass filter in order to achieve a high degree of sharpness and resolution, and its design also affords a sensitivity range from ISO 200-25600 to suit working in a variety of lighting conditions. Additionally, fast shooting performance is also afforded, with the ability to shoot at up to 40 fps with an electronic shutter function, 30 fps at 8MP using the 4K PHOTO Modes, 10 fps with AF-S and an electronic shutter, or 9 fps using a mechanical shutter with AF-S.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUHD 4K Video Recording\u003c\/strong\u003e\u003cbr\u003eIn addition to the versatile still shooting modes, the G85 also supports recording UHD 4K (3840 x 2160) video with either 30p or 24p frames rates at 100 Mbps. Full HD 1080p\/60 is also supported at 28 Mbps in the MP4 format, along with HD recording and Full HD in AVCHD. 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Using a 16MP MOS sensor, this mirrorless camera has a sensitivity range from ISO 200-25600 to suit working in a variety of lighting conditions, and also affords quick shooting speeds up to 10 fps with single-shot autofocus, or 6 fps with continuous autofocus, as well as up to 40 fps when using an electronic shutter function and 30 fps at 8MP with 4K PHOTO Modes. Benefitting working in difficult lighting conditions, 5-axis sensor-shift image stabilisation can be used to dramatically reduce the appearance of camera shake, and this IS system pairs with select lens' image stabilisation systems for Dual I.S.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eComplementing the imaging attributes, the camera also incorporates both a 2.36m-dot electronic viewfinder as well as a 3.0\" 1.04m-dot touchscreen LCD, which has a free-angle design to better enable working from high and low angles. Built-in Wi-Fi is also integrated into the design, which facilitates wireless image transferring and remote camera control from linked smartphones or tablets. Additionally, the body construction is weather-sealed to guard against dust and moisture for working in inclement weather conditions.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e16MP Live MOS Sensor\u003c\/strong\u003e\u003cbr\u003eUsing a 16MP Live MOS sensor, the G85 is capable of capturing clear, high-resolution stills as well as UHD 4K video. The sensor's design omits an optical low-pass filter in order to achieve a high degree of sharpness and resolution, and its design also affords a sensitivity range from ISO 200-25600 to suit working in a variety of lighting conditions. Additionally, fast shooting performance is also afforded, with the ability to shoot at up to 40 fps with an electronic shutter function, 30 fps at 8MP using the 4K PHOTO Modes, 10 fps with AF-S and an electronic shutter, or 9 fps using a mechanical shutter with AF-S.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eUHD 4K Video Recording\u003c\/strong\u003e\u003cbr\u003eIn addition to the versatile still shooting modes, the G85 also supports recording UHD 4K (3840 x 2160) video with either 30p or 24p frames rates at 100 Mbps. Full HD 1080p\/60 is also supported at 28 Mbps in the MP4 format, along with HD recording and Full HD in AVCHD. A built-in stereo microphone can be used during recordings, and features an integrated wind-cut filter for cleaner audio quality when shooting outdoors, or an optional external mic can be used via the 3.5mm jack.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003e4K PHOTO Modes\u003c\/strong\u003e\u003cbr\u003eUtilising the 4K video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 30 fps shooting rate:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e4K Burst: Just as with video recording, this mode will allow you to continuously record 8MP images at 30 fps for up to 29 min. 59 sec, making it ideal for instances where you need a fast frame rate in order to capture the best moment.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e4K Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record 8MP images at 30 fps one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e4K Burst (S\/S): This mode most closely follows the 4K video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame.\u003cbr\u003eDual Image Stabilization\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eHelping to achieve the utmost sharpness when photographing handheld, Dual I.S. combines the G85's 5-axis sensor-shift image stabilisation technology with lens-based image stabilisation to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. requires the use of compatible Lumix lenses featuring O.I.S.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDepth-From-Defocus AF Technology\u003c\/strong\u003e\u003cbr\u003eFor accelerated autofocus performance, DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in order to suit working with continuous shooting rates up to 6 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject colour, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.\u003c\/p\u003e\u003cp\u003eBenefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a coloured outline for quickly recognising your focus point, as well as Touch MF Assist for touch-to-focus operation.\u003cbr\u003eBody Design and Built-In Wi-Fi.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eAn integrated 2.36m-dot electronic viewfinder offers a bright, clear eye-level means for composing images, and features a 0.74x effective magnification.A larger means for image composition and playback, the 3.0\" 1.04m-dot rear LCD monitor has a free-angle design to support viewing from a variety of angles. 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It can be used to capture audio for live stage applications and features automatic frequency management, which offers up to ten coordinated frequency presets for wireless connections. 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The new improved design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras. With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, customers get support for recording from virtually any device in all formats up to 2160p60. 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The new improved design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras. With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, customers get support for recording from virtually any device in all formats up to 2160p60. 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With 360° of hue and 100 levels of saturation adjustment, you have the power to conveniently reproduce any color, all in the palm of your hand.\u003c\/p\u003e\n\u003cp\u003eAs with all Aputure lights, the MC prides itself in its color rendition, with CRI and TLCI scores of 96+, and SSI scores of 84 in tungsten and 74 in daylight. This is all accomplished by an underlying technology that reproduces color better and more accurately than ever before: RGBWW. \u003cbr\u003eUnlike traditional RGB, the Aputure MC isn’t just a light that relies on Red, Green, and Blue LEDs. By adding two additional white LEDs — one balanced at tungsten and a second at daylight — the Aputure MC is an impossibly small light that competes with industry giants.\u003c\/p\u003e\n\u003cp\u003eThe MC is Aputure’s first mini LED that offers fine CCT control. You can accurately choose any color temperature in the MC’s expanded bi-color range between 3200K-6500K, in increments of 100K, allowing you to adapt to any situation.\u003c\/p\u003e\n\u003cp\u003en the MC’s FX mode, toggle between any of the MC’s nine built-in lighting effects presets to help you out in a pinch. If you need more control over your lighting effects, the Sidus Link app will allow you to adjust all of the effects’ parameters. Lighting effects include: Paparazzi, Fireworks, Faulty bulb, Lightning, TV, Pulsing, Fire, Party, Cop Car.\u003c\/p\u003e\n\u003cp\u003eAs part of our M-Series of mini LEDs, the 130g MC easily fits in the palm of your hand. With a footprint only slightly larger than a credit card and thickness of only 17mm (11\/16 in.), the MC fits anywhere. The built-in magnets and 1-4?-20 screw mount allow you to place and use it in seconds. Use it as an on-camera light, or hide it off-screen for an app-controllable accent or fill light. With its lightweight, slim profile, you can tuck several MCs in your camera bag or pockets, so you’re always ready to go.\u003c\/p\u003e\n\u003cp\u003eAs the first RGBWW light to be compatible with the Sidus Link mobile app, the true abilities of both the light and the app are finally unlocked. The Sidus Mesh™ technology built into the MC, the backbone of the Sidus Link™ mobile app control, is perhaps the most advanced smart light technology yet. The proprietary Sidus Mesh™ system allows each light to communicate with each other and with the mobile app simultaneously. Each additional light increases the integrity of the network. This enables you to control lights within a 400-meter range, without the need for an external router, as long as there are lights at most 80 meters between each other.\u003c\/p\u003e\n\u003cp\u003eOne of the most groundbreaking features of the Sidus Link app is the Color Picker function. With the Color Picker, you can simply point your phone’s camera at a color, capture it, and your light will reproduce it instantly. What you see is what you get. Just grab the color and start shooting!\u003c\/p\u003e\n\u003cp\u003eThe MC is compatible with the Qi wireless charging protocol, enabling it to be used with the majority of the wireless chargers on the market. Simply place it on a wireless charging pad and the MC will be ready when you need it.\u003c\/p\u003e\n\u003cp\u003eThe MC is also available in a 4-Light Travel Kit and 12-Light Production Kit. Each of these kits comes with a custom hardshell wireless charging case to protect and conveniently charge your MCs wherever you go. Make your workflow as efficient as possible.\u003c\/p\u003e\n\u003cp\u003eThe 4-Light Travel Kit was designed for guerilla and travel filmmakers, so you can slip the case into your camera bag or backpack while you’re on the move. \u003cbr\u003eThe 12-Light Production Kit was made for owner-operators and rental houses, including not only an accessory drawer built into the case, but also enough lights to pull off the unimaginable. Just plug in a D-Tap or power cable, and you’re ready to go.\u003c\/p\u003e\n\u003cp\u003eThe MC is a light that is designed to be ready for any situation, whenever you need it. Offering multiple convenient power options, control methods, and mounting solutions, this fixture is truly the swiss army knife of light.\u003c\/p\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":44641120092419,"sku":"25.MC","price":169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/25-mc_1_954ed920-3a12-4fbd-bac9-aed7bde8b408.jpg?v=1745859257"},{"product_id":"panasonic-lumix-dc-s1h-mirrorless-digital-camera-body-only","title":"Panasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only)","description":"\u003ch2\u003ePanasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only)\u003c\/h2\u003e \u003cp\u003eThe Panasonic Lumix DC-S1H is clearly distinguished by its impressive video capabilities but also features notable flexibility to suit multimedia applications along with an especially durable design. he full-frame 24.2MP CMOS sensor affords versatile performance to suit both video and stills, with a broad 14-stop dynamic range, sensitivity from ISO 100-51200, and adept processing to realize high colour accuracy, responsive recording, and a broad array of video capabilities. Using nearly the full sensor, 3:2-format 6K24p video recording is supported, along with 16:9 5.9K30p and both DCI and UHD 4K60p settings with internal 4:2:2 10-bit sampling. Inspired by broadcast cameras, the S1H also uses the updated sensor design to provide Dual Native ISO settings that prioritize either low noise or low sensitivity in order to realize imagery quality with greater colour fidelity and reduced noise. Variable Frame Rate (VFR) recording also permits using slow and quick motion effects and High Frame Rate (HFR) settings allow the use of higher frame rates in conjunction with 10-bit sampling. Additionally, V-Log has been pre-installed, and a Hybrid Log-Gamma is also available for achieving greater detail when recording, and to benefit colour grading during post-production.\u003c\/p\u003e\u003cp\u003eIn terms of still photography, the S1H isn't lacking with an impressive 9 fps continuous shooting rate with AF-S or 6 fps with AF-C. In the cases where 24MP isn't quite enough, a specialized High-Resolution mode can be used to boost the effective resolution to 96MP by compositing sequential shots together. Also benefitting stills, as well as video, is a 225-area Depth from Defocus (DFD) contrast-detection autofocus system that achieves quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 6 stops for sharper handheld shooting.\u003c\/p\u003e\u003cp\u003eBeyond the imaging attributes, the S1H is also characterized by its body design, which incorporates an impressively high-resolution 5.76m-dot OLED electronic viewfinder along with a 3.2\" 2.33m-dot tilt free-angle touchscreen LCD. The magnesium alloy body is weather-sealed to permit working in harsh conditions and has a 1.8\" top status LCD for reviewing shooting settings on the fly. Dual SD memory card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e24.2MP Full-Frame CMOS Sensor and Venus Engine \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFeaturing a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H's imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multi pixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing colour moiré and Color Control further enhances colour reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e5-Axis Sensor-Shift Image Stabilization \u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eHelping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1's 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization. Additionally, specific to video applications, Boost I.S. is a digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVideo Recording\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eOptimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.\u003c\/li\u003e\n\u003cli\u003eBorrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2\/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2\/V2 is applied.\u003c\/li\u003e\n\u003cli\u003eOptimizing your recording for post-production colour adjustment, the S1H features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode and Hybrid Log-Gamma can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V and Cinelike D, as well as an in-camera LUT to make monitoring easier.\u003c\/li\u003e\n\u003cli\u003eSimultaneous internal recording and external recording via HDMI is possible: DCI\/UHD 4K is possible at 59.94p with 4:2:2 10-bit output and 4:2:0 10-bit internal or DCI\/UHD 4K is possible at 29.97p\/23.98p with 4:2:2 10-bit output and internal recording.\u003c\/li\u003e\n\u003cli\u003eVariable Frame Rate (VFR) adjustments can be used to produce slow and quick motion effects from 30x to -7.5x. High Frame Rate (HFR) shooting, in 4:2:0 10-bit, is also supported, with audio recording and autofocus, which enables shooting Full HD video at 180p and DCI\/UHD 4K at 59.94p.\u003c\/li\u003e\n\u003cli\u003eIn-camera time-lapse video creation is possible, allowing you to photograph scenes over time with an interval timer, then composite the stills into a 4K60p video with in-camera exposure smoothing.\u003c\/li\u003e\n\u003cli\u003eSuitable for worldwide use, selectable system frequencies of 59.94 Hz, 50 Hz, or 24 Hz are available.\u003c\/li\u003e\n\u003cli\u003eAn SMPTE-compliant time code can be embedded for easier syncing of footage from multiple cameras.\u003c\/li\u003e\n\u003cli\u003eColour bars and a 1 kHz test tone can be used as benchmarks for configuring camera settings.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44641122910467,"sku":"DC-S1HGN-K","price":5499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dc-s1hgn-k_1_c7a92684-5d01-43ff-8bb8-44a18d640aab.jpg?v=1745859264"},{"product_id":"panasonic-lumix-s1h-body-w-lumix-s-24-105mm-f-4-macro-ois-lens","title":"Panasonic Lumix S1H Body w\/ Lumix S 24-105mm f\/4 Macro OIS Lens","description":"\u003ch2\u003ePanasonic Lumix S1H Body w\/ Lumix S 24-105mm f\/4 Macro OIS Lens\u003c\/h2\u003e \u003c!-- kit begin --\u003e\u003cul class=\"hideList\"\u003e\n\u003cli\u003e\n\u003cdiv id=\"hb_41167\" class=\"bulletBox minus\"\u003e \u003c\/div\u003e\n\u003ca class=\"link bold hideSwitch\"\u003ePanasonic Lumix DC-S1H Mirrorless Digital Camera (Body Only)\u003c\/a\u003e\u003cdiv id=\"hd_41167\" class=\"hideDetail\"\u003e\n\u003cp\u003eThe Panasonic Lumix DC-S1H is clearly distinguished by its impressive video capabilities but also features notable flexibility to suit multimedia applications along with an especially durable design. he full-frame 24.2MP CMOS sensor affords versatile performance to suit both video and stills, with a broad 14-stop dynamic range, sensitivity from ISO 100-51200, and adept processing to realize high colour accuracy, responsive recording, and a broad array of video capabilities. Using nearly the full sensor, 3:2-format 6K24p video recording is supported, along with 16:9 5.9K30p and both DCI and UHD 4K60p settings with internal 4:2:2 10-bit sampling. Inspired by broadcast cameras, the S1H also uses the updated sensor design to provide Dual Native ISO settings that prioritize either low noise or low sensitivity in order to realize imagery quality with greater colour fidelity and reduced noise. Variable Frame Rate (VFR) recording also permits using slow and quick motion effects and High Frame Rate (HFR) settings allow the use of higher frame rates in conjunction with 10-bit sampling. Additionally, V-Log has been pre-installed, and a Hybrid Log-Gamma is also available for achieving greater detail when recording, and to benefit colour grading during post-production.\u003c\/p\u003e\n\u003cp\u003eIn terms of still photography, the S1H isn't lacking with an impressive 9 fps continuous shooting rate with AF-S or 6 fps with AF-C. In the cases where 24MP isn't quite enough, a specialized High-Resolution mode can be used to boost the effective resolution to 96MP by compositing sequential shots together. Also benefitting stills, as well as video, is a 225-area Depth from Defocus (DFD) contrast-detection autofocus system that achieves quick and precise focusing and subject tracking. Additionally, sensor-shift image stabilization helps to minimize the appearance of camera shake by 6 stops for sharper handheld shooting.\u003c\/p\u003e\n\u003cp\u003eBeyond the imaging attributes, the S1H is also characterized by its body design, which incorporates an impressively high-resolution 5.76m-dot OLED electronic viewfinder along with a 3.2\" 2.33m-dot tilt free-angle touchscreen LCD. The magnesium alloy body is weather-sealed to permit working in harsh conditions and has a 1.8\" top status LCD for reviewing shooting settings on the fly. Dual SD memory card slots offer flexible storage capabilities and Bluetooth and Wi-Fi connectivity afford remote camera control along with wireless image transferring to tablets and smartphones.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24.2MP Full-Frame CMOS Sensor and Venus Engine \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing a full-frame 24.2MP CMOS sensor, along with an updated Venus Engine, the S1H's imaging capabilities have been optimized for high sensitivity, a wide 14-stop dynamic range, and flexible recording modes. The sensor and processor incorporate Multi pixel Luminance Generation and Intelligent Detail Processing technologies, which help to produce high resolution and definition by suppressing colour moiré and Color Control further enhances colour reproduction, especially in the highlights and shadows. The Venus Engine's processing power also helps to suppress noise levels throughout the sensitivity range, from ISO 100-51200, and yield fast full-resolution continuous shooting speeds up to 9 fps with AF-S or 6 fps with AF-C, for more than 60 consecutive raw files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5-Axis Sensor-Shift Image Stabilization \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHelping to achieve the utmost sharpness when working handheld, Dual I.S. 2 combines the S1's 6 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. When working with adapted lenses, you can manually select whether to use the in-camera sensor-shift image stabilization or the lens's optical stabilization. Additionally, specific to video applications, Boost I.S. is a digital image stabilization feature that aids in creating a stable composition when recording from a fixed perspective.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOptimized for video applications, the S1H is distinguished by its ability to record 10-bit 6K (5952 x 3968) video at 24.00 in 3:2 format using nearly the full area of the full-frame sensor, along with 5.9K (5888 x 3312) video at 29.97p in 16:9. When recording DCI and UHD 4K video, up to 29.97p, internal 4:2:2 10-bit sampling is possible, and when working with a Super 35mm area of the sensor, frame rates up to 59.94p are available. Full HD and Anamorphic 4K recording settings are also supported at up to 119.88p and 48.00p, respectively.\u003c\/li\u003e\n\u003cli\u003eBorrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2\/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2\/V2 is applied.\u003c\/li\u003e\n\u003cli\u003eOptimizing your recording for post-production colour adjustment, the S1H features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve well-suited for grading. Additionally, a High Dynamic Range mode and Hybrid Log-Gamma can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V and Cinelike D, as well as an in-camera LUT to make monitoring easier.\u003c\/li\u003e\n\u003cli\u003eSimultaneous internal recording and external recording via HDMI is possible: DCI\/UHD 4K is possible at 59.94p with 4:2:2 10-bit output and 4:2:0 10-bit internal or DCI\/UHD 4K is possible at 29.97p\/23.98p with 4:2:2 10-bit output and internal recording.\u003c\/li\u003e\n\u003cli\u003eVariable Frame Rate (VFR) adjustments can be used to produce slow and quick motion effects from 30x to -7.5x. High Frame Rate (HFR) shooting, in 4:2:0 10-bit, is also supported, with audio recording and autofocus, which enables shooting Full HD video at 180p and DCI\/UHD 4K at 59.94p.\u003c\/li\u003e\n\u003cli\u003eIn-camera time-lapse video creation is possible, allowing you to photograph scenes over time with an interval timer, then composite the stills into a 4K60p video with in-camera exposure smoothing.\u003c\/li\u003e\n\u003cli\u003eSuitable for worldwide use, selectable system frequencies of 59.94 Hz, 50 Hz, or 24 Hz are available.\u003c\/li\u003e\n\u003cli\u003eAn SMPTE-compliant time code can be embedded for easier syncing of footage from multiple cameras.\u003c\/li\u003e\n\u003cli\u003eColour bars and a 1 kHz test tone can be used as benchmarks for configuring camera settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv id=\"hb_41170\" class=\"bulletBox plus\"\u003e \u003c\/div\u003e\n\u003ca class=\"link bold hideSwitch\"\u003ePanasonic Lumix S 24-105mm f\/4 Macro O.I.S. Lens\u003c\/a\u003e\u003cdiv id=\"hd_41170\" class=\"hideDetail\" style=\"display: none;\"\u003e\n\u003cp\u003eThe Lumix S 24-105mm f\/4 Macro O.I.S. from Panasonic is a flexible zoom, featuring a constant f\/4 maximum aperture, for L-mount mirrorless cameras. In regard to its optical design, a series of low dispersion and aspherical elements are used to control a variety of aberrations, colour fringing, and distortion in order to realize a high degree of sharpness, clarity, and colour accuracy. Balancing its optical performance, this zoom is also unique due to is 1:2 maximum magnification ratio and 11.8\" minimum focusing distance to suit working with close-up subjects. Additionally, an Optical Image Stabilizer helps to control the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard 24-105mm zoom is designed for full-frame L-mount mirrorless cameras, however, can also be used with APS-C models where it provides a 36-157.5mm equivalent focal length range.\u003c\/li\u003e\n\u003cli\u003eConstant f\/4 maximum aperture maintains consistent illumination throughout the zoom range.\u003c\/li\u003e\n\u003cli\u003eFour aspherical elements, including two made from extra-low dispersion glass, help to minimize distortions and spherical aberrations throughout the zoom range in order to maintain edge-to-edge sharpness and illumination.\u003c\/li\u003e\n\u003cli\u003eOne ultra extra-low dispersion element and two extra-low dispersion elements greatly reduce chromatic aberrations and colour fringing in order to produce a high degree of clarity and colour accuracy.\u003c\/li\u003e\n\u003cli\u003eMacro design provides half life-size 1:2 magnification ratio and a minimum focusing distance of 11.8\" for working with close-up subjects.\u003c\/li\u003e\n\u003cli\u003eOptical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports 5-Axis Dual I.S. 2 for increased stabilization performance.\u003c\/li\u003e\n\u003cli\u003eAF\/MF switch permits quick changing between focusing modes and a zoom lock switch can be used to prevent the lens from extending when not in use.\u003c\/li\u003e\n\u003cli\u003eSplash, dust, and freezeproof design benefits working in inclement weather conditions down to -14°F.\u003c\/li\u003e\n\u003cli\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\u003c!-- kit end --\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":44641124385027,"sku":"DC-S1HMKIT","price":6999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dc-s1hgn-k_1_217a98f6-4f92-4c3d-bada-7a67e033dcf2.jpg?v=1745859281"},{"product_id":"sony-mrw-g1-cfexpress-type-b-xqd-memory-card-reader","title":"Sony MRW-G1 CFexpress Type B\/XQD Memory Card Reader","description":"\u003ch2\u003eSony MRW-G1 CFexpress Type B\/XQD Memory Card Reader\u003c\/h2\u003e \u003cp\u003eFacilitating fast file transfers up to 10 Gb\/s, the Sony MRW-G1 is a memory card reader designed specifically for CFexpress Type B memory cards, as well as XQD card types. This reader takes advantage of the card types' fast transfer speeds and allows you to move data over USB 3.1 Gen 2 for post-production editing and file storage. Both USB Type-C to Type-C and USB Type-C to Type-A cables are included, too, for wide compatibility.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44641287962883,"sku":"MRWG1","price":229.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/mrwg1_2_1ddc2587-5b5b-4bdf-b1ed-d60dc635d247.jpg?v=1745860177"},{"product_id":"decimator-dmon-16sl-16-channel-sdi-multiviewer-with-hdmi-output","title":"DECIMATOR DMON-16SL 16-Channel SDI Multiviewer with HDMI Output","description":"\u003ch2\u003eDECIMATOR DMON-16SL 16-Channel SDI Multiviewer with HDMI Output\u003c\/h2\u003e \u003cp\u003eMake a HDMI screen and SDI multiview monitor with \u003cstrong\u003eDECIMATOR\u003c\/strong\u003e's \u003cstrong\u003eDMON-16SL 16-Channel SDI Multiviewer\u003c\/strong\u003e. The DMON-16SL has a built-in interface so it can be controlled without needing a computer. Adjustments can also be made via a computer connected with the included USB cable. Having both of these interfaces precludes the need for obscure LED status lights or complicated DIP switches.\u003c\/p\u003e\u003cp\u003eThe DMON-16SL features 16 SDI inputs which support SD, HD, and 3G-SDI standards. Inputs have auto-detection so video streams are displayed correctly. Each input is separate from the others, allowing multiple video frame rates and resolutions to be displayed simultaneously when running as a multi-viewer. The on-screen layout can be changed to display the windows in the position and size of your choosing. A pass-through mode will show only a single input on the display at a time, scaling the video to match the resolution of your display.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2\u003eKey Features\u003c\/h2\u003e\u003cdiv id=\"stacks_out_3920_page55\" class=\"stacks_out\"\u003e\u003cdiv id=\"stacks_in_3920_page55\" class=\"stacks_in com_stacks4stacks_stacks_lister_stack\"\u003e\u003cdiv id=\"listerWrapperstacks_in_3920_page55\" class=\"listerWrapper\"\u003e\n\u003cul class=\"disc\"\u003e\n\u003cli\u003e\u003cdiv class=\"list-item-content\"\u003eSupport for both 3G level A and B on the inputs.\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"list-item-content\"\u003eLow-cost miniature (3G\/HD\/SD)-SDI 1 to 16 channel Multi-Viewer\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"list-item-content\"\u003eCustom Layouts with various standard layouts\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"list-item-content\"\u003e16 Character UMD overlay per window with individual enables, custom positioning and size\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"list-item-content\"\u003eAudio ID overlay\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"list-item-content\"\u003eLoad and restore Custom Layouts\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003eFast switching between inputs using Full-Screen scaling\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003eSelectable output format in both Full-Screen and Multi-Viewer mode\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003eLow latency buffering for each input allowing non-synchronous inputs\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003e16 x (3G\/HD\/SD)-SDI inputs with auto-detection (26 Formats supported in total)\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003eEach window is independent of the others, allowing any 3G\/HD\/SD format of any frame rate to be displayed simultaneously\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003eVariable aspect ratios per window\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003ePass-Through mode allowing any of the 16 inputs to be selected and routed to the HDMI output\u003c\/div\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cdiv class=\"bullet-point\"\u003eIn Pass-Through mode the selected input is passed through to the HDMI output\u003c\/div\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe DMON-16SL is a truly portable converter, that incorporates our new easy to use LCD and button control system. This gives you easy access to most of the amazing features without using complicated LED\/button control, dip switches or having to carry around a computer to change a simple setting.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Decimator","offers":[{"title":"Default Title","offer_id":44641329021187,"sku":"DMON-16SL","price":1299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dmon-16sl_1_5c376c1e-981d-482a-99d4-646fe6e208c5.jpg?v=1745860433"},{"product_id":"smallrig-but2664-tabletop-mini-tripod-with-panoramic-ball-head","title":"SmallRig BUT2664 Tabletop Mini Tripod with Panoramic Ball Head","description":"\u003ch2\u003eSmallRig BUT2664 Tabletop Mini Tripod with Panoramic Ball Head\u003c\/h2\u003e\u003cp\u003eSmallRig Tabletop Mini Tripod with Panoramic Ball Head BUT2664 is the perfect mini tripod for compact DSLRs, mirrorless cameras, smartphones, action cameras and other devices, and can also act as a grip for handheld shooting. The tripod without ball head holds up to 20kg while the ball head itself holds up to 2kg. It’s solid and secure, and the rubber feet guarantee a stable and slip-free foundation on any surface. The ball head with accurate calibration support 360° panoramic rotation for panoramic shooting, -90°\/+45° front tilt and -50°\/+50° lateral tilt for multi-angle adjustment including horizontal shooting and vertical shooting. It comes with a standard Arca-Swiss plate, which is compatible with other Arca-Swiss clamps to ensure a quick mount\/dismount of your device.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWork With\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eUniversal tabletop tripod\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe bubble level can only be used when shooting vertically and needs to face up.\u003c\/p\u003e","brand":"SmallRig","offers":[{"title":"Default Title","offer_id":44641335836931,"sku":"BUT2664","price":66.9,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/but2664_5_900f79ff-1db9-4061-a8a5-69c9d92f4e8d.jpg?v=1745860457"},{"product_id":"decimator-mc-dmon-9s-9-channel-opengear-3g-hd-sd-multiviewer","title":"DECIMATOR MC-DMON-9S 9-Channel openGear 3G\/HD\/SD Multiviewer","description":"\u003ch2\u003eDECIMATOR MC-DMON-9S 9-Channel openGear 3G\/HD\/SD Multiviewer\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDecimator\u003c\/strong\u003e's \u003cstrong\u003eMC-DMON-9S 9-Channel openGear 3G\/HD\/SD Multiviewer\u003c\/strong\u003e lets you view up to nine sources on a single monitor in an openGear form factor. Useful in-studio or A\/V situations which employ openGear cards, the MC-DMON-9S can accept 9 SDI inputs of the SD, HD, or 3G variety. Each input auto-detects what kind of signal is being received in order to properly scale it to the monitor. Multiple viewing modes are built-in and recallable, and you can use Decimator's USB control panel to save and load custom presets.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSupports both 3G-SDI level A and B on the input and output and allows conversion between levels A and B\u003c\/li\u003e\n\u003cli\u003eIncludes standard layouts and supports custom layouts\u003c\/li\u003e\n\u003cli\u003eCustomizable display overlays (can be enabled individually on each channel): 16 character UMD overlay, 16 channel audio metering overlay, format status overlay, safe action and title safe overlays, centre cross, audio ID.\u003c\/li\u003e\n\u003cli\u003eSave and load custom layouts via USB\u003c\/li\u003e\n\u003cli\u003eInput switching with full-screen scaling\u003c\/li\u003e\n\u003cli\u003eSelectable output format in both full-screen and multi-viewer mode\u003c\/li\u003e\n\u003cli\u003eLow latency buffering for each input allowing non-synchronous inputs\u003c\/li\u003e\n\u003cli\u003eAuto-detection on all inputs\u003c\/li\u003e\n\u003cli\u003ePass-Through mode allowing any of the 9 inputs to be selected and routed to the SDI output\u003c\/li\u003e\n\u003cli\u003eUSB port for control and firmware updates\u003c\/li\u003e\n\u003cli\u003eopenGear DashBoard for control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Decimator","offers":[{"title":"Default Title","offer_id":44641350549763,"sku":"MC-DMON-9S","price":1789.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/mc-dmon-9s_1_0b81291a-d1bb-4344-992e-6e83cca4b665.jpg?v=1745860516"},{"product_id":"decimator-mc-dmon-quad-4-channel-3g-sdi-multiviewer-for-opengear-platforms","title":"DECIMATOR MC-DMON-QUAD 4-Channel 3G-SDI Multiviewer for openGear Platforms","description":"\u003ch2\u003eDECIMATOR MC-DMON-QUAD 4-Channel 3G-SDI Multiviewer for openGear Platforms\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eMC-DMON-QUAD\u003c\/strong\u003e from \u003cstrong\u003eDECIMATOR\u003c\/strong\u003e is a 4-channel, 3G-SDI multiviewer for use in openGear frames. It supports a variety of resolutions and formats up to 1080p60 over 2.97 GB\/s SDI, and can arbitrarily mix formats and aspect ratios. For SDI connectivity and tally, the card is compatible with the separately available DR1-10B1G rear.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eKey Features:\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour 3G-SDI inputs with automatic format detection\u003c\/li\u003e\n\u003cli\u003eEach input can have a unique format - data rate, resolution, and frame rate\u003c\/li\u003e\n\u003cli\u003eSupports unique aspect ratios per quadrant\u003c\/li\u003e\n\u003cli\u003eFunctions as 1 to 4 multiviewer or 4 to 1 multiplexer\u003c\/li\u003e\n\u003cli\u003eCustom Layouts with various standard layouts\u003c\/li\u003e\n\u003cli\u003e16-Character UMD overlay per window with custom positioning and size\u003c\/li\u003e\n\u003cli\u003e8-Channel Audio Metering overlay per window with custom positioning and size\u003c\/li\u003e\n\u003cli\u003eAudio ID overlay\u003c\/li\u003e\n\u003cli\u003eSupports dynamic UMD and tallies via RS422\/485 using the widely implemented TSL protocol (requires separately available DR1-10B1G connectivity module)\u003c\/li\u003e\n\u003cli\u003eTallies can be applied to either tally boxes (default) or border element\u003c\/li\u003e\n\u003cli\u003eTally boxes allow for up to four Tallies per window\u003c\/li\u003e\n\u003cli\u003eSelectable output format in both Full-Screen MultiViewer mode\u003c\/li\u003e\n\u003cli\u003eLow latency buffering enables connection of unsynchronized sources\u003c\/li\u003e\n\u003cli\u003eSupports 3G Level A and B on inputs and output, allowing conversion between 3G level A and B\u003c\/li\u003e\n\u003cli\u003eIn pass-through mode, the selected input is passed to both SDI outputs\u003c\/li\u003e\n\u003cli\u003eMini-USB port for firmware updates\u003c\/li\u003e\n\u003cli\u003eSupports openGear DashBoard for control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Decimator","offers":[{"title":"Default Title","offer_id":44641351172355,"sku":"MC-DMON-QUAD","price":629.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/mc-dmon-quad_1_430c5926-94e0-4eb4-829c-618dacc8df9e.jpg?v=1745860520"},{"product_id":"decimator-rear-module-for-decimator-mc-dmon-9s-and-mc-dmon-quad-opengear-cards","title":"DECIMATOR Rear Module for Decimator MC-DMON-9S and MC-DMON-Quad OpenGear Cards","description":"\u003ch2\u003eDECIMATOR Rear Module for Decimator MC-DMON-9S and MC-DMON-Quad OpenGear Cards\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eDECIMATOR Rear Module for Decimator openGear Cards\u003c\/strong\u003e,\u003cstrong\u003e DR1-10B1G,\u003c\/strong\u003e is a general-purpose rear connection module with 10xBNC. For use with Decimator \u003cem\u003eMC-DMON-9S and MC-DMON-QUAD cards\u003c\/em\u003e. It has a 3-pin connector that enables UMD and dynamic accounts over RS-422\/485 using the industry-standard TSL protocol when used in conjunction with Decimator's MC-DMON-9S and MC-DMON-QUAD multiview cards.\u003c\/p\u003e","brand":"Decimator","offers":[{"title":"Default Title","offer_id":44641351991555,"sku":"DR1-10B1G","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dr1-10b1g_2_70c88d06-cc7e-4289-b3ec-4deddee85b09.jpg?v=1745860524"},{"product_id":"canon-eos-r5-mirrorless-digital-camera-body-only","title":"Canon EOS R5 Mirrorless Digital Camera (Body Only)","description":"\u003ch2\u003eCanon EOS R5 Mirrorless Digital Camera (Body Only)\u003c\/h2\u003e\u003cp\u003eFor the professional image-maker who needs resolution, speed, and video capabilities, there is the \u003cstrong\u003eCanon EOS R5\u003c\/strong\u003e. Setting a new standard for versatility, this full-frame mirrorless camera features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilization.\u003c\/p\u003e\n\u003cp\u003eBeyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.\u003c\/p\u003e\n\u003cp\u003eComplementing the imaging assets, the R5, while sporting a new design, also feels familiar to EOS 5-series users. An especially high-resolution 0.5\" 5.76m-dot electronic viewfinder provides a realistic 120 fps refresh rate while the 3.2\" rear touchscreen LCD monitor sports a vari-angle design to accommodate vlogging needs as well as benefit working from high and low angles. A top status makes for an intuitive workflow and the camera also incorporates dual memory card slots—one CFexpress Type B, one SD UHS-II—along with Bluetooth and Wi-Fi wireless connectivity.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e45MP Full-Frame Sensor and DIGIC X Processor\u003c\/h2\u003e\n\u003cp\u003eBuilt around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e8K30 Raw and 4K120 Video Recording\u003c\/h2\u003e\n\u003cp\u003eBenefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eDual Pixel CMOS AF II\u003c\/h2\u003e\n\u003cp\u003eAn updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system's ability to recognize subjects and maintain focus when working within changing or cluttered scenery.\u003cbr\u003e\u003cbr\u003eSubject tracking has also been benefitted through the use of Deep Learning technology, which helps to gradually refine the focusing system's ability to quickly and accurately recognize both people and animal subjects. This technology also supports the more refined eye, face, and head detection functions, for both people and animals, that are well-suited for portraiture applications.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eSensor-Shift Image Stabilizer\u003c\/h2\u003e\n\u003cp\u003eA first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eBody Design and Wireless Connectivity\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-resolution 5.67m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e\n\u003cli\u003eRear 3.2\" 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e\n\u003cli\u003eTop status LCD can be used to quickly review camera and shooting settings.\u003c\/li\u003e\n\u003cli\u003eCFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.\u003c\/li\u003e\n\u003cli\u003eBoth a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.\u003c\/li\u003e\n\u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e\n\u003cli\u003eThe durable, weather-sealed body design is built to handle tough working conditions and inclement weather.\u003c\/li\u003e\n\u003cli\u003eBoth 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connected via the Canon Camera Connect app.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":44641414545667,"sku":"R5BODY","price":3999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/caer5_6.jpg?v=1767251992"},{"product_id":"blackmagic-design-video-assist-3g-sdi-hdmi-7-recorder-monitor","title":"Blackmagic Design Video Assist 3G-SDI\/HDMI 7\" Recorder\/Monitor","description":"\u003ch2\u003eBlackmagic Design Video Assist 3G-SDI\/HDMI 7\" Recorder\/Monitor\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Video Assist 3G 7\"\u003c\/strong\u003e includes all the features of the 5\" model but has a much larger screen. This model has 2 SD Card slots so recording can continue when a card becomes full. There are also 2 mini XLR audio inputs with phantom power so you can connect and record direct from microphones.\u003c\/p\u003e\n\u003cp\u003eAll Video Assist models are dominated by a large touchscreen with all controls for recording, playback of clips, viewing scopes and setting focus assist features. Both 7\" models are large enough to include analog inputs for audio and two SD card slots so customers get a continuous recording, with automatic recording to the second card. All models include a rear tally light, a front panel speaker for clip playback and a headphone jack. Video Assist uses Sony L-Series batteries, and with 2 battery slots, customers can change batteries without interrupting recording.\u003cbr\u003e\u003cbr\u003eWith large and bright 5\" and 7\" touchscreens, Video Assist makes it incredibly easy to frame shots and accurately focus. The touchscreen displays critical information while users are shooting including the timecode, transport control, audio meters and a histogram for exposure. Customers can also customize the LCD to add or remove overlays such as current filename, focus peaking, zebra, false colour, frame guides, 3D LUTs and more. 3D LUTs support allows monitoring shots with the desired colour and look, plus customers can even \"bake in\" the LUT if customers want to record it into the file.\u003cbr\u003e\u003cbr\u003eVideo Assist uses commonly available SD card media, so customers can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 7\" models include 2 SD card slots so customers can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003cbr\u003e\u003cbr\u003eBlackmagic Video Assist is an ideal upgrade for cameras, as its bright display is bigger than the tiny displays found on consumer cameras, plus users are also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because customers can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. Customers get support for all editing software as customers can record in Apple ProRes and Avid DNx. With both HDMI and SDI inputs customers can connect it to any consumer camera, broadcast camera or even DSLR cameras.    \u003cbr\u003e\u003cbr\u003eThe innovative touchscreen LCD user interface provides incredible control. On-screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even swipe the image to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touchscreen as well as focus and exposure assist. Plus customers can load and save 3D LUTs.\u003cbr\u003e\u003cbr\u003eVideo Assist features a wide range of video and audio connections such as multi-rate SDI for SD, HD on all models and Ultra HD on the 12G-SDI models. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7\" model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. Video Assist even includes a 12V DC power connection and the 12G models include a locking power connector.\u003cbr\u003e\u003cbr\u003eVideo Assist records using standard open file formats so customers don’t have to waste time transcoding media. Files are compatible with all post-production software so customers can work with the software of their choice, including DaVinci Resolve Studio. Recording works in industry-standard 10-bit ProRes or DNx files in all formats and from all HDMI or SDI cameras, as well as 12-bit Blackmagic RAW on the 12G-SDI HDR models when connected to supported cameras. Best of all media files work on all operating systems.\u003cbr\u003e\u003cbr\u003eVideo Assist features scopes for accurate exposure on cameras and compliance to broadcast standards. That means it’s also a great portable waveform monitoring solution. The waveform display provides a traditional luminance (brightness) level view of the video inputs or the playback signal. The vectorscope allows customers to see the intensity of colour at 100% SDI reference levels. Customers also get an RGB parade display which is ideal for colour correction. The histogram shows the distribution of white to black detail in their images and highlights or shadows clipping. The built-in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/p\u003e\n\u003cp\u003eSome cameras can output logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow customers to apply a \"look\" to the monitor so customers get an idea of how the finished images will look like when editing. Video Assist works with industry-standard 17 and 33 points 3D LUT files, or customers can work with the built-in LUTs such as Extended Video, Film to Video and more.\u003c\/p\u003e\n\u003cp\u003eThe advanced digital slate and metadata features make it extremely fast to add metadata to any shot. Simply swipe left or right from the edge of the screen to bring up the digital slate. Customers can even select for taking numbers to be automatically incremented when customers start and stop recording, so customers don’t have to enter them manually for each shot. Customers can also set reel numbers to increment each time customers format a card. All metadata is saved with the files and available in post-production with software such as DaVinci Resolve. Then let the DaVinci Resolve sync bin in the cut page find and sync all their shots automatically. Simple scroll the timeline and select shots with a click of the mouse.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe SDI and HDMI connections are multi-rate, so all models handle SD and HD television standards plus the 12G models add extra support for Ultra HD standards. Standard definition formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. Plus customers can even work in 1080 PsF formats.\u003cbr\u003e\u003cbr\u003eBlackmagic Video Assist includes a built-in professional audio recorder that’s much better quality than the audio found in most cameras, eliminating the need to carry around extra audio equipment. When working in SDI formats, customers can record 2, 4, 8 or 16 channels of audio. For connecting microphones the 7\" models have 2 XLR analog audio inputs with phantom power and high definition audio sample rates of 192 kHz at 16 and 24 bit per sample. The audio meters can even be changed between VU or PPM ballistics.\u003cbr\u003e\u003cbr\u003eMultiple languages are fully supported so customers don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish.\u003cbr\u003e\u003cbr\u003eThe files from Blackmagic Video Assist are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so customers can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for using with Video Assist as it features editing, colour correction, audio post-production and visual effects all in one software application.\u003cbr\u003e\u003cbr\u003e\"The Blackmagic Video Assist 12G HDR monitors have been received very well by our customers because they have so many features,\" said Grant Petty, Blackmagic Design CEO. \"However many customers don't need HDR screens and Ultra HD, so we have produced new HD models that include most of the powerful features at a much lower price. Plus these new models still include built-in scopes, 3D LUTS, powerful focus assist tools, presets, upgraded L-Series batteries, record tally light, built in speakers and more!\"\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44641427128579,"sku":"HYPERD\/AVIDA03\/7","price":845.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/hyperd-avida03-7_4_1f887c2b-651c-4d1f-ac31-96bfbdf63fc4.jpg?v=1745861186"},{"product_id":"blackmagic-design-video-assist-3g-sdi-hdmi-5-recorder-monitor","title":"Blackmagic Design Video Assist 3G-SDI\/HDMI 5\" Recorder\/Monitor","description":"\u003ch2\u003eBlackmagic Design Video Assist 3G-SDI\/HDMI 5\" Recorder\/Monitor\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Video Assist 3G 5\" \u003c\/strong\u003esupports video formats up to 1080p60 and has? a large 5\" LCD with focus peaking, zebra and false colour. Connections include 3G-SDI and HDMI. This model includes a single SD Card recorder for ProRes recording. Other features include WFM, vector, histogram and RGB parade scopes \u003cspan class=\"nb-sm-up\"\u003eplus 3D LUTs!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAll Video Assist models are dominated by a large touchscreen with all controls for recording, playback of clips, viewing scopes and setting focus assist features. Both 7\" models are large enough to include analog inputs for audio and two SD card slots so customers get a continuous recording, with automatic recording to the second card. All models include a rear tally light, a front panel speaker for clip playback and a headphone jack. Video Assist uses Sony L-Series batteries, and with 2 battery slots, customers can change batteries without interrupting recording.\u003cbr\u003e\u003cbr\u003eWith large and bright 5\" and 7\" touchscreens, Video Assist makes it incredibly easy to frame shots and accurately focus. The touchscreen displays critical information while users are shooting including the timecode, transport control, audio meters and a histogram for exposure. Customers can also customize the LCD to add or remove overlays such as current filename, focus peaking, zebra, false colour, frame guides, 3D LUTs and more. 3D LUTs support allows monitoring shots with the desired colour and look, plus customers can even \"bake in\" the LUT if customers want to record it into the file.\u003cbr\u003e\u003cbr\u003eVideo Assist uses commonly available SD card media, so customers can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 7\" models include 2 SD card slots so customers can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003cbr\u003e\u003cbr\u003eBlackmagic Video Assist is an ideal upgrade for cameras, as its bright display is bigger than the tiny displays found on consumer cameras, plus users are also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because customers can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. Customers get support for all editing software as customers can record in Apple ProRes and Avid DNx. With both HDMI and SDI inputs customers can connect it to any consumer camera, broadcast camera or even DSLR cameras.    \u003cbr\u003e\u003cbr\u003eThe innovative touchscreen LCD user interface provides incredible control. On-screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. Customers can even swipe the image to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touchscreen as well as focus and exposure assist. Plus customers can load and save 3D LUTs.\u003cbr\u003e\u003cbr\u003eVideo Assist features a wide range of video and audio connections such as multi-rate SDI for SD, HD on all models and Ultra HD on the 12G-SDI models. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7\" model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. Video Assist even includes a 12V DC power connection and the 12G models include a locking power connector.\u003cbr\u003e\u003cbr\u003eVideo Assist records using standard open file formats so customers don’t have to waste time transcoding media. Files are compatible with all post-production software so customers can work with the software of their choice, including DaVinci Resolve Studio. Recording works in industry-standard 10-bit ProRes or DNx files in all formats and from all HDMI or SDI cameras, as well as 12-bit Blackmagic RAW on the 12G-SDI HDR models when connected to supported cameras. Best of all media files work on all operating systems.\u003cbr\u003e\u003cbr\u003eVideo Assist features scopes for accurate exposure on cameras and compliance to broadcast standards. That means it’s also a great portable waveform monitoring solution. The waveform display provides a traditional luminance (brightness) level view of the video inputs or the playback signal. The vectorscope allows customers to see the intensity of colour at 100% SDI reference levels. Customers also get an RGB parade display which is ideal for colour correction. The histogram shows the distribution of white to black detail in their images and highlights or shadows clipping. The built-in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/p\u003e\n\u003cp\u003eSome cameras can output logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow customers to apply a \"look\" to the monitor so customers get an idea of how the finished images will look like when editing. Video Assist works with industry-standard 17 and 33 points 3D LUT files, or customers can work with the built-in LUTs such as Extended Video, Film to Video and more.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe advanced digital slate and metadata features make it extremely fast to add metadata to any shot. Simply swipe left or right from the edge of the screen to bring up the digital slate. Customers can even select for taking numbers to be automatically incremented when customers start and stop recording, so customers don’t have to enter them manually for each shot. Customers can also set reel numbers to increment each time customers format a card. All metadata is saved with the files and available in post-production with software such as DaVinci Resolve. Then let the DaVinci Resolve sync bin in the cut page find and sync all their shots automatically. Simple scroll the timeline and select shots with a click of the mouse.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe SDI and HDMI connections are multi-rate, so all models handle SD and HD television standards plus the 12G models add extra support for Ultra HD standards. Standard definition formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. Plus customers can even work in 1080 PsF formats.\u003cbr\u003e\u003cbr\u003eBlackmagic Video Assist includes a built-in professional audio recorder that’s much better quality than the audio found in most cameras, eliminating the need to carry around extra audio equipment. When working in SDI formats, customers can record 2, 4, 8 or 16 channels of audio. For connecting microphones the 7\" models have 2 XLR analog audio inputs with phantom power and high definition audio sample rates of 192 kHz at 16 and 24 bit per sample. The audio meters can even be changed between VU or PPM ballistics.\u003cbr\u003e\u003cbr\u003eMultiple languages are fully supported so customers don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish.\u003cbr\u003e\u003cbr\u003eThe files from Blackmagic Video Assist are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so customers can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for using with Video Assist as it features editing, colour correction, audio post-production and visual effects all in one software application.\u003cbr\u003e\u003cbr\u003e\"The Blackmagic Video Assist 12G HDR monitors have been received very well by our customers because they have so many features,\" said Grant Petty, Blackmagic Design CEO. \"However many customers don't need HDR screens and Ultra HD, so we have produced new HD models that include most of the powerful features at a much lower price. Plus these new models still include built-in scopes, 3D LUTS, powerful focus assist tools, presets, upgraded L-Series batteries, record tally light, built in speakers and more!\"\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44641428668675,"sku":"HYPERD\/AVIDA03\/5","price":509.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/hyperd-avida03-5_4_c8f6f997-200a-4cd1-a4cd-0f636711babd.jpg?v=1745861192"},{"product_id":"sony-alpha-a7s-iii-mirrorless-digital-camera-body-only","title":"Sony Alpha a7S III Mirrorless Digital Camera (Body Only)","description":"\u003ch2\u003eSony Alpha a7S III Mirrorless Digital Camera (Body Only)\u003c\/h2\u003e\u003cp\u003eOptimized video, optimized sensitivity, optimized speed, the \u003cstrong\u003eSony Alpha a7S III\u003c\/strong\u003e raises the bar for what a full-frame mirrorless camera is capable of. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.\u003c\/p\u003e\n\u003cp\u003eVideo is the primary application of the a7S III, and improvements to the sensor and processor enable faster readout speeds and greatly reduced rolling shutter, along with a high-bitrate internal recording, 16-bit raw output via the full-size HDMI port, and flexible control over motion with variable frame rate selection. The a7S III also does away with recording time limits and incorporates HLG for direct HDR production as well as S-Log2\/S-Log3 gamma profiles for advanced HDR production with editing.\u003c\/p\u003e\n\u003cp\u003eThe updated sensor design also brings improved autofocus performance via 759 phase-detection points, which offer intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects in all recording modes. The sensor and BIONZ XR processor also facilitate impressive sensitivity, with an expanded range from ISO 40-409600, as well as fast 10 fps continuous shooting for up to 1000 consecutive raw frames. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.\u003c\/p\u003e\n\u003cp\u003eComplementing the imaging assets, Sony has also made some changes to the a7S III's physical design, including a rear LCD with a side-open articulating design and an impressive 9.44m-dot OLED electronic viewfinder. The camera's menu system has also been updated for more intuitive navigation and the body design helps to promote better heat dissipation for improved continuous recording capabilities. Additionally, dual memory card slots both support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44641445478659,"sku":"ILCE7SM3B","price":4179.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ilce7sm3-b_2.jpg?v=1764305904"},{"product_id":"sony-alpha-a7c-mirrorless-digital-camera-with-28-60mm-lens-silver","title":"Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens (Silver)","description":"\u003ch2\u003eSony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens (Silver)\u003c\/h2\u003e \u003cp\u003eCompact and capable, the silver \u003cstrong\u003eSony Alpha a7C\u003c\/strong\u003e mixes the quality and advantages of a full-frame sensor with, especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for every day, all-day carry.\u003c\/p\u003e\r\n\u003cp\u003eThe full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast-detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs are 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting.\u003c\/p\u003e\r\n\u003cp\u003eCompared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39\"-type OLED with 2.36m-dot resolution and is complemented by a 3.0\" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor\u003c\/h2\u003e\r\n\u003cp\u003eFeaturing a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\u003cbr\u003e\u003cbr\u003eThe sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF\/AE when working with either a mechanical shutter or an electronic shutter.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eUHD 4K Video Recording in XAVC S Format\u003c\/h2\u003e\r\n\u003cp\u003eInternal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling.\u003cbr\u003e\u003cbr\u003eAffording extensive customizable colour and gamma controls, the a7C allows users to adjust the gamma, black level, knee, colour level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide colour gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eBody Design\u003c\/h2\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCompact and lightweight body design, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.\u003c\/li\u003e\r\n\u003cli\u003eA 0.39\"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot resolution and 0.59x magnification for bright, clear viewing in high detail.\u003c\/li\u003e\r\n\u003cli\u003eRear 3.0\" 921.6k-dot rear LCD features a side-open vari-angle design along to benefit working from high, low, and front-facing angles. It's also a touchscreen for intuitive control and playback.\u003c\/li\u003e\r\n\u003cli\u003eMagnesium-alloy chassis along with a weather-sealed design offers durable overall construction for use in a variety of conditions.\u003c\/li\u003e\r\n\u003cli\u003eThe large-capacity NP-FZ100 battery offers approximately 740 shots per charge when working with the rear LCD or 680 shots per charge when working with the EVF.\u003c\/li\u003e\r\n\u003cli\u003eSingle SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.\u003c\/li\u003e\r\n\u003cli\u003eA USB 3.2 Gen 1 Type-C port offers for fast and reliable tethering support and also allows the camera to be charged from the host power source while connected.\u003c\/li\u003e\r\n\u003cli\u003eMulti-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\r\n\u003cli\u003eBoth 3.5mm microphone and headphone ports are available for greater audio recording control.\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFast Hybrid AF System\u003c\/h2\u003e\r\n\u003cp\u003eCovering a majority of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/h2\u003e\r\n\u003cp\u003eDespite the sleek stature of the a7C, it features a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for various types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003cbr\u003e\u003cbr\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFE 28-60mm f\/4-5.6 Lens\u003c\/h2\u003e\r\n\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"upc_25YaoyGXbAKD6LHisbSjLz\"\u003e\r\n\u003cdiv class=\"js-injected-html\" data-selenium=\"overviewUpcText\"\u003eIncluded with the camera body is the wide-angle to long-normal FE 28-60mm f\/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/article\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":44641499382019,"sku":"ILCE7CLS","price":3499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/ilce7cls_12_f659e239-f304-4ce9-bce9-8d571e90d8eb.jpg?v=1745861859"},{"product_id":"sony-alpha-a7c-mirrorless-digital-camera-with-28-60mm-lens-black","title":"Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens (Black)","description":"\u003ch2\u003eSony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens (Black)\u003c\/h2\u003e \u003cp\u003eCompact and capable, the silver \u003cstrong\u003eSony Alpha a7C\u003c\/strong\u003e mixes the quality and advantages of a full-frame sensor with, especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for every day, all-day carry.\u003c\/p\u003e\u003cp\u003eThe full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast-detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs are 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting.\u003c\/p\u003e\u003cp\u003eCompared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39\"-type OLED with 2.36m-dot resolution and is complemented by a 3.0\" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor\u003c\/h2\u003e\u003cp\u003eFeaturing a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\u003cbr\u003e\u003cbr\u003eThe sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF\/AE when working with either a mechanical shutter or an electronic shutter.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eUHD 4K Video Recording in XAVC S Format\u003c\/h2\u003e\u003cp\u003eInternal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling.\u003cbr\u003e\u003cbr\u003eAffording extensive customizable colour and gamma controls, the a7C allows users to adjust the gamma, black level, knee, colour level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide colour gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eBody Design\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eCompact and lightweight body design, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.\u003c\/li\u003e\n\u003cli\u003eA 0.39\"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot resolution and 0.59x magnification for bright, clear viewing in high detail.\u003c\/li\u003e\n\u003cli\u003eRear 3.0\" 921.6k-dot rear LCD features a side-open vari-angle design along to benefit working from high, low, and front-facing angles. It's also a touchscreen for intuitive control and playback.\u003c\/li\u003e\n\u003cli\u003eMagnesium-alloy chassis along with a weather-sealed design offers durable overall construction for use in a variety of conditions.\u003c\/li\u003e\n\u003cli\u003eThe large-capacity NP-FZ100 battery offers approximately 740 shots per charge when working with the rear LCD or 680 shots per charge when working with the EVF.\u003c\/li\u003e\n\u003cli\u003eSingle SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.\u003c\/li\u003e\n\u003cli\u003eA USB 3.2 Gen 1 Type-C port offers for fast and reliable tethering support and also allows the camera to be charged from the host power source while connected.\u003c\/li\u003e\n\u003cli\u003eMulti-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\n\u003cli\u003eBoth 3.5mm microphone and headphone ports are available for greater audio recording control.\u003c\/li\u003e\n\u003cli\u003eBuilt-in Wi-Fi enables the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\n\u003cli\u003eBluetooth connectivity allows for location data acquisition.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFast Hybrid AF System\u003c\/h2\u003e\u003cp\u003eCovering a majority of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. 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Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003eFE 28-60mm f\/4-5.6 Lens\u003c\/h2\u003e\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\u003cdiv\u003e\u003cdiv class=\"upc_25YaoyGXbAKD6LHisbSjLz\"\u003e\u003cdiv class=\"js-injected-html\" data-selenium=\"overviewUpcText\"\u003eIncluded with the camera body is the wide-angle to long-normal FE 28-60mm f\/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. 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The panel's high CRI\/TLCI ratings of 95\/97 are clear indicators of advanced accuracy in rendering colors. The light is dimmable too, from 0 to 100%, and while you can make these adjustments locally on the fixture, you can also make them wirelessly via Bluetooth and your smartphone by downloading a free app. But the 5C has additional color control technology (RGBWW). The fully tunable fixture has hue, saturation, and intensity control to allow even the subtlest tweaking of the 360° color spectrum offering access to literally millions of colors. It also has magenta \/ green adjustment for further control. 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