{"title":"Video Editing Software \u0026 Hardware","description":"\u003cp\u003eEnhance your post-production workflow with our selection of video editing software and hardware at Videoguys Australia. Whether you're a professional editor, filmmaker, or content creator, our range offers the tools you need for efficient and high-quality video editing.\u003c\/p\u003e\n\u003ch2\u003eFeatured Video Editing Software\u003c\/h2\u003e\n\u003ch3\u003eDaVinci Resolve Studio\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/videoguys.com.au\/products\/davinci-resolve-studio\" target=\"_blank\" rel=\"noopener\"\u003eDaVinci Resolve Studio\u003c\/a\u003e:\u003c\/strong\u003e Combines professional 8K editing, color correction, visual effects, and audio post-production in a single software tool. Features include advanced HDR editing, AI-based Magic Mask for targeted grading, and compatibility with Mac, Windows, and Linux.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAdobe Premiere Pro\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/www.adobe.com\/au\/products\/premiere.html\" target=\"_blank\" rel=\"noopener\"\u003eAdobe Premiere Pro\u003c\/a\u003e:\u003c\/strong\u003e Industry-standard video editing software offering advanced tools for editing, color correction, and audio post-production. Now with Generative Extend to supercharge your workflow with AI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFinal Cut Pro\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/www.apple.com\/final-cut-pro\/\" target=\"_blank\" rel=\"noopener\"\u003eFinal Cut Pro\u003c\/a\u003e:\u003c\/strong\u003e Apple's professional video editing software known for its powerful features and seamless integration with macOS. Offers advanced tools for editing, color grading, and motion graphics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFeatured Video Editing Hardware\u003c\/h2\u003e\n\u003ch3\u003eBlackmagic Design DaVinci Resolve Speed Editor\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/videoguys.com.au\/products\/blackmagic-design-davinci-resolve-speed-editor\" target=\"_blank\" rel=\"noopener\"\u003eBlackmagic Design DaVinci Resolve Speed Editor\u003c\/a\u003e:\u003c\/strong\u003e A dedicated keyboard with built-in search dial for fast editing in DaVinci Resolve. Enhances editing speed and efficiency with intuitive controls.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eElgato Stream Deck MK.2\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/videoguys.com.au\/products\/elgato-stream-deck-mk2\" target=\"_blank\" rel=\"noopener\"\u003eElgato Stream Deck MK.2\u003c\/a\u003e:\u003c\/strong\u003e Customizable control pad with LCD keys, perfect for streamlining your editing workflow. Integrates with various software for quick access to functions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLoupedeck CT\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003ca href=\"https:\/\/videoguys.com.au\/products\/loupedeck-ct\" target=\"_blank\" rel=\"noopener\"\u003eLoupedeck CT\u003c\/a\u003e:\u003c\/strong\u003e Advanced editing console offering tactile controls for various creative software, enhancing precision and speed in your editing process.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhy Choose Video Editing Software \u0026amp; Hardware from Videoguys Australia?\u003c\/h2\u003e\n\u003ch3\u003eProfessional Quality\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrusted Brands:\u003c\/strong\u003e We offer products from leading manufacturers like Adobe, Apple, Blackmagic Design, and Elgato.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReliable Performance:\u003c\/strong\u003e Our selection ensures stability and efficiency for demanding editing tasks.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eComprehensive Solutions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware \u0026amp; Hardware Integration:\u003c\/strong\u003e Seamless compatibility between our software and hardware offerings for an optimized workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExpert Support:\u003c\/strong\u003e Our team provides guidance and support to help you choose the right tools for your editing needs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eExplore our full range of \u003ca href=\"https:\/\/videoguys.com.au\/collections\/video-editing-software-hardware\" target=\"_blank\" rel=\"noopener\"\u003eVideo Editing Software \u0026amp; Hardware at Videoguys Australia\u003c\/a\u003e and elevate your editing projects to the next level.\u003c\/p\u003e","products":[{"product_id":"datavideo-rmc-260-remote-control-for-se-1200mu-digital-video-switcher","title":"Datavideo RMC-260 Remote Control for SE-1200MU Digital Video Switcher","description":"\u003ch2\u003eDatavideo RMC-260 Remote Control for SE-1200MU Digital Video Switcher\u003c\/h2\u003e\n\u003ch2\u003eDatavideo RMC-260 Remote Control for SE-1200MU Digital Video Switcher\u003c\/h2\u003e \u003cp\u003eThe RMC-260 Remote Control from Datavideo is used for controlling the SE-1200MU Digital Video Switcher (switcher not included) via an RS-232 interface. With hard keys for the main switcher functions and on-screen menu controls for quick and easy adjustment of parameters in the field, the RMC-260 is designed for effortless switching. The RMC-260 can be used with or without the PC Control Software, although the software must be used for upgrades and for import\/export of user memory settings, stills, and clips.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e    Clear key definitions \u003cbr\u003e\u003cbr\u003e    Support for keyers enable and quick function assignment \u003cbr\u003e\u003cbr\u003e    Allows you to save user behaviour using the user memory keys for quick access \u003cbr\u003e\u003cbr\u003e    Two keyers with two corresponding knobs for assignment of keyer 1\/2 sources \u003cbr\u003e\u003cbr\u003e    XPT (cross-point assignment) \u003cbr\u003e\u003cbr\u003e    Take button to switch between PVW and PGM views \u003cbr\u003e\u003cbr\u003e    FTB button fades the PGM view to a black screen \u003cbr\u003e\u003cbr\u003e    Still Grab function for capturing instantaneous video image \u003cbr\u003e\u003cbr\u003e    RS-232 interface for communication between RMC-260 and SE-1200MU \u003cbr\u003e\u003cbr\u003e    Bright LED lighting \u003c\/p\u003e","brand":"DataVideo","offers":[{"title":"Default Title","offer_id":44600560943363,"sku":"RMC-260","price":1095.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/rmc-260_1_82069b13-3972-4545-96f4-26e703c74c5e.jpg?v=1743264148"},{"product_id":"aja-kona-lhi-i-o-pcie-card","title":"AJA Kona LHi I\/O PCIe Card","description":"\u003ch2\u003eAJA Kona LHi I\/O PCIe Card\u003c\/h2\u003e \u003cp\u003eThe AJA KONA LHi bridges the gap between legacy analog devices and the latest 3G SDI and HDMI v1.3a enabled products. KONA LHi interfaces with the latest PCIe Apple Mac OSX hardware and QuickTime software applications. AJA drivers offer integrated support for Apple Final Cut Studio. KONA LHi allows editing, monitoring and mastering of professional quality video in an affordable, easy to use product.\u003c\/p\u003e\u003cp\u003eKONA LHi offers a full host of no-compromise features: 10 or 8-bit uncompressed video, 3G\/HD\/SD SDI I\/O including support for 1080p50\/60, analog composite\/S-Video\/SD-HD component video I\/O, 2-channel AES\/8-channel SDI embedded audio I\/O, 2-channel balanced audio I\/O, and broadcastquality hardware-based up\/down\/cross-conversion for flexible SD and HD post production. Also, HDMI v1.3a capability at 30 bits per pixel allows full support of the latest 10-bit monitors.\u003c\/p\u003e\u003cp\u003eThe KONA LHi comes standard with a breakout cable and can also be connected to an optional breakout box for rack mounted I\/O convenience and added connectivity in the form of additional BNC digital AES\/EBU connectors and RCA monitoring jacks.\u003c\/p\u003e\u003cp\u003eUse the KONA LHi hardware-based flexible connectivity to capture to QuickTime™ at 10-bit and 8-bit uncompressed formats as well as Apple ProRes 422, DVCPRO HD and more.\u003c\/p\u003e\u003ch4\u003eAJA Control Panel application\u003c\/h4\u003e\u003cp\u003eAs a member of the AJA KONA family of products, the KONA LHi uses the AJA Control Panel application to configure various hardware parameters. The AJA Control Panel application can auto detect input format and frame rate, configure hardware-based up\/down\/cross-conversions, and more.\u003c\/p\u003e\u003ch4\u003eConnectivity\u003c\/h4\u003e\u003cp\u003eIf your post production facility works with a wide variety of formats, frame rates and audio\/video sources, the AJA KONA LHi provides the connectivity you need. Connect everything from an HDMI enabled camera to an HD-SDI VTR to KONA LHi. Connection to any of your legacy analog video signals is also possible. Via an Input PassThrough mode, you can even configure the card to act as a converter within your computer, allowing you to embed or disembed audio or convert a signal like HDMI to HD-SDI.\u003c\/p\u003e\u003ch4\u003eBroadcast-quality conversions\u003c\/h4\u003e\u003cp\u003eLike the AJA KONA 3 product, the KONA LHi features full 10-bit, broadcast-quality, motion-adaptive SD to HD up-conversion, HD to HD crossconversion, HD to SD down-conversion, and automatic HD\/SD 12-bit component analog output. Since all of KONA LHi's conversions are hardware-based, they are available all the time - during ingest or playback. Outputs can be configured independently allowing you to have simultaneous HD and SD output - or two different types of HD - 720 or 1080 - output at the same time via cross-conversion.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":44600564547843,"sku":"AJA-KONA-LHi","price":3459.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/aja00124_6fb39d5c-c40f-48cb-b883-c8f3c76d1226.jpg?v=1743264408"},{"product_id":"gnarbox-2-0-ssd-256gb-rugged-backup-device","title":"GNARBOX 2.0 SSD 256GB Rugged Backup Device","description":"\u003ch2\u003eGNARBOX 2.0 SSD 256GB Rugged Backup Device\u003c\/h2\u003e\u003cp\u003eThe GNARBOX 2.0 SSD 256GB Rugged Backup Device offers users up to 256GB of NVMe PCIe SSD storage for backing up photos, videos, and other files. These single-step, one-touch backups with status and checksum can be performed without your laptop, phone, or tablet using the on-board OLED screen and buttons. Content can be backed up to the GNARBOX 2.0 SSD using its two USB 3.0 Type-C ports or its SD card reader. The USB 3.0 Type-C ports feature data transfer speeds of up to 350 MB\/s, while the SD card slot operates up to 75 MB\/s. Users will also be able to collaborate and share content on HDMI-enabled displays using the integrated micro-HDMI port. The GNARBOX 2.0 SSD is also water, dust, and shock-resistant and it's metal\/rubber enclosure and gasket-sealed port doors help protect it from dust and dirt.\u003c\/p\u003e\n\u003cp\u003eThe GNARBOX 2.0 SSD also features software applications that allow users to advance their professional workflow. Use the Safe keep app for field backups, with file\/folder organization and tools for file management. Photographers will appreciate the Selects app, which allows them to preview raw photos, mark selects, use metadata, and prepare images for further editing. In addition to raw images, supported files also include H.264, H.265, ProRes, and MXF media. Metadata applied to images will be recognized in Adobe Lightroom, Adobe Photoshop, Capture One, and other EXIF programs on your desktop system. If you're an iOS user, you can use Adobe Lightroom Classic or LumaFusion to edit.\u003c\/p\u003e\n\u003cp\u003eThe GNARBOX 2.0 SSD is backed by 4GB of RAM, a 2.4 GHz Intel Quad-Core processor, and integrated Intel HD Quad-Core graphics. Wireless connectivity is achieved using Wi-Fi 5 (802.11ac) at speeds of up to 867 Mb\/s and the removable 3000mAh battery lasts for 3 to 6 hours of continuous use and can be recharged up to 80% in one hour and up to 100% in two hours. Its mobile app is compatible with iOS and Android, while the unit itself is compatible with Windows \u0026amp; macOS.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne-Touch Backup \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eQuickly perform one-touch backups without your laptop, phone, or tablet using the integrated OLED screen and buttons. Develop folder presets on the Safe keep app for advanced backups with personalized folder naming conventions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for Professionals \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFive-star rated and apply metadata to cull and organize before migrating images into your desktop photo editors like Lightroom CC, Photoshop, or Capture One. Export any sequence created in the field to Adobe Premiere or Final Cut Pro using XML project exports. Sync files and folders to Dropbox from the Safekeep app. Generate proxies and render into ProRes for seamless integration into your desktop editors before you return to the studio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApps That Advance Your Workflow \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGNARBOX's Safekeep app provides a fast field backup experience, with tailored file\/folder organization and tools for file management across your drives. For photographers, GNARBOX's Selects app allows a fast preview of RAW photos, making it easy to mark your selects, use metadata, and save time preparing your images for your next step.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Integrations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntegrates with editors such as Adobe Lightroom CC and LumaFusion, providing a seamless editing experience on your iPhone and iPad.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRugged \u0026amp; Reliable\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe GNARBOX 2.0 SSD is built with a rugged military spec designed to withstand water, dust, and dirt. Outside, the metal\/rubber enclosure and gasket-sealed port doors help protect against dust and dirt. Inside, a solid-state drive means your data is safe in case of a drop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eView on HDMI Monitors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCollaborate and share by playing your photos and videos in high resolution on HDMI-enabled screens using the micro-HDMI port.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e22.8Wh Removable Battery \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGNARBOX has a removable battery to provide flexibility in your power management. It comes with a USB Type-C to Type-C cable and a custom 35W wall plug for 2 hour charging.\u003c\/p\u003e","brand":"GNARBOX","offers":[{"title":"Default Title","offer_id":44600566612227,"sku":"GN-GNAR256V2","price":899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/gn-gnar256v2_1_979ec719-8ee5-4288-8fae-5660b0ee32b9.jpg?v=1743264566"},{"product_id":"aja-k3g-box-breakout-rack-for-kona-3g","title":"AJA K3G-Box Breakout Rack for KONA 3G","description":"\u003ch2\u003eAJA K3G-Box Breakout Rack for KONA 3G\u003c\/h2\u003e \u003cp\u003eAJA K3G-Box Breakout Rack for KONA 3G - Breakout Rack Mount for the Kona 3G I\/O card\u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":44600567234819,"sku":"AJA-K3G-BOX","price":1319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/aja00169_1_c16ddc34-5a67-4d8e-8b5b-fd76e3a2e602.jpg?v=1743264610"},{"product_id":"loupedeck-live-console-for-content-creators-streamers","title":"Loupedeck Live Console for Content Creators \u0026 Streamers","description":"\u003ch2\u003eLoupedeck Live Console for Content Creators \u0026amp; Streamers\u003c\/h2\u003e\n\u003cp\u003eLoupedeck Live is a customizable desktop console that lets you switch between the tools you need to either edit photos\/videos\/audio, control live streams, and browse the Web. Connecting to your Mac or Windows computer over an included USB cable, Loupedeck Live works as a natural extension of your keyboard, mouse, and\/or graphic tablet to provide streamlined, efficient control in popular editing software and streaming platforms. Loupedeck Live features native integration with many applications, such as Adobe After Effects, OBS Studio, and Spotify (see below), and is also compatible with many others.\u003c\/p\u003e\n\u003cp\u003eDesigned context-aware, Loupedeck Live provides you with all the tools of the editing or streaming applications you create a profile for. For streaming, Loupedeck Live is designed with deep integration with Twitch, Streamlabs, and OBS Studio (Streamlabs and OBS Studio integrations are currently only supported on Windows). The console lets you customize and organize all your actions, go live in seconds, switch between scenes and sources, record gameplay, and save replays.\u003c\/p\u003e\n\u003cp\u003eIn a compact form, Loupedeck Live offers a touchscreen and dials and colour-coded buttons that provide you with haptic feedback, which confirms each operation so you know you're in control, even when making micro-adjustments. You can customize your own toolsets into each of these controls for your editing and streaming operations or download ready-made profiles for free from Loupedeck.\u003c\/p\u003e\n\u003cp\u003eCustom profiles and plug-ins can be created or downloaded for free for any software you wish to use the Loupedeck Live with, including the applications that are natively supported. 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The MultiView 16 allows for 4, 9, or 19 views to be selected, with each input fully re-synchronized. Two HD-SDI, two 6G-SDI, and one HDMI multi-view outputs are provided, as well as a loop output for each 6G-SDI input for passing the signals to additional devices.\u003cbr\u003e\u003cbr\u003eHoused in a 1RU machined aluminium frame, the MultiView 16 is ready for use in the studio, broadcast truck, or even on location. It can be controlled using the illuminated buttons, spin knob, and 1.5\" LCD screen on the front panel, or with the included control software via the Ethernet port. A SOLO button lets instantly full screen a single source. For easy integration into any facility, a built-in multi-voltage power supply supports 90 to 240VAC.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNative Ultra HD multi-view output\u003c\/li\u003e\n\u003cli\u003e16x 6G-SDI inputs; accepts SD, HD, and Ultra HD resolutions\u003c\/li\u003e\n\u003cli\u003eSupports Ultra HD 4K (3840x2160) up to 30p; DCI 4K (4096x2160) at 24p\u003c\/li\u003e\n\u003cli\u003e2x 6G-SDI, 2x HD-SDI, and 1x HDMI multi-view outputs\u003c\/li\u003e\n\u003cli\u003e16x SDI loop outputs\u003c\/li\u003e\n\u003cli\u003e2x2, 3x3, and 4x4 multi-view configurations\u003c\/li\u003e\n\u003cli\u003eSOLO button for an instant full screen of a single source\u003c\/li\u003e\n\u003cli\u003e2-channel audio meters for each view\u003c\/li\u003e\n\u003cli\u003e16x9 SD support\u003c\/li\u003e\n\u003cli\u003eTally support with ATEM switchers\u003c\/li\u003e\n\u003cli\u003e1RU machined aluminium chassis\u003c\/li\u003e\n\u003cli\u003eFront panel control using illuminated buttons, spin knob, and 1.5\" LCD screen\u003c\/li\u003e\n\u003cli\u003eSoftware control over Ethernet; supports Videohub router protocol\u003c\/li\u003e\n\u003cli\u003eBuilt-in 90 to 240VAC power supply\u003c\/li\u003e\n\u003cli\u003eIEC power cable required\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44600597479683,"sku":"HDL-MULTIP6G\/16","price":2499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/hdl-multip6g-16_2_d52ec6c9-0175-4d26-840b-fd60330ae0bc.jpg?v=1743265157"},{"product_id":"blackmagic-design-smart-videohub-cleanswitch-12-x-12-6g-sdi","title":"Blackmagic Design Smart Videohub CleanSwitch 12 x 12 6G-SDI","description":"\u003ch2\u003eBlackmagic Design Smart Videohub CleanSwitch 12 x 12 6G-SDI\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eSmart Videohub CleanSwitch 12 x 12 6G-SDI\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e is a mixed format router with 12 6G-SDI inputs and 12 6G-SDI outputs for routing any combination of SD, HD, Ultra HD 4K, and DCI 4K video. The CleanSwitch model allows for re-timing of SDI feeds, so all switches are timed to happen between frames. It supports 4:2:2 and 4:4:4 colour sampling and 10-bit processing for smoother gradations. Housed in a 1RU frame, the Smart Videohub is ideal for use in both large broadcast systems and portable mini racks for live productions. A built-in LCD lets view your sources directly on the router itself, with simple push buttons and a spin knob provided for control. Routing can also be controlled using dedicated remote panels or over Ethernet using the included software for Mac OS X and Windows. You can even use the available iPad app to change routing over your wireless network.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44600597512451,"sku":"VHUBSMTCS6G1212","price":2359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/vhubsmtcs6g1212_1_0bfb47d2-c760-4d0a-93e6-61647ac66587.jpg?v=1743265164"},{"product_id":"blackmagic-design-smartscope-duo-4k-rack-mounted-dual-6g-sdi-monitors","title":"Blackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors","description":"\u003ch2\u003eBlackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design SmartScope Duo 4K Rack-Mounted Dual 6G-SDI Monitors\u003c\/strong\u003e is a monitoring solution for studio and location productions, displaying video with resolutions up to 3840 x 2160 at 30p. It features two 8\" monitors each with a loop-through SDI input and output. The inputs are auto-sensing\/selecting so you don't have to worry about matching the input format; the monitor will display any supported format that you feed it. You can choose to select to display either the input video or one of six scope displays, while the input video passes through the monitor to downstream devices.\u003cbr\u003e\u003cbr\u003eYou use the USB connector to initialize the monitor on your network; after that, you can control the monitors using the supplied software via the Ethernet connector. This allows you to adjust the monitors' brightness and colour as well as select the monitor to display mode - video or scope view. The SmartScope Duo 4K also incorporates a Tally display around the border of the image, which works with industry-standard Tally systems. The unit takes up three rack height units but is less than two inches deep (including the connector depth), which makes it well suited for use in production trucks where space is at a premium. The unit also automatically flips the image if you need to install the unit upside down.\u003c\/p\u003e\n\u003cdiv class=\"two-column--image-left--text-right\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eSelect Picture\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eSmartScope Duo 4K gives you the choice to select a scope display or regular video on each of the 8 inch LCD displays. You can even monitor video on one LCD while running a scope such as waveform, histogram or audio on the other screen. This is a powerful combination because you can see the video you're monitoring alongside a real-time scope measurement, all on the same SmartScope Duo 4K! You can always rely on SmartScope Duo 4K to give you broadcast accurate monitoring, ensuring your video production has perfect video and audio levels at all times!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"two-column--image-left--text-right\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eWaveform\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eWaveform display is perfect for adjusting video levels or matching black background levels when keying! Waveform Display features a luminance waveform of the black and white levels in your video signal. It's perfect for setting the output levels on your broadcast decks and generally monitoring the levels of your production while you edit. Waveform display is a vital tool for colour grading and a valuable reference for unifying background levels when keying.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"two-column--image-left--text-right\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eVectorscope\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eA vectorscope is the only way to measure colours in video accurately! If you're color correcting video, vectorscope shows when color has been removed or nulled out for accurate white balance. When you need to apply a tint, vectorscope lets you see exactly how much tint you’re adding and what color it is. Sometimes monitors cannot be trusted, but with vectorscope you’ll always know the exact colours you’re working with! You can also easily align the hue on decks using a vectorscope!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"two-column--image-left--text-right\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eParade Display\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe real-time RGB parade waveform view is the ideal scope for accurate colour correction. You can see the color balance in ‘blacks’, ‘mids’ and ‘whites’, making it easy to balance colors for perfect looking images. RGB Parade lets you check for illegal colours because any video that drops below the black line, or above the 100% line, is an illegal RGB colour! Vectorscope view cannot show illegal video levels, because vectorscope only plots colors and not the luminance component of video. However the RGB parade plots your video as R, G and B and so is the perfect way to keep track of illegal video levels! You can also select YUV parade display which shows the YUV component video as its transmitted down the SDI cable and is perfect for broadcast engineering analysis of SDI signals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"two-column--image-left--text-right\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eAudio View\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eMonitor your audio levels with 16 channels of audio metering for viewing every channel in the SDI video connection! The audio scope also includes a stereo phase meter that can be selected to different SDI audio pairs. The stereo phase meter plots left and right audio as an XY scope display so you know exactly what your audio is at all times. It’s easy to see audio problems such as clipping, and out of phase audio can be seen as a left or right-leaning display. If you don’t get a vertical oriented waveform then you know your audio channel balance is out! No audio problem can hide from audio scope display!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"two-column--image-left--text-right\"\u003e\n\u003cdiv class=\"column-container\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eHistogram\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eClipping levels on a live shoot results in loss of detail, which can cause huge problems when you try to adjust ‘blacks’ or ‘whites’ in post-production. Histogram view lets you see where the pixels are in your video, and how they are distributed from black to white. You can see if your video is clipping and adjust the camera iris and ISO settings to keep all black and white detail in the image. This means you have the full contrast range of video for easy color correction during post-production. Histogram will transform your shoots because you can see exactly what you're recording and the colorist who works on your job will benefit from the availability of the full contrast range of the camera!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cdiv class=\"title-container\"\u003e\n\u003ch2\u003eSoftware Update\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cp\u003eYou can download software updates to your SmartView monitor to add new features in the future. You can also download new software to the SmartScope Duo 4K model so you can add new types of scopes as they become available. Programmable internal software means you can get new features, compatibility with new hardware and support for new formats in the future. When downloading updates of the SmartView Utility, it will automatically detect the software of your hardware and then ask you to update if necessary. The software update is then downloaded for you and is simple to perform!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44600597709059,"sku":"HDL-SMTWSCOPEDUO4K2","price":1569.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/hdl-smtwscopeduo4k2_1_4f9b5738-4a2e-4424-bd92-2a5d8720fa6c.jpg?v=1743265179"},{"product_id":"blackmagic-design-davinci-resolve-mini-panel","title":"Blackmagic Design DaVinci Resolve Mini Panel","description":"\u003ch2\u003eBlackmagic Design DaVinci Resolve Mini Panel\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eDaVinci Resolve Mini Panel\u003c\/strong\u003e from\u003cstrong\u003e Blackmagic Design\u003c\/strong\u003e is a step up in functionality from the Micro panel but without all the features of the Advanced panel, and it includes DaVinci Resolve software. It is a portable control surface suitable for those that need to switch between editing and colour grading. It can sit on your desktop or in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary colour-correction tools in the Resolve software. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls.\u003cbr\u003e\u003cbr\u003eHowever, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates both USB Type-C and Ethernet interfaces. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44600597741827,"sku":"DV\/RES\/BBPNLMINI","price":3019.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/dv-res-bbpnlmini_2_485d6e34-75c4-4cec-b251-35ed23ba6c8e.jpg?v=1743265189"},{"product_id":"blackmagic-design-multidock-10g","title":"Blackmagic Design MultiDock 10G","description":"\u003ch2\u003eBlackmagic Design MultiDock 10G\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design MultiDock 10G\u003c\/strong\u003e is designed as a fast, 4-slot SSD dock that you can use to edit directly from your media disks. Up to four 2.5\" disks can be accessed over a single 10 Gb\/s USB Type-C interface, while an independent SATA driver chip on each disk slot ensures fast transfer speeds. You can connect directly to a Mac or Windows computer that has a USB Type-C port, and no software needs to be installed and used in the process. The MultiDock 10G works well with the optional HyperDeck Extreme 8K in various recording and playback workflows thanks to the matching USB Type-C External Disk port on the HyperDeck. The MultiDock has a 1 RU rackmount design and can be installed right on top of the HyperDeck Extreme in a rack or console for a seamless workflow. It can also be used simultaneously with two HyperDeck Extreme units.\u003c\/p\u003e\n\u003cp\u003eThe MultiDock 10G features a 1 RU all-metal design for use in any professional rack. Each disk slot has an illuminated disk indicator so you can see when disks are being accessed. The design is also repairable so you can replace the socket connector in each slot. Simply plug into any USB Type-C Mac or Windows computer port and begin using it without any software installation needed. The rear panel offers two USB Type-C connections and a slide switch to allow selecting between using four disk slots on a single USB Type-C port, or two slots on each port for shared use. Plus, the built-in AC power supply provides the power to run four SSDs or hard disks, at the same time.\u003c\/p\u003e\n\u003cp\u003eThe MultiDock 10G supports up to four independent 2.5\" SSDs so it's possible to edit directly from the disks you recorded onto. Simply plug in your SSDs and they will connect to your Mac OS X and Windows computers like regular hard disks. Because the MultiDock features four independent disk slots, you can mount all your media from a shoot all at the same time. Blackmagic MultiDock 10G can be used for accessing media recorded with the URSA Mini Pro SSD Recorder. It's also a suitable solution for adding SSD compatibility to the HyperDeck Extreme 8K, as it will let you interchange disks between HyperDeck Studio models. You can even stripe multiple disks together for a super fast RAID array.\u003c\/p\u003e\n\u003cp\u003eWith MultiDock 10G it's possible to plug in any brand of 2.5\" SSDs, or, if you need high-capacity backup at low cost, a regular 2.5\" laptop hard disk can be used. Best of all, the driver is built into the operating system so no extra software is required.\u003c\/p\u003e\n\u003cp\u003eMultiDock 10G uses advanced USB Type-C technology so you get fast transfer speeds to your computer at up to 10 Gb\/s with a single cable connection. That's more than enough bandwidth to handle 8K resolution in H.265 from the optional HyperDeck Extreme 8K. MultiDock 10G features a completely independent disk interface chip per disk slot, so you never get slowdowns because of SATA bandwidth issues. Even though you get all four disks connected to a single USB Type-C connection, you can also split the MultiDock 10G and get two disks on one USB Type-C port and two disks on the second port. This is ideal for dual computer use or for increased speed.\u003c\/p\u003e\n\u003cp\u003eThe built-in power supply of the MultiDock 10G ensures no power is used from laptop batteries and it has enough power to run four high-performance disks all at the same time in RAID configurations. Blackmagic MultiDock 10G even supports the RAID software built into most operating systems, so you can customize your disk array for your needs. Each disk slot also features an attractively illuminated disk access indicator so you can see when your disks are being accessed.\u003c\/p\u003e\n\u003cp\u003eBecause SSDs are so fast, you can add up to four media disks to editing software such as DaVinci Resolve, Final Cut Pro X, Premiere Pro CC, Avid Media Composer, Autodesk Smoke, and others.\u003c\/p\u003e\n\u003cp\u003eWhen you plug MultiDock into the HyperDeck External Disk port, it can see the SSDs and use them for recording. When using two HyperDeck Extreme units mounted side by side, it's possible to switch to 2-channel mode and use two disks with each HyperDeck. This also means it's possible to use two computers with a single MultiDock, one using each channel. Alternatively, multiple rackmount servers can access the same MultiDock. When an SSD is inserted in MultiDock, it can be seen on the HyperDeck Extreme on-screen menus, and you can select it for record and playback.\u003c\/p\u003e\n\u003cp\u003eIf you're working in large facilities, then MultiDock 10G allows media disks to be relocated simply by unplugging the disks and walking to a new location. That eliminates slow file copying and there is no need for complex network storage. This means you get the flexibility to change and move your workflow as your client demands. You can even take your job from an editing room into a dedicated DaVinci Resolve colour correction room and then move to a larger theatre-style room when your client arrives to review your job. With instant unplugging of media, you eliminate clunky devices hanging off cables. 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Each input has its own standards converter, which allows you to seamlessly switch between inputs no matter what format it is. The Constellation 8K incorporates four DVE, 16 Keyers, and four media players, allowing for flexibility in creating your program. Four multiview outputs enable viewing 4, 7, 10, 13, or 16 simultaneous views.\u003c\/p\u003e\n\u003cp\u003eThe relatively large LCD view screen on the front of the unit displays the input video with a label of the input number. You can control the Constellation 8K locally via the front panel buttons, or you can use the built-in Ethernet connector to control the system from a computer using the included control panel software. The built-in Fairlight audio mixer supports 80 channels of de-embedded audio from SDI, plus 64 channels via MADI in. Talkback functionality is available via the 5-pin XLR on the front of the unit, or the RJ12 connector on the back.\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation 8K features the following built-in capabilities:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16 upstream keyers in Ultra HD, 4 in 8K supporting chroma, linear, and luma keying\u003c\/li\u003e\n\u003cli\u003e4 downstream keyers in Ultra HD, 2 in 8K.\u003c\/li\u003e\n\u003cli\u003e16 advanced chroma keyers in Ultra HD, 4 in 8K\u003c\/li\u003e\n\u003cli\u003eTalkback communication is supported\u003c\/li\u003e\n\u003cli\u003eMix-minus is supported\u003c\/li\u003e\n\u003cli\u003eThere are 4 transition keyers (Stinger\/DVE)\u003c\/li\u003e\n\u003cli\u003eSupports up to 28 layers in UHD and 7 layers in 8K\u003c\/li\u003e\n\u003cli\u003e21 pattern generators are available in Ultra HD, while only 9 are available in 8K\u003c\/li\u003e\n\u003cli\u003eSupport for 2 color generators\u003c\/li\u003e\n\u003cli\u003e4 DVE with 3D borders and drop shadow are supported in Ultra HD; one is supported in 8K\u003c\/li\u003e\n\u003cli\u003eControl is via front push-button switching with illuminated buttons, software, or an optional hardware panel.\u003c\/li\u003e\n\u003cli\u003e64 routable windows in Ultra HD, and 16 in 8K\u003c\/li\u003e\n\u003cli\u003eTally support (red for program, green for preview)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePanel The included ATEM Software Control Panel provides control over the switcher. Featuring a well-designed interface with a visual switcher and parameter palettes for making quick adjustments, the ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders.\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation features a built-in Fairlight audio mixer that makes it possible to do extremely complex live sound mixing. The internal mixer supports up to 156 channels. Eighty mixer channels are de-embedded from the SDI inputs, and each input channel features a high-quality 6-band parametric EQ and compressor, limiter, expander, and noise gate, as well as full panning. Extra channels for the analog input, talkback microphone, and media players are supported as well, and the audio mixing features can be controlled via the ATEM Software Control, a Mackie-compatible panel, or Fairlight Audio Console.\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation 8K features 16 ATEM Advanced Keyers for high-quality chroma or luminance keying. The chroma keyer features a colour picker to sample background colours for automatic generation of the key parameters. Precise controls for edge and flare are supported, and there is even a foreground colour corrector, so you can match the \"look\" of the foreground layer to the background layer for making seamless compositions. The keyer can also be used for pattern and DVE keying. Then when you switch to 8K, you still get four independent full-resolution 8K ATEM Advanced Keyers.\u003c\/p\u003e\n\u003cp\u003eBuilt into the ATEM Constellation 8K is a variety of broadcast-quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border colour, border width, position, and direction. Transitions are in full 8K native. Also included are DVE transitions, suitable for graphic wipes and stingers when used with the internal media players.\u003c\/p\u003e\n\u003cp\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two media players. The media pool can hold up to 24 full-resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD, or 1600 frames in 1080 HD.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44600597840131,"sku":"SWATEMSCN4\/1ME4\/8K","price":16599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/swatemscn4-1me4-8k_054503a0-13f3-4ed2-b121-fe0c8c25e709.jpg?v=1743265202"},{"product_id":"blackmagic-design-davinci-resolve-editor-keyboard","title":"Blackmagic Design DaVinci Resolve Editor Keyboard","description":"\u003ch2\u003eBlackmagic Design DaVinci Resolve Editor Keyboard\u003c\/h2\u003e\u003cp\u003eMade for DaVinci Resolve 16 and above, the \u003cstrong\u003eDaVinci Resolve Editor Keyboard\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e features all-metal construction and has professional edit keys and a high-quality search wheel, allowing you to edit with both hands. For example, you can control the position within a clip with the right hand while setting in and out points and applying edits with the left. Based on feedback from professionals, it even has subtle design features such as empty space above certain keys, so they can be located by touch. It's designed to plug into USB Type-C computer ports and works without any batteries. It can be used on a desktop or inset into a console via a flange.\u003c\/p\u003e\n\u003cp\u003eThe all-metal design includes keys with a tiered profile, instead of flat keys, so it's easy to feel your way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows for very precise transport and trimming control. There's also a handrest with a soft feel to help reduce fatigue. Plus, the keys caps, handrest, and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time.\u003c\/p\u003e\n\u003cp\u003eThe metal search dial features rubber coating and is designed with multiple roller bearings that allow for smooth operation. There's an integrated electronic clutch that creates end stops when used for shuttle and position. The dial can also be spun in jog mode to allow a natural timeline scroll. The jog control allows free movement for precise positioning of the playback point. Shuttle uses the clutch, and you can rotate forward and reverse wind to move up and down the timeline. Scroll allows scrolling up and down a long edit to navigate quickly.\u003c\/p\u003e\n\u003cp\u003eThe innovative source button instantly creates a \"source tape\" of all the clips in your bin. Now you can simply scroll up and down all your media without the need to navigate thousands of clips. The clip being viewed is also highlighted in the bin in real-time. Switching between the source tape and timeline is instant.\u003c\/p\u003e\n\u003cp\u003eThe source tape uses your bin's sort order, so you get lots of control over how shots are organized. This gives you the flexibility to find shots by time, camera, duration, or even clip name. The moment one of the bin sort buttons is selected, the source tape will be regenerated in that bin's sort order. Simply scroll up and down the source tape to find the shots needed. Sort by timecode to see all the bin media sorted by time, which is highly useful for a content shot in time order, such as live events. You can also sort by the camera, ideal for multicamera shoots where you lay down the wide shot first and then look for cutaways on other cameras. You can even sort by duration and the clip name.\u003c\/p\u003e\n\u003cp\u003eThe in and out point buttons are designed large, and a small empty space is provided above them to allow locating them by feel. That helps when doing transport control with your right hand and punching in and out points using your left hand. When you select in and out points in the DaVinci Resolve cut page, you also trim clips. Once the in and out points are set, just reach your fingers up to the edit buttons. The in and out points can also be used to contract the source tape to limit the clips included. Then you can change the source tape back to the whole bin by pressing the Escape key.\u003c\/p\u003e\n\u003cp\u003eThe editing functions are located just above the in and out keys, to allow a simple movement of your fingers to activate the edit you require. Because editing with a keyboard is quite different to editing on a computer's user interface, the editing functions have been optimized to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself, eliminating time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit or even match the timecode. A good example is Smart Insert, which locates the nearest edit and inserts at that point.\u003c\/p\u003e\n\u003cp\u003eSmart Insert is similar to the traditional insert edit function; however, it's smarter as it eliminates the need to switch to the timeline and place an in point. All you need to do is select smart insert and it will locate the nearest edit in the timeline and insert the clip in that location.\u003c\/p\u003e\n\u003cp\u003eAppend to End is useful for building edits fast. Simply select an in and out point and then Append to End will add the clip to the end of the edit and increase the timeline duration. Append to End is great when adding shots to an edit form content that's been shot in time order.\u003c\/p\u003e\n\u003cp\u003eRipple Overwrite is a popular edit function and it lets you replace shots extremely quickly. When applied, it will replace the clip in the timeline with the selected clip, and if the clip is a different length, it will adjust the space to accommodate the new clip and ripple the timeline duration.\u003c\/p\u003e\n\u003cp\u003eClose Up is best for creating two camera angles from one camera. Simply shoot your subject with a wide or mid-shot, and then when a close-up is applied, it will create a slightly zoomed-in version of the same camera shot and place it on top of the timeline. Plus, you can also apply it to a clip in the timeline.\u003c\/p\u003e\n\u003cp\u003ePlace on Top is similar to traditional edit functions and it will place the clip on the top of the background layer that's already in the timeline. If the timeline doesn't have a layer above the background layer, Place on Top will add a new timeline-track and then place the clip on top.\u003c\/p\u003e\n\u003cp\u003eSource Overwrite is a faster alternative to Multicam. It automatically matches the source timecode to the source timecode of the clip in the timeline and places the clip on top. If you shoot with multiple cameras and sync timecode, you can lay other camera angles on a base-wide shot layer.\u003c\/p\u003e\n\u003cp\u003eWith a high-quality search dial built-in, you get an accurate and fast way to trim edit points. The roll buttons allow the keyboard to take control of the search dial and very precisely adjust edit trimming. You can select the trim mode with your left hand while adjusting the trim with your right. Using roll trimming is easy and is operated by pressing and holding one of the roll buttons, depending on the type of trim you need to do, while then rotating the search dial. 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You can use this cable to connect a notebook or desktop equipped with a standard USB Type-A port to USB Type-C devices such as smartphones, docking stations, and more. Thanks to their reversible design, USB Type-C connectors can be plugged into your devices without regard to orientation. This USB 3.1 cable supports transfer rates up to 10 Gb\/s and can deliver up to 3A of power from a bus-powered port or AC adapter. It features nickel-plated connectors and braided aluminum-Mylar shielding to protect against interference.\u003c\/p\u003e","brand":"StarTech","offers":[{"title":"Default Title","offer_id":44600601051395,"sku":"USB31AC1M","price":26.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/usb31ac1m_3_77ba6d66-4619-4f15-a0b9-a2d6b047537c.jpg?v=1743265322"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-pro","title":"Blackmagic Design HyperDeck Studio HD Pro","description":"\u003ch2\u003eBlackmagic Design HyperDeck Studio HD Pro\u003c\/h2\u003e\u003cp\u003eThe\u003cstrong\u003e Blackmagic Design HyperDeck Studio HD Pro\u003c\/strong\u003e is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 6G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog\/shuttle wheel, Gigabit Ethernet, and a speaker on the front.\u003c\/p\u003e\n\u003cp\u003eThe Studio HD Pro records uncompressed video with 10-bit 4:2:2 colour using either ProRes or DNxHD codecs, as well as the H.264 compression format. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio HD features one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The ports autodetect the signal and will adjust to the SD, HD, or 6G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.\u003c\/p\u003e\n\u003cp\u003eThe Studio HD Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog\/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.\u003c\/p\u003e\n\u003cp\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/p\u003e\n\u003cp\u003eAll models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/p\u003e\n\u003cp\u003eAll models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio features traditional deck-style transport controls, including a search dial for a jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-colour thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/p\u003e\n\u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.\u003c\/p\u003e\n\u003cp\u003eAll HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, the recording automatically continues onto the next card. That's perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/p\u003e\n\u003cp\u003eIf recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.\u003c\/p\u003e\n\u003cp\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/p\u003e\n\u003cp\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. All models even include AC and locking DC power.\u003c\/p\u003e\n\u003cp\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080PsF formats. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/p\u003e\n\u003cp\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Imagine running animated lower-third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/p\u003e\n\u003cp\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\n\u003cp\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colour spaces. 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For remote deck control, all models use an easy to learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. 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It has 2 independent system control LCDs plus it can control up to 4 M\/Es in larger switchers. All input buttons include LCDs for custom labeling and there is an independent select bus. Dual power inputs provide redundancy and the built-in 4 port Ethernet switch means no additional network equipment is needed so it will fit even the most challenging live production spaces!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTransition Control\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSelect and customize transitions Get total control over your transitions with a dedicated hardware button for each transition type! When selecting transition types, a system control LCD screen will display the options for that transition, so you can change its parameters without navigating through complex menus. It's all instantly available! That gives you multiple ways to switch. 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Plus you can combine the DVE and a still image from the media pool to create graphic wipes! The t-bar fader even lets you manually position the transition for total control!\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDVE Transitions\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eAmazing digital video effects ATEM Advanced Panels are perfect for positioning the DVE for custom picture in picture effects because they include a joystick. The joystick allows the position to be set precisely and rotating the knob will change DVE size. You can also use the soft knobs and menus on the LCD to adjust the DVE position, size and other DVE features such as lighting and drop shadow effects. 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You can also use the joystick to move the DVE and enter start and end keyframe screen positions for your own customized animated DVE moves.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSystem Control\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eChange switcher settings from the menus! You get full control right from the panel using the system control LCDs. Each system control LCD has a direct access keypad with a button for each function, and LCD and soft knobs and buttons. Simply push a keypad button to see the parameters displayed in the large LCD so you can use the soft buttons and knobs to change each setting. It’s incredibly easy and very fast! There are hundreds of switcher parameters available for keyers, transition selection, DVE, color generators as well as switcher video standard, multiview setup and even input button remapping! You can even save and recall 10 individual panel set ups and store them in the panel! 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This tiny UHD 4K studio camera designed for live productions and has been updated to feature the same image sensor found in Blackmagic's Studio Camera 4K Plus G2, which supports 3840 x 2160p60. The camera is equipped with an active MFT mount that can accept native MFT lenses or be adapted to a wide range of other modern and vintage lenses. It outputs 10-bit 4:2:2 video via 12G-SDI and can be remotely controlled from an ATEM switcher using SDI control protocol. The camera packs many professional studio features into a compact form factor, including a built-in color corrector, program return, talkback, tally indicator.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K G2 is the perfect solution for placing cameras on set when you don't have space for regular sized cameras. It includes the popular MFT lens mount, very low light 4K image sensor and cinematic color science. So it's small, but has the features of a full sized studio camera! You also get 12G-SDI for HD and UHD 4K operation up to 2160p60. It's also possible to control the built in color corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks. Plus Blackmagic Micro Studio Camera 4K G2 goes well beyond broadcast quality with log gamma, allowing you to create cinematic color corrected looks, all in camera.\u003c\/p\u003e\n\u003cp\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers, and churches. It's now easy to hide lots of cameras on stage for the most incredible shorts. While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software because it can record Blackmagic RAW to USB disks for later editing and color correction.\u003c\/p\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. This means the higher the ISO the more gain can be added so it's possible to shoot in natural light, or even at night. The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003c\/p\u003e\n\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera 4K G2 supports from 23.98 fps up to 60 fps.\u003c\/p\u003e\n\u003cp\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Panasonic, Sigma, and more. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely. It lets you adjust cameras mounted high up in hard to reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera. This means you can set important lens settings such as focus, zoom, and iris just like you can with an expensive B4 broadcast lens.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on air, green for preview, and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air. You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation, and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever it's on air. Because the tally it sent via the SDI and HDMI connections to the camera, complex cabling is eliminated.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K G2 has 12G-SDI that supports video, tally, and camera return which makes setup fast. It includes a full size HDMI connector for local video monitoring so you can attach a monitor such as a Blackmagic Video Assist to change settings through the menu overlay or check the position of a remote camera. You also get a USB-C expansion port for recording to external disks or controlling the camera via zoom and focus demands. You can even connect a USB-C to Ethernet adapter to control the camera over a network via REST APIs. Plus, there's a 3.5mm port for connecting a microphone.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Cameras feature HDMI output so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback, and remote camera control.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera includes built in microphones so you get sound included in the design making setup much faster. Each microphone is placed at the optimal position meaning you get better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input so you can connect to video microphones when you need to add larger more directional microphones with wind protection. Whether you're using the built in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K features a high speed USB-C expansion port that lets you record to external disks, control the camera via a network or connect a wide range of accessories. Plug in an external USB disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, adding noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. 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The camera also supports a standard LP-E6 compatible battery so you can add a battery for local power backup during critical live broadcasts. These batteries are readily available around the world and will be kept trickle charged by the camera. You can even use an adapter to connect the camera to V-mount batteries for true all day power.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K is designed to be used worldwide so it support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. 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Updated from the HDMI Studio Camera 4K Plus, this compact and lightweight broadcast camera now features a 12G-SDI input, 12G-SDI output, and HDMI 2.0 output for even more compatibility with SDI switchers. This camera has all the same features as the Studio Camera 4K Plus, including an active MFT lens mount, 25,600 ISO, 13 stops of dynamic range, a tally light, two USB-C ports for recording and control, built-in dual microphones, a 7\" HDR LCD, and a redesigned sun hood. And now it can output 12G-SDI video as well as utilize the program feed and talkback features via SDI.\u003c\/p\u003e\n\u003cp\u003eWhile Blackmagic Studio Camera is designed for live production, it's not limited to use with a live switcher because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod. The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations, and even weddings. The large bright display with side handles, touchscreen, and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it's so lightweight, it's perfect when you're constantly changing locations and doing different kinds of work.\u003c\/p\u003e\n\u003cp\u003eThe distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it's a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it's easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast, and focus peaking. Plus, a tripod mount with mounting plate is included for fast setup.\u003cbr\u003eAdvanced Low Light Performance\u003cbr\u003eThe Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36 dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cp\u003eSensors combined with Blackmagic generation 5 color science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 from 23.98 to 60 fps.\u003c\/p\u003e\n\u003cp\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses, and the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera. This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003cbr\u003eFrame Shots with Large 7\" Viewfinder\u003cbr\u003eThe large 7\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun hood can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The three function buttons on the left can have functions assigned to them, such as zebra, false color, focus peaking, LUTs and more. Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away. The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/p\u003e\n\u003cp\u003eUnlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. All models support 3.5mm headsets that are designed for smartphones. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio cameras feature HDMI and 12G-SDI with talkback, tally, camera control, and record trigger, perfect for ATEM Mini or ATEM SDI switchers. You also get headphone and mic connections, and two USB-C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10G Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster. That's just like a SMPTE fiber workflow, but using standard Cat 6a copper Ethernet cable so it's much lower cost.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback, and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\n\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally, and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003cbr\u003eBlackmagic RAW Quality\u003cbr\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, adding noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks, control the camera via a network or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. You can even copy files off the camera via the network. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus, the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003cbr\u003e\u003cbr\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\n\u003cp\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44639678103811,"sku":"CINSTUDMFT\/G24PDDG2","price":1979.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/cinstudmft-g24pddg2_5b836d16-8c8d-4cb7-a169-19d73303f303.jpg?v=1743269038"},{"product_id":"blackmagic-design-cinema-camera-6k-body-leica-l","title":"Blackmagic Design Cinema Camera 6K Body (Leica L)","description":"\u003ch2\u003eBlackmagic Design Cinema Camera 6K Body (Leica L)\u003c\/h2\u003e\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e brings next-gen digital film capture to the masses with their new \u003cstrong\u003eCinema Camera 6K\u003c\/strong\u003e. Based around a full-frame 6K sensor and an active Leica L lens mount, this high-end camera features rich colors, accurate skin tones, a wide, 13-stop dynamic range, and a built-in OLPF filter (optical low pass) that is tailored specifically to the massive 24 x 35mm sensor. ENG users and other on-the-go shooters will appreciate the ability to record both deep bit-depth Blackmagic Raw and H.264 proxies simultaneously to Blackmagic Cloud. The Cinema Camera 6K takes a step up from the Pocket Cinema Camera line but handily retains the ability to use all the existing PCC accessories.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eFull-Frame 6K Sensor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eA massive full-frame sensor with a native resolution of 6048 x 4032 enables you to shoot with a shallow depth of field and to use anamorphic lenses uncropped for a truly cinematic look.\u003c\/li\u003e\n\u003cli\u003eThe sensor's 13 stops of dynamic range with dual native 400 and 3200 ISOs extending up to 25,600 provide stunning, low-noise images in all lighting conditions including bright sunlight and very low light levels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eCinematic Full-Frame Flexibility\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K's full-frame sensor provides the ability to work in a variety of film formats and aspect ratios without sacrificing quality.\u003c\/li\u003e\n\u003cli\u003eUsing the full area of the sensor gives you a unique open-gate 3:2 image which also enables you to reframe your shots in post-production.\u003c\/li\u003e\n\u003cli\u003eThe large sensor enables true 6:5 anamorphic without cropping, producing detailed, cinematic widescreen images in higher resolutions than previously possible.\u003c\/li\u003e\n\u003cli\u003eUse the classic Super35-sized window on the sensor to create an instant close-up of your shot that fits seamlessly with open gate footage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eAdvanced Leica L Mount\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Leica L lens mount accommodates the Blackmagic Cinema Camera 6K's full-frame sensor while ensuring compatibility with both new and vintage lenses. With a large diameter of 51.6mm, the L mount is compatible with the latest full-frame lenses from manufacturers like Leica, Panasonic, and Sigma.\u003c\/li\u003e\n\u003cli\u003eIts very short flange distance of only 20mm means you can easily add Canon EF, ARRI PL, and other adapters for a variety of lens mounts without impacting image quality.\u003c\/li\u003e\n\u003cli\u003eThe separately available EF adapter enables lens control and data transfer for compatible lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K captures all standard resolutions and frame rates from HD up to DCI 4K and 6K with still photos available up to 24.6MP.\u003c\/li\u003e\n\u003cli\u003eVideo rates include 6048 x 4032 3:2 open gate at 36 fps, 6048 x 2520 2.4:1 at 60 fps, and at 4096 x 2160 DCI 4K at 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigher frame rates are captured with a windowed sensor at rates up to 2112 x 1184 Super16 at 100 fps.\u003c\/li\u003e\n\u003cli\u003eTrue anamorphic 6:5 at much higher resolutions than other cameras is available using anamorphic lenses in 4838 x 4032 4.8K at 24 fps. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003ePost-Friendly File Formats\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-resolution Blackmagic Raw recording enables you to control detail, exposure, and color during post-production.\u003c\/li\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K can also record HD H.264 proxies in real time for easy media sharing around the globe in just minutes.\u003c\/li\u003e\n\u003cli\u003eBlackmagic Raw is highly optimized, multi-threaded, and able to work across multiple CPU cores. It features GPU acceleration to work with Apple Metal, CUDA, and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization, and tracking in HD, 4K, or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003e5\" LCD Touchscreen\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe bright, HDR 5\" touchscreen LCD can be used for framing, focusing, and applying 3D LUTs for monitoring.\u003c\/li\u003e\n\u003cli\u003eOnscreen overlays show status, recording parameters, histograms, peaking, frame guides, levels, and more.\u003c\/li\u003e\n\u003cli\u003eThe tilt function makes it easy to view and adjust your settings, especially when shooting in high- or low-mode.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eEFexpress or External Disk Recording | DaVinci Resolve Included\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K records internally using a CFexpress card or externally via its USB-C port to an SSD or flash media disk.\u003c\/li\u003e\n\u003cli\u003eThe CFexpess cards are both more durable and faster than older media forms and can record up to 12-bit, full-resolution Blackmagic Raw files.\u003c\/li\u003e\n\u003cli\u003eA 256GB CFexpress card can capture over an hour of UHD 6K images.\u003c\/li\u003e\n\u003cli\u003eThe high speed of the CFexpress cards enables you to edit from them directly using the included DaVinci Resolve software.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 10pt;\"\u003eGen 5 Color Science\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eFeaturing the same generation 5 color science as the high-end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers even greater image quality with stunning, accurate skin tones and faithful color reproduction in every shot.\u003c\/li\u003e\n\u003cli\u003eA new dynamic 12-bit gamma curve is designed to capture more color data in the highlights and shadows for better-looking images.\u003c\/li\u003e\n\u003cli\u003eThe Gen 5 color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata that can used in post-production. This means you get images that have a natural, film-like response to color adjustments in post using DaVinci Resolve.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eProfessional Connectors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"hasRightMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K may be compact but it features a range of pro interfaces.\u003c\/li\u003e\n\u003cli\u003eConnectors include a full-size HDMI video output, a USB-C expansion, and 12VDC ports.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eBuilt-In Mics and Pro Audio Inputs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional audio support includes two mini-XLR inputs with phantom +48V power for recording two separate audio tracks.\u003c\/li\u003e\n\u003cli\u003eAudio features include four built-in, shock- and wind-resistant microphones with an extremely low noise floor.\u003c\/li\u003e\n\u003cli\u003eThis camera also incorporates a 3.5mm stereo input, a playback speaker, and a 3.5mm headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eBluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eGet full control of your BMCC 6K G2 via Bluetooth from up to 30' away.\u003c\/li\u003e\n\u003cli\u003eUse the Blackmagic Camera Control app for your iPad.\u003c\/li\u003e\n\u003cli\u003eUse third-party apps such as Bluetooth+ or Trigger on your iOS and Android devices.\u003c\/li\u003e\n\u003cli\u003eIdeal for boom, jib arm, or other hard-to-reach setups or locations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eCarbon Fiber Composite Build\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"hasLeftMedia_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"isImage_UbV5SNP5Eo media_UbV5SNP5Eo hasListItem_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K has a mini form made from a lightweight carbon fiber polycarbonate composite.\u003c\/li\u003e\n\u003cli\u003eIt features a multifunction handgrip with complete controls for recording, ISO, WB, and shutter angle settings right at your fingertips.\u003c\/li\u003e\n\u003cli\u003eZoom, high-speed frame rate, setup menus, and playback are available using the conveniently located back panel controls.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eDaVinci Resolve Studio License Included\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eThis camera includes a full version of DaVinci Resolve Studio software.\u003c\/li\u003e\n\u003cli\u003eFeatures include a new cut page with intelligent tools and features for quickly finding the footage you want, editing it, and outputting it fast.\u003c\/li\u003e\n\u003cli\u003eUse DaVinci Resolve for editing, color correcting, audio post-production, and visual effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003eHorizontal or Vertical Capture\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eEasily create cinematic vertical content for TikTok, YouTube Shorts, and other social media platforms.\u003c\/li\u003e\n\u003cli\u003eThe onscreen HUD (heads up) display rotates so critical information like frame rate, shutter angle, and frame guides, remains easy to view.\u003c\/li\u003e\n\u003cli\u003eClips are automatically tagged as vertical so they appear correctly in your timeline and are easy to upload to your channel with direct exporting to TikTok and YouTube.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003cspan style=\"font-size: 10pt;\"\u003e\u003cstrong\u003ePower Options\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003ePower the Blackmagic Cinema Camera 6K using Sony L-series type NP-F570 batteries, the included AC adapter with international plugs, or the separately available Battery Pro Grip.\u003c\/li\u003e\n\u003cli\u003eBattery trickle-charging is available via the USB-C expansion port.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44639679807747,"sku":"CINECAM60KLFL","price":3849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/cinecam60klfl_1_c7cebfbd-afb6-4f3f-bd77-1612d06f4356.jpg?v=1743269048"},{"product_id":"tether-tools-tetherpro-usb-type-c-male-to-5-pin-micro-usb-2-0-type-b-male-cable-4-6m-high-visibility-orange","title":"Tether Tools TetherPro USB Type-C Male to 5-Pin Micro-USB 2.0 Type-B Male Cable (4.6m, High-Visibility Orange)","description":"\u003ch2\u003eTether Tools TetherPro USB Type-C Male to 5-Pin Micro-USB 2.0 Type-B Male Cable (4.6m, High-Visibility Orange)\u003c\/h2\u003e\u003cp\u003eWith the \u003cstrong\u003eTether Tools TetherPro USB Type-C Male to 5-Pin Micro-USB 2.0 Type-B Male Cable (4.6m, High-Visibility Orange)\u003c\/strong\u003e you can connect a camera, smartphone, or other Micro-USB device to a computer, for the purposes of transferring data. This cable supports USB 2.0 for data transfer rates of up to 480 Mb\/s.\u003c\/p\u003e\n\u003cp\u003eIf you connect a camera to a laptop and your camera is compatible with tethering, you can use this cable to help increase productivity during photo shoots. Rather than proof images on your camera's small LCD, they are sent directly to a notebook's larger, hi-res display. Seeing images in this way helps to review them for slight imperfections that you may have otherwise missed.\u003c\/p\u003e\n\u003cp\u003eTo help enhance performance, this cable is fully shielded and plated to help minimize signal interference. Please Note: this cable is designed to be used for data transfer only, and not for charging devices.\u003c\/p\u003e","brand":"Tether Tools","offers":[{"title":"Default Title","offer_id":44639753797891,"sku":"31.CUC2515-ORG","price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/31-cuc2515-org_4_8b2751e5-4d99-4698-b0b1-0d9d52871f00.jpg?v=1743269562"},{"product_id":"lilliput-15-6-4k-broadcast-monitor","title":"Lilliput 15.6\" 4K Broadcast Monitor","description":"\u003ch2\u003eLilliput 15.6\" 4K Broadcast Monitor\u003c\/h2\u003e \u003cp\u003eThe 15.6\" 4K Broadcast Monitor from Lilliput features a native resolution of 3840 x 2160. It supports 12G-SDI single-link signal input and loop output. This monitor is backward compatible with 6G-SDI, 3G-SDI, HD-SDI, and SDI input signals. It simultaneously supports quad views from different input signals, such as 12G-SDI, 3G-SDI, and HDMI.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eSupports picture-in-picture function\u003c\/li\u003e\n\u003cli\u003eSupports 6U rackmount\u003c\/li\u003e\n\u003cli\u003eInterfaces: 2 x 12G-SDI, 2 x 3G-SDI, 1 x HDMI 2.0, 3 x HDMI 1.4, tally input, 12G-SDI single link, dual link, and 3G-SDI quad link\u003c\/li\u003e\n\u003cli\u003eMetal housing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lilliput","offers":[{"title":"Default Title","offer_id":44639793840387,"sku":"LILLIBM15012G","price":2999.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/lillibm15012g_5_40c15868-13bb-47bb-a908-54bf7c20d7b5.jpg?v=1743269867"},{"product_id":"blackmagic-design-pcie-shield-full-height-for-decklink-mini-range","title":"Blackmagic Design PCIe Shield Full Height for DeckLink Mini Range","description":"\u003ch2\u003eBlackmagic Design PCIe Shield Full Height for DeckLink Mini Range\u003c\/h2\u003e \u003cp\u003eReplacement Full Height PCIe Shield for \u003cstrong\u003eBlackmagic Design DeckLink Mini\u003c\/strong\u003e Range\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBlackmagic PCI Shield - DeckLink Mini Full Height\u003c\/strong\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44639795314947,"sku":"SHIELD-DLKM\/FULLHT","price":19.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/shield-dlkm-fullht_2_2b579004-74c2-44ef-883f-dc9477e080b5.png?v=1743269884"},{"product_id":"aja-hd5da-hdtv-serial-digital-da","title":"AJA HD5DA HDTV Serial Digital DA","description":"\u003ch2\u003eAJA HD5DA HDTV Serial Digital DA\u003c\/h2\u003e \u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe HD5DA is a miniature, low cost, 1x4 HD-SDI distribution amplifier\/repeater. Featuring four separately buffered HD-SDI outputs, the HD5DA provides automatic input cable equalization to 100 meters and automatically adapts to 143, 177, 270, 360 Mb, and 1.5 Gb.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eCompact HD-SDI Distribution \u003cbr\u003e \u003cbr\u003e Four Separately Buffered Serial HD Outputs\u003cbr\u003e \u003cbr\u003e Auto Equalization\u003cbr\u003e \u003cbr\u003e Acts as a Low Cost Repeater\u003cbr\u003e \u003cbr\u003e Automatic Multi-Standard\u003cbr\u003e \u003cbr\u003e Miniature Size\u003c\/p\u003e\u003cp\u003e\u003cimg src=\"http:\/\/www.aja.com\/images\/backpanels\/converters\/HD5DA_sm.gif\" alt=\"\" width=\"153\" height=\"83\" border=\"0\"\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"bodyhdr\"\u003eSpecifications\u003c\/span\u003e \u003c\/strong\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"bodygray\"\u003e\u003cstrong\u003eFormats\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\u003ctable border=\"0\" width=\"438\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"specbl\"\u003e1.5Gb, 143, 177, 270, 360 Mb, Auto Select\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e \u003cspan class=\"bodygray\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\u003ctable border=\"0\" width=\"438\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"specbl\"\u003e1 HD-SDI, SDI (SMPTE 292\/296), 1x BNC\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e \u003cspan class=\"bodygray\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\u003ctable border=\"0\" width=\"438\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003ctd class=\"specbl\"\u003e4 HD-SDI, SDI, 4x BNC\u003c\/td\u003e\u003c\/tr\u003e\n\u003ctr\u003e\u003ctd class=\"specwt\"\u003eEqualizing\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e \u003cspan class=\"bodygray\"\u003e\u003cstrong\u003eReturn Loss\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\u003ctable border=\"0\" width=\"438\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"specbl\"\u003e\u0026gt;15dB-270Mhz (Input and Output)\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e \u003cspan class=\"bodygray\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\u003ctable border=\"0\" width=\"438\" cellspacing=\"0\" cellpadding=\"0\"\u003e\u003ctbody\u003e\u003ctr\u003e\u003ctd class=\"specbl\"\u003e5VDC Regulated, 2.5 Watts\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e\u003cbr\u003e \u003cspan class=\"bodygray\"\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/span\u003e \u003cbr\u003e 5.8\" x 2.4\" x 1\" (131 x 61 x 25mm)\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":44639958565123,"sku":"AJA-HD5DA","price":472.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/aja00025_83fe89fa-a378-4d7d-ac25-5bc151663411.jpg?v=1743270988"},{"product_id":"blackmagic-design-mini-converter-sdi-to-analog-converter","title":"Blackmagic Design Mini Converter SDI to Analog Converter","description":"\u003ch2\u003eBlackmagic Design Mini Converter SDI to Analog Converter\u003c\/h2\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eMini Converter SDI to Analog\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic \u003c\/strong\u003ewill accept an SDI input signal and convert it to HD\/SD component, NTSC, PAL, or S-video output. Also, if your SDI signal has audio embedded, the Converter will let you first de-embed the audio so that you can output it via the analog outs.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44640002343171,"sku":"CONVMASA","price":365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/convmasa_4_1129a473-3a95-4714-8af4-138bcdc43af6.jpg?v=1743271347"},{"product_id":"blackmagic-design-sync-generator","title":"Blackmagic Design Sync Generator","description":"\u003ch2\u003eBlackmagic Design Sync Generator\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design Sync Generator\u003c\/strong\u003e will generate a reference signal in either high definition or standard definition parameters. It is part of the Mini Converter series and offers six BNC outputs.\u003c\/p\u003e\n\u003cp\u003eBroadcast Converter models are extremely compact, so you can install them in the front or rear side of equipment racks, saving valuable equipment space.\u003c\/p\u003e\n\u003cp\u003eThis device features a handy cable tie point to lock the power down tight and prevent your power from being disconnected.\u003c\/p\u003e\n\u003cp\u003eMany video standards are supported including, NTSC, PAL, 1080i\/59.94, 1080i\/50, 1080psf\/23.98, 1080psf\/24, 720p\/59.94 and 720p\/50 formats, plus new formats can be added via USB.\u003c\/p\u003e\n\u003cp\u003eTri-level high definition or standard definition black burst can be selected for the matching video format needed.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44640002769155,"sku":"CONVMSYNC","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/convmsync_3_f0387e9a-b6dc-4568-a43e-bf220fe2116a.jpg?v=1743271354"},{"product_id":"blackmagic-design-mini-converter-sdi-to-audio","title":"Blackmagic Design Mini Converter SDI to Audio","description":"\u003ch2\u003eBlackmagic Design Mini Converter SDI to Audio\u003c\/h2\u003e\u003cp\u003eThe \u003cstrong\u003eBlackmagic Design CONVMCSAUD\u003c\/strong\u003e includes everything you need to de-embed 4 channels of analog audio or 8 channels of AES\/EBU digital audio from any SDI video connection. Now you can easily access the audio in any SDI video connection for output to audio equipment such as audio mixers, analog broadcast decks, audio monitors and more!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44640059752707,"sku":"CONVMCSAUD","price":345.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/MiniConverterSDItoAudioFront_0568a6cd-33ad-4089-94f7-b19a6af818a7.jpg?v=1743271816"},{"product_id":"blackmagic-design-mini-converter-audio-to-sdi","title":"Blackmagic Design Mini Converter Audio to SDI","description":"\u003ch2\u003eBlackmagic Design Mini Converter Audio to SDI\u003c\/h2\u003e\u003carticle class=\"content_sF4U0te87jYBdVZ2QLY5G\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp\u003eEmbed audio into 3G\/HD\/SD-SDI sources in up to 1080p60 resolution with the \u003cstrong\u003eAudio to SDI Mini Converter\u003c\/strong\u003e from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. Connect up to four channels of balanced analog or eight channels of AES\/EBU audio via four 1\/4\" jacks.\u003cbr\u003e\u003cbr\u003eIn addition to a dedicated SDI input, the converter also features a redundant SDI input that allows you to run a backup cable in case the first is lost. This is useful in mission-critical applications, especially outdoors or in crowded venues where there is a higher chance of damage to the cable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44640060244227,"sku":"CONVMCAUDS2","price":365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/convmcauds2_1_1d84de29-7c81-4125-a57d-fc59060fa008.jpg?v=1743271819"},{"product_id":"blackmagic-design-breakout-cable-for-intensity-pro","title":"Blackmagic Design Breakout Cable for Intensity Pro","description":"\u003ch2\u003eBlackmagic Design Breakout Cable for Intensity Pro\u003c\/h2\u003e \u003cp\u003eBlackmagic Design Cable - Intensity Pro\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":44640061817091,"sku":"CABLE-BINTSPRO","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/cable-bintspro_617b1927-d2db-492d-a3de-2c8c7acb0d7e.jpg?v=1743271829"},{"product_id":"aja-fido-r-single-ch-optical-fiber-to-sd-hd-3g-sdi-with-dual-sd-hd-3g-sdi-outputs","title":"AJA FIDO-R Single CH. Optical Fiber to SD\/HD\/3G SDI with Dual SD\/HD\/3G SDI outputs","description":"\u003ch2\u003eAJA FIDO-R Single CH. Optical Fiber to SD\/HD\/3G SDI with Dual SD\/HD\/3G SDI outputs\u003c\/h2\u003e \u003cp\u003eFiDO is a family of SDI\/Optical Fiber converters. FiDO allows the transport of SDI, HD-SDI, and 3G SDI over distances up to 10km using standard single-mode fiber optic cable with LC connectors. FiDO converters meet all relevant SMPTE specifications and are rugged, versatile, and suitable for indoor or outdoor use.\u003c\/p\u003e\u003cp\u003eWith 5 models, FiDO offers unmatched flexibility and cost efficiency. FiDO dual channel models allow the conversion of 2 channels—perfect for 3D, dual-link SDI, or 2 completely independent SDI channels (for example, SD, HD, and 3G can be mixed in any combination). Also, FiDO converters offer electrical isolation useful for eliminating ground loop problems.\u003c\/p\u003e\u003cp\u003eFiDO converters come in a compact, low-profile enclosure for use in tight spaces around and behind equipment racks, trucks and crowded facilities.\u003c\/p\u003e\u003cdiv class=\"relatedpanelbody\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"relatedpanelbodyinner\"\u003e\n\u003cp\u003eTransport of SDI, HD-SDI, and 3G HD-SDI over single mode optical fiber\u003c\/p\u003e\n\u003cp\u003eAuto-detection of video format\u003c\/p\u003e\n\u003cp\u003eAll SDI Ancillary data including embedded audio is passed\u003c\/p\u003e\n\u003cp\u003eLC fiber connectors\u003c\/p\u003e\n\u003cp\u003eSimplex or duplex models available\u003c\/p\u003e\n\u003cp\u003eAll inputs, either SDI or fiber, are equalized and re-clocked\u003c\/p\u003e\n\u003cp\u003eASI compatible\u003c\/p\u003e\n\u003cp\u003eUseful for eliminating ground loop problems\u003c\/p\u003e\n\u003cp\u003e5-20VDC power supply (sold separately)\u003c\/p\u003e\n\u003cp\u003e5 year warranty\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":44640143311107,"sku":"AJA-FiDO-R","price":1039.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/aja00156_1_2424d8c2-97b5-4233-b5a4-ae3084274eb7.jpg?v=1743272479"},{"product_id":"aja-fido-t-single-ch-sd-hd-3g-sdi-to-optical-fiber-with-loop-sd-hd-3g-sdi-outputs","title":"AJA FIDO-T Single-CH SD\/HD\/3G SDI to Optical Fiber with Loop SD\/HD\/3G SDI outputs","description":"\u003ch2\u003eAJA FIDO-T Single-CH SD\/HD\/3G SDI to Optical Fiber with Loop SD\/HD\/3G SDI outputs\u003c\/h2\u003e \u003cp\u003eFiDO is a family of SDI\/Optical Fiber converters. FiDO allows the transport of SDI, HD-SDI, and 3G SDI over distances up to 10km using standard single-mode fiber optic cable with LC connectors. FiDO converters meet all relevant SMPTE specifications and are rugged, versatile, and suitable for indoor or outdoor use.\u003c\/p\u003e\u003cp\u003eWith 5 models, FiDO offers unmatched flexibility and cost efficiency. FiDO dual channel models allow the conversion of 2 channels—perfect for 3D, dual-link SDI, or 2 completely independent SDI channels (for example, SD, HD, and 3G can be mixed in any combination). Also, FiDO converters offer electrical isolation useful for eliminating ground loop problems.\u003c\/p\u003e\u003cp\u003eFiDO converters come in a compact, low-profile enclosure for use in tight spaces around and behind equipment racks, trucks and crowded facilities.\u003c\/p\u003e\u003cdiv class=\"relatedpanelbody\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cdiv class=\"relatedpanelbodyinner\"\u003e\n\u003cp\u003eTransport of SDI, HD-SDI, and 3G HD-SDI over single mode optical fiber\u003c\/p\u003e\n\u003cp\u003eAuto-detection of video format\u003c\/p\u003e\n\u003cp\u003eAll SDI Ancillary data including embedded audio is passed\u003c\/p\u003e\n\u003cp\u003eLC fiber connectors\u003c\/p\u003e\n\u003cp\u003eSimplex or duplex models available\u003c\/p\u003e\n\u003cp\u003eAll inputs, either SDI or fiber, are equalized and re-clocked\u003c\/p\u003e\n\u003cp\u003eASI compatible\u003c\/p\u003e\n\u003cp\u003eUseful for eliminating ground loop problems\u003c\/p\u003e\n\u003cp\u003e5-20VDC power supply (sold separately)\u003c\/p\u003e\n\u003cp\u003e5 year warranty\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":44640143376643,"sku":"AJA-FiDO-T","price":1039.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/aja00157_569b0366-5d53-4680-bfb1-afd8d257ae98.jpg?v=1743272482"},{"product_id":"aja-fido-dual-channel-optical-fiber-to-sd-hd-3g-sdi","title":"AJA FIDO Dual Channel Optical Fiber to SD\/HD\/3G SDI","description":"\u003ch2\u003eAJA FIDO Dual Channel Optical Fiber to SD\/HD\/3G SDI\u003c\/h2\u003e \u003cp\u003eFiDO is a family of SDI\/Optical Fiber converters. FiDO allows the transport of SDI, HD-SDI, and 3G SDI over distances up to 10km using standard single-mode fiber optic cable with LC connectors. FiDO converters meet all relevant SMPTE specifications and are rugged, versatile, and suitable for indoor or outdoor use.\u003c\/p\u003e\u003cp\u003eWith 5 models, FiDO offers unmatched flexibility and cost efficiency. FiDO dual channel models allow the conversion of 2 channels—perfect for 3D, dual-link SDI, or 2 completely independent SDI channels (for example, SD, HD, and 3G can be mixed in any combination). Also, FiDO converters offer electrical isolation useful for eliminating ground loop problems.\u003c\/p\u003e\u003cp\u003eFiDO converters come in a compact, low-profile enclosure for use in tight spaces around and behind equipment racks, trucks and crowded facilities.\u003c\/p\u003e\u003cdiv class=\"relatedpanelbody\"\u003e \u003ch2\u003eFeatures\u003c\/h2\u003e \u003cdiv class=\"relatedpanelbodyinner\"\u003e \u003cp\u003eTransport of SDI, HD-SDI, and 3G HD-SDI over single mode optical fiber\u003c\/p\u003e \u003cp\u003eAuto-detection of video format\u003c\/p\u003e \u003cp\u003eAll SDI Ancillary data including embedded audio is passed\u003c\/p\u003e \u003cp\u003eLC fiber connectors\u003c\/p\u003e \u003cp\u003eSimplex or duplex models available\u003c\/p\u003e \u003cp\u003eAll inputs, either SDI or fiber, are equalized and re-clocked\u003c\/p\u003e \u003cp\u003eASI compatible\u003c\/p\u003e \u003cp\u003eUseful for eliminating ground loop problems\u003c\/p\u003e \u003cp\u003e5-20VDC power supply (sold separately)\u003c\/p\u003e \u003cp\u003e5 year warranty\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"AJA","offers":[{"title":"Default Title","offer_id":44640143507715,"sku":"AJA-FiDO-2R","price":1499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/6850\/7907\/files\/aja00158_d9c7c15d-6985-4779-b38d-dbb6d333040c.jpg?v=1743272482"},{"product_id":"aja-fido-dual-channel-sd-hd-3g-sdi-to-optical-fiber","title":"AJA FIDO Dual Channel SD\/HD\/3G SDI to Optical Fiber","description":"\u003ch2\u003eAJA FIDO Dual Channel SD\/HD\/3G SDI to Optical Fiber\u003c\/h2\u003e \u003cp\u003eFiDO is a family of SDI\/Optical Fiber converters. 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The Color page features new HDR grading tools, an AI-based magic mask for targeted grading, and a colour warper. Fairlight provides a faster workflow with updated mouse and keyboard edit selection tools. Fairlight also has a next-generation audio engine and busing architecture with support for editing 2000 tracks in real-time. The Cut tab offers Smart Reframe for social media among other new capabilities. The Edit page has many improvements to workflow and now allows independent proxy media that can be generated internally or externally by third-party tools. Fusion provides new features such as custom vector shapes. Also, compositions created in Fusion can now be used as an effect, title, or transition in the Cut and Edit tabs.\u003c\/p\u003e\u003cp\u003eDaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. 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Imagine connecting to cameras at remote locations on racing tracks, live sporting venus or even massive gold courses! Now with ATEM Camera Converter you can have more cameras closer to the action for the most amazing shots in live production! ATEM Camera Converter not only converts your camera to optical fiber, but it also includes talkback, external microphone input, program return feed, tally and built in battery power source! Now you can place cameras in multiple locations miles away from your switcher while keeping full broadcast HD video quality!\u003c\/p\u003e\n\u003ch3\u003eProfessional Multi-Camera Production\u003c\/h3\u003e\n\u003cp\u003eATEM Camera Converter gives you everything you need for live production in a single converter. Connect your camera to the SDI or HDMI inputs to convert to optical fiber, and connect your switcher program feed to the optical fiber input to convert to SDI and HDMI for monitoring. 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