DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)

SKU: DZO-V01628PL
Estimated Order-to-Ship Time: 1-2 Weeks i
$2,949.00 $1,549.00 Save 47%
DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)
DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)
DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)
DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)
DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)

Main Features

  • 16mm Lens Covers Full-Frame Sensors
  • 16-Blade Iris, T2.8-22 Aperture
  • 270-Degree Focus Rotation
  • 80mm Front Diameter
  • Magnetic Rear Clear/ND Filter
Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any...
More Details

DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)

SKU: DZO-V01628PL
Estimated Order-to-Ship Time: 1-2 Weeks i
$2,949.00 $1,549.00 Save 47%
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Main Features

  • 16mm Lens Covers Full-Frame Sensors
  • 16-Blade Iris, T2.8-22 Aperture
  • 270-Degree Focus Rotation
  • 80mm Front Diameter
  • Magnetic Rear Clear/ND Filter
Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any...
More Details

  • What's in the box

    • Front Lens Cap
    • Rear Lens Cap
    • Limited 1-Year Warranty

    DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)

    Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. Sporting an interchangeable PL mount, this fully manual lens works with cameras that have a PL mount, and optional lens adapters allow you to use it on cameras with different mounts. The full-frame coverage of the lens supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

    The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring has a generous 50° of rotation. The lens has a magnetically attached rear filter for ND filters.

     

    Key Features

    • This 16mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.
    • The lenses provide an organic look that is a cross between the modern-day cold and technically precise aesthetic and vintage cinema lenses.
    • The coated optics help provide natural-looking contrast while helping to control veiling glare and specular highlights, preventing flares from washing out your image.
    • The 16-blade iris makes for a natural-looking bokeh and creates smooth rounded out-of-focus highlights.
    • The modern mechanical design allows each lens to have a small size and lightweight yet share the same 80mm front diameter for fast lens changes.
    • The rear of the lens has a magnetically attached rear filter that accepts optional ND filters that help you control exposure without affecting the iris setting or changing your depth of field.
    • A minimum focusing distance of 10" allows you to get up close to your subject.

What's in the box

  • Front Lens Cap
  • Rear Lens Cap
  • Limited 1-Year Warranty

DZOFilm VESPID 16mm T2.8 Lens (PL and EF Mounts)

Relatively small and lightweight, the DZOFilm VESPID 16mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. Sporting an interchangeable PL mount, this fully manual lens works with cameras that have a PL mount, and optional lens adapters allow you to use it on cameras with different mounts. The full-frame coverage of the lens supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens's natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring has a generous 50° of rotation. The lens has a magnetically attached rear filter for ND filters.

 

Key Features

  • This 16mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.
  • The lenses provide an organic look that is a cross between the modern-day cold and technically precise aesthetic and vintage cinema lenses.
  • The coated optics help provide natural-looking contrast while helping to control veiling glare and specular highlights, preventing flares from washing out your image.
  • The 16-blade iris makes for a natural-looking bokeh and creates smooth rounded out-of-focus highlights.
  • The modern mechanical design allows each lens to have a small size and lightweight yet share the same 80mm front diameter for fast lens changes.
  • The rear of the lens has a magnetically attached rear filter that accepts optional ND filters that help you control exposure without affecting the iris setting or changing your depth of field.
  • A minimum focusing distance of 10" allows you to get up close to your subject.