Main Features
- Supports up to UHD 4K120 Video
- Sony E-Mount Lens Interchangeability
- 4K Full-Frame Sensor
- 12G-SDI, HDMI & Streaming Output
- Variable Electronic ND Filter
- Smooth, Slow Pan & Tilt Movement
- IR, IP & Web App Remote Control
- Flexible PoE+ Installation
- Genlock, Timecode & Tally Lamps
- Unit price
- / per
What's in the box
- RMT-RC1 Remote Commander
- Lens Mount Cap for Body
- AC Adapter
- Power Cord
- HDMI Cable Clamp
- Limited 1-Year Warranty
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Main Features
- Supports up to UHD 4K120 Video
- Sony E-Mount Lens Interchangeability
- 4K Full-Frame Sensor
- 12G-SDI, HDMI & Streaming Output
- Variable Electronic ND Filter
- Smooth, Slow Pan & Tilt Movement
- IR, IP & Web App Remote Control
- Flexible PoE+ Installation
- Genlock, Timecode & Tally Lamps
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Sony FR7 Cinema Line PTZ Camera
The Sony FR7 Cinema Line PTZ Camera provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential.
With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.
Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also, the BIONZ XR contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.
The FR7 features Sony's E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you comprehensive creative control.
The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras.
The FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions.
The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low light conditions such as live concerts.
Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps in 4K resolution and up to 240 fps in full HD.
The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable.
The FR7 features Sony's E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you full creative control.
Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.
Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories.
The FR7 incorporates smooth pan, tilt and zoom functions that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in a normal upright orientation.
With a new dedicated Web App, you can use a tablet or a computer's web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with an easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation.
The FR7 can be paired with Sony's RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever.
The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP500 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras).
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Lens Mount
Sony E
Sensor Type
CMOS Sensor
Sensor Resolution
Actual: 12.9 Megapixel
Effective: 10.3 MegapixelLens Communication
Yes, with Autofocus Support
Built-In ND Filter
2 to 7 Stop Electronic ND Filter
Focus Control
Autofocus
Autofocus Points
Phase Detection: 627
Shutter Type
Electronic Rolling Shutter
Shutter Speed
1/8000 to 1 Second
ISO Sensitivity
800 to 12,800 (Extended: 409,600)
Gain
-3 to 30 dB
Advertised Dynamic Range
15 Stops
Flip / Mirror Support
Image Flip
White Balance
2000 to 15,000K
Presets: ATW, Set AExternal Recording Modes
Raw 16-Bit via SDI/BNC
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
3840 x 2160 at 23.98p/25p/29.97p/50p/59.94p
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p
HDMI
4096 x 2160 at 23.98p/24.00p/25p/29.97p/50p/59.94p
3840 x 2160 at 23.98p/25p/29.97p/50p/59.94p
1920 x 1080 at 23.98p/24.00p/25p/29.97p/50i/50p/59.94i/59.94p
720 x 480 at 59.94p
720 x 576 at 50pInternal Recording Modes
XAVC-I 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [240 to 600 Mb/s VBR]
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [240 to 600 Mb/s VBR]
1920 x 1080 at 23.98p/25p/29.97p/50p/59.94p [89 to 222 Mb/s]
XAVC-L
UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p [100 to 150 Mb/s VBR]
1920 x 1080 at 23.98p/25p/29.97p/50p/59.94p [35 to 50 Mb/s VBR]Audio Recording
4-Channel 24-Bit 48 kHz LPCM Audio
Gamma Curve
HDR-HLG, Rec709, S Cinetone, Sony S-Log 3, Standard
IP Streaming
NDI|HX, RTSP, SRT: 640 x 360 to 4096 x 2160 (0.5 to 80.00 Mb/s)
Presets
3 via IR
100 via IPMove Speed
Pan: 0.02 to 60°/sec
Tilt: 0.02 to 60°/secMovement Range
Pan: 340° (-170 to 170°)
Tilt: 225° (-30 to 195°)Tally Light
Yes
Supported Control Protocols
IR
VISCAMedia/Memory Card Slot
Dual Slot: CFexpress Type A / SD
Video I/O
1 x BNC (12G-SDI) Output
1 x SFP+ Output
1 x HDMI OutputAudio I/O
1 x XLR 5-Pin Mic/Line (+48 V Phantom Power) Input
Other I/O
1 x BNC (Timecode)
1 x RJ45 (LAN) Control
1 x BNC (Genlock)
1 x RJ45 (Tally)PoE Support
PoE++ 802.3bt
Power I/O
1 x Barrel (19.5 VDC) Input
Power Consumption
PoE: to 71.3 W
Power Supply: to 80 WOperating Temperature
32 to 104°F / 0 to 40°C
Storage Temperature
-4 to 140°F / -20 to 60°C
Mounting
2 x 1/4"-20 Female for Tripod
Sound Level
NC35
Dimensions (W x H x D)
11.4 x 9.2 x 8.9" / 289 x 233 x 227 mm (Without Protrusions)
Weight
10.1 lb / 4.6 kg (Body Only)
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