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Buying guide
Choosing a Sony cinema camera in this promotion
What is included in the sale: This promotion covers three compact Sony Cinema Line camera configurations. The FX30 body is listed at $2,348, the FX30 with XLR Handle Unit at $2,995, and the full-frame FX3A at $5,449. The two FX30 listings share the same core camera specifications, while the included handle and its audio connections distinguish the higher-priced configuration.
APS-C or full-frame capture: The FX30 uses a 26.1MP APS-C sensor and records from a Super 35mm area, making it relevant to creators seeking that established cinema format. The FX3A instead uses a 12.1MP full-frame sensor and offers a wider expanded sensitivity range plus more than 15 stops of stated dynamic range. The FX30 provides more than 14 stops and Dual Base ISO. Choose according to the capture format and lighting demands of your work, then confirm the lens and production setup required for your preferred sensor format.
Frame rates and recording quality: All three options support internal 10-bit 4:2:2 UHD 4K recording at up to 120 frames per second. This combines high-resolution capture with higher frame rates for slow-motion sequences. The FX3A additionally lists Full HD recording up to 240p. Each camera also supports 16-bit raw output, intended for productions built around a more involved external recording and post-production workflow.
Audio and handheld configuration: The standard FX30 listing is the simpler body-only option. Its alternative configuration includes a detachable XLR Handle Unit with two inputs, which can streamline shoots using suitable audio equipment. The FX3A includes a detachable dual XLR/TRS adapter handle and is described for solo shooting, travel and B-camera work. Consider whether handle-based audio connections are important or whether your production already uses a separate sound setup.
Media and post-production planning: Each model has two card slots that accept CFexpress Type A or SDXC media. Actual media needs will depend on the selected resolution, frame rate and recording format, so plan capacity and performance around the modes you intend to use. S-Cinetone, S-Log3 and HLG are listed across the range, while the FX30 models also specify user LUT and timecode synchronisation support. These workflow features are particularly relevant when colour grading or coordinating the camera with a broader production setup.
Frequently asked questions
When does the Sony October promotion run?
The Sony October promotion is scheduled to run at Videoguys Australia from 12 October to 31 October 2026. It includes the selected Sony FX30 and FX3A cinema camera configurations shown on this page, with a promotional price listed for each. Compare the included camera and audio configuration before choosing an option.
What is the difference between the two Sony FX30 offers?
Both FX30 configurations list the same 26.1MP APS-C sensor, UHD 4K recording up to 120p, dual media slots and supported colour workflows. The $2,995 configuration adds a detachable XLR Handle Unit with two inputs, while the $2,348 option is the camera body without that included handle unit. The choice therefore centres on your audio setup.
Should I choose the FX30 or FX3A for low-light filming?
The FX30 features Dual Base ISO, a standard ISO range of 100–32,000 and more than 14 stops of stated dynamic range. The full-frame FX3A lists an expanded ISO range of 80–409,600 and more than 15 stops. If sensitivity is a priority, those stated differences favour considering the FX3A alongside your preferred sensor format, lenses and recording workflow.
Which sale camera supports the highest listed slow-motion frame rate?
All three camera configurations support UHD 4K recording at up to 120p. The FX3A also lists 1080p recording at up to 240p, giving it the highest stated frame rate in this promotion when Full HD resolution suits the project. Choose based on both the desired slow-motion effect and the resolution required for delivery.
Do I need CFexpress Type A cards for these cameras?
Each listed camera has dual slots supporting both CFexpress Type A and SDXC cards, so CFexpress Type A is not the only stated media option. Your choice should reflect the recording format, resolution and frame rate you intend to use. The supplied promotion information does not specify a required card capacity or performance rating for individual recording modes.