Canon R5C Cinema Camera Deluxe Kit

Canon R5C Cinema Camera Deluxe Kit

• For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full-featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.

  The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. And all this is packed into a tiny 770g body that is just asking to become your go-to drone camera.

  As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During the "photo" operation, menus are nearly the same as they are on the EOS R5 camera.

  The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.

  The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log-Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full-colour rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of live streams, broadcasts, and post-production projects.

  Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.

  The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.

  Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC, which conforms to broadcasting standards, as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a . MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.

  The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.

  The EOS R5 C camera provides a timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as a standard to prevent cable disconnection or damage to the terminal if a strong force is applied when connecting interface or HDMI cables.

  Canon's multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.

  The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customised operation.

  The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colours, "jaggies", and noise.

  The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.

  Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.

  The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple gradings, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.

  Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.

  The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon's EOS VR Utility is available to streamline the workflow from shooting to editing.

  Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.

  Still-imaging features and operation are nearly identical to Canon's EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.

  Delivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).

  The same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.

  Select "People" as the EOS R5 C's "subjects to detect," and like the EOS R5, it can focus on a detected person's eyes, face, head (if a face is obscured), or even entire body if ahead cannot be detected.

  For still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.

  Carried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C's AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.

  Select the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.

  The EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the centre of the frame.

  Great for night photography or in very low-light settings, the EOS R5 C camera's brilliant AF can operate for still images in light as dim as a light rating of EV-6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f/22 - meaning AF is still possible with the RF800mm F11 IS STM + RF2x extender.

• Power select Canon cameras with the LP-E6NH rechargeable lithium-ion battery. This battery has the same form factor as the LP-E6/LP-E6N battery and can be used as a higher capacity substitute for those batteries. The 2130mAh capacity should provide an improvement to the battery life of approximately 14%. Additionally, it supports in-camera charging via USB with select camera models.

  Camera Compatibility

  EOS R5, EOS R6

• Canon’s EF-EOS R mount adapter gives you the flexibility to shoot with any EF or EF-S lens on an EOS R mirrorless camera.

  No compromises

  All lens functions of EF and EF-S lenses are supported when shooting with the adapter so there is no loss of AF speed or Image Stabilization ability

  EF-S lens support

  Stepping up from a Canon EOS APS-C crop sensor camera? The EF-EOS R Mount adapter will allow you to use your EF-S lenses on an EOS R mirrorless camera.

  Canon EF and EF-S lens range

  Boasting over 70 lenses covering a focal length range from 8mm to 800mm, the Canon EF lens range covers your every photographic need.

• EF 24-105 f/4L IS II USM - Opening up new viewpoints with unrivalled image quality
  
  Improved optical performance delivers even higher image quality
  
  Optimally positioned GMo aspherical lenses deliver reduced distortion & improved balance of image quality & brightness.
  
  F4 stop Image Stabilizer
  
  Image Stabilizer permits the use of shutter speeds up to four stops slower than normal, enabling hand held shooting in challenging lighting conditions.
  
  Constant f/4 aperture
  
  The f/4 maximum aperture of this lens is fixed throughout the focal-length range, so shutter speeds will not change as the lens is zoomed.
  
  Beautiful background blur
  
  10 blade circular aperture delivers more appealing and rounded bokeh.
  
  Reduce flare and ghosting with ASC
  
  Air Sphere Coating (ASC) guards against ghosting and flare to deliver superb image quality.
  
  Quiet autofocus in movie mode
  
  Refinements to the Ultrasonic Motor (USM) delivers low-speed driving and noise reduction for improved movie compatibility.

• The CFexpress Card Reader from Angelbird allows for the fast ingestion of CFexpress Type B media on systems that support 10 Gb/s USB 3.2 Gen 2. Built with a USB Type-C interface, power is received through the USB bus, meaning that no external power sources are required. Additional features include protection against shock and temperature, as well as ESD and overloads, plus a write-protect switch. To help keep your workspace organized, Angelbird's Solid Stack design makes this reader both scalable and portable, while Solid Connect technology helps prevent accidental unplugging, as well as plug and jack wear.

• Capture high-quality, low-noise recordings from your favourite XLR microphone directly to your Canon camera with the Tascam CA-XLR2d-C XLR Microphone Adapter Kit for Canon Cameras. This version includes an accessory shoe that takes advantage of Canon's multi-accessory shoe to provide a cable-free digital audio connection to the camera—avoiding any deterioration in sound quality and eliminating the work of synchronizing images and sound in postproduction.

  The accessory shoe also allows the camera to supply the adapter with power for the analog-to-digital converter and the 48V phantom power needed for condenser microphones. Two AA batteries will also power the unit, and the 3.5mm output jack will connect to just about any camera's 3.5mm audio input, using the supplied cable; meaning the CA-XLR2d-C can work as an analog audio adapter with a wide variety of mirrorless/DSLR cameras. The audio output can also serve as a headphone jack for real-time monitoring in the field.

  Choose the appropriate microphone or input that matches your application. From a single shotgun mic for interviews or dialogue to dual dynamic or condenser mics for stereo imaging or the entire audio mix fed from the master mixer, using the line-level capability, the CA-XLR2d-C supports a wide variety of shooting applications.

  The CA-XLR2d-C is equipped with a high-definition discrete-architecture microphone preamplifier that can process anything from room tone to explosions, making it well suited to a wide range of sets and environments. Each input supports microphone/line-level switching and a +48V phantom power supply. The CA-XLR2d-C allows the input of dynamic microphones, condenser microphones, and line-level audio signals from a mixer.

  A cold shoe on the top panel expands setting flexibility. The shock mount mechanism is vibration and noise-resistant and allows you to connect various microphones. With two combos XLR-1/4" input connectors and one 3.5mm stereo mini microphone input jack, the CA-XLR2d-C has the flexibility to adapt to the gear necessary for the job and work in a wide variety of shooting scenarios. A 3.5mm output terminal with headphone mode provides latency-free direct monitoring or analog camera connection.

  Internal processing options such as Auto Level, a Low-Cut Filter, and a Limiter are on board, all using convenient switches. The 1+2 LINK function allows you to adjust the L/R volume simultaneously when recording in stereo. The unit supports 16/24-bit rates and 48/96 kHz sampling rates.

  Tascam has collaborated with Canon to create an in-camera recording solution for XLR mics using the multi-accessory shoe connection. This provides a cable-free digital audio transmission directly into the camera along with a bus power supply from the camera to create an efficient and highly mobile solution. 

  Digital product compatibility includes:

  • Canon cameras: EOS R3 and XF605

  For analog setups, use the included 2 x AA battery box, cold shoe mount, an adapter cable, which connects the CA-XLR2d's 3.5mm output to a camera's 3.5mm mic input jack. This allows the CA-XLR2d-C to work as an analog audio adapter and deliver high-quality sound from XLR mics to a wide range of existing camera users.

  Analog product compatibility includes:

  • Nikon mirrorless cameras:  Z 9, Z 7II, Z 6II, Z 7, Z 6, Z 5, Z fc, and Z 50
  • Nikon digital SLR cameras: D6, D780, D850, D7500, and D500
  • Numerous mirrorless/DSLR cameras with shoe mounts and 3.5mm external audio input jacks

• SmallRig “Black Mamba” Handheld Kit for Canon EOS R5 C 3891 is designed to protect the camera, provide a comfortable low-angle shooting experience and accessory mounts. It includes an ARRI top handle, a full cage, and a dedicated cable clamp. The ergonomically-designed top handle feels comfortable and facilitates low-angle shot and camera movement; the “Black Mamba”-style cage, which fits EOS R5 C elements, gives full access to camera buttons and consists of a front cage and a detachable extended baseplate, combined to provide various shooting solutions.

  The kit comes with 1/4"-20 threaded holes, 3/8"-16 threaded holes, cold shoes, NATO rail for Side Handle 3260, Magic Arm 2070, Monitor Mount 2903, Battery Adapter Plate 3168, Portable Power Bank Holder 2336, microphone, LED light, etc; and a bottom Arca-Swiss plate, which supports DJI RS 2/RSC 2 and Arca-Swiss tripod, enabling quick switch among handheld, stabilizer, and tripod shooting. Its thumb-screw HDMI & USB-C cable clamp can prevent accidental disconnection and ensure stable signal transmission. Also, the cage includes a dual-head Allen wrench for easy assembly and disassembly.

  Work With

  Canon EOS R5 C

  Canon EOS R5

  Canon EOS R6

   

  Note:

  1. Please remove the detachable extended baseplate before attaching DJI RS 2/RSC 2.

  2. The cage may block the rear remote control port of the camera.

• The Cineluxe Roller 21 is a great choice for the photographer that’s constantly commuting in between destinations. It meets international flight carry-on regulations, and can even fit under an aeroplane seat. It fits mirrorless or DSLR cameras with more than 5 lenses, compact cine cameras, professional camcorders & ENG rigs from Sony, Canon, RED, Blackmagic and more. It’s compact, lightweight & easy to carry, while the added interior height allows camera rigs to be stored with accessories still attached, like baseplates, matte boxes, monitors & microphones.

  The added two padded wraps & zippered pouch gives the 21 additional storage space for valuables or other small items, and there’s a protective lens pillow & a camera security strap for the precious equipment. 

  The Cineluxe bags boasts some “industry-first” features, such as Flex-Core dividers that are both flexible and stiff, with an included set of padded wraps to not only protect fragile items such as lenses when stores with rigs, but it maximises storage space too. A “doctor bag” style opening means filmmakers can quickly deploy their gear in a flash while storing cameras with attachments such as baseplates, matte boxes & other rig components.

  The 21 Roller weighs around 4kg & has a length of 53cm (with handle contracted)

• The NTG1 is a lightweight condenser shotgun microphone, designed for professional applications in film, video, television and broadcast. Its full frequency response, low noise and transparency make it ideal in a range of applications, including filmmaking, voice-over and streaming, while its low weight (105 grams) makes it an ideal boom microphone. It also features a switchable high-pass filter for added flexibility.

• Designed for photographers and videographers looking to capture 8K+ raw footage without dropping frames, the 512GB AV PRO CFexpress 2.0 Type B SE Memory Card from Angelbird provides maximum read speeds of 1785 MB/s and maximum write speeds of 850 MB/s, as well as minimum, sustained read speeds of 1785 MB/s and minimum sustained write speeds of 800 MB/s. Thanks to Stable Stream technology, write speeds won't throttle or drop while recording video or shooting continuous image bursts. Furthermore, the Y2 processor drives the power to support demanding recording settings and quick data transfers between shooting sessions.

  Built for extreme conditions, Angelbird's 512GB AV PRO CFexpress SE Memory Card is protected against moisture, X-rays, shock, dust, and temperatures ranging from -14 to 185°F. Also featured is advanced thermal management, adaptive power management, host power loss protection, hardware and software data recovery, free engraving, and more.

• Imaging

  Lens Mount

  Canon RF

  Lens Communication

  Yes, with Autofocus Support

  Sensor Resolution

  Actual: 47.1 Megapixel
  Effective: 45 Megapixel (8192 x 5464)

  Sensor Type

  36 x 24 mm (Full-Frame) CMOS

  Crop Factor

  1.6x

  Image Stabilisation

  Sensor-Shift (Video Only)

  Capture Type

  Stills & Video

   

  Exposure Control

  Shutter Type

  Electronic Shutter, Focal Plane Shutter

  Shutter Speed

  Mechanical Shutter
  1/8000 to 30 Seconds
  Electronic Front Curtain Shutter
  1/8000 to 30 Seconds
  Electronic Shutter
  1/8000 to 0.5 Seconds

  Bulb/Time Mode

  Bulb Mode

  ISO Sensitivity

  Photo: 100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
  Photo: 100 to 25,600 in Auto Mode (Extended: 200 to 51,200)

  Metering Method

  Centre-Weighted Average, Evaluative, Partial, Spot

  Exposure Modes

  Aperture Priority, Manual, Program, Shutter Priority

  Exposure Compensation

  -3 to +3 EV (1/3, 1/2 EV Steps)

  Metering Range

  -3 to 20 EV

  Continuous Shooting

  Mechanical Shutter
  Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)
  Electronic Shutter
  Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)

  Interval Recording

  Yes

  Self-Timer

  2/10-Second Delay

   

  Internal Video Capture

  Raw Recording

  Cinema RAW Light
  8192 x 5464 at 23.976/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s]
  5952 x 3140 at 23.976/24.00/29.97/30/50/59.94 fps [544 to 1360 Mb/s]
  2976 x 1570 at 23.976/24.00/25/29.97/30/50/59.94 fps [138 to 344 Mb/s]

  Recording Modes

  Raw 12-Bit
  DCI 8K (8192 x 4320) at 23.98p/24.00p/25p/29.97p [2600 Mb/s]
  AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit
  DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/59.94p/100p/119.88p [160 to 810 Mb/s]
  UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [160 to 810 Mb/s]
  Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 to 310 Mb/s]
  HD (1280 x 720) at 50p/59.94p [8 to 12 Mb/s]
  AVC-LongG/MP4 4:2:2 10-Bit
  DCI 8K (8192 x 4320) at 23.98p/24.00p/25p/29.97p [400 to 540 Mb/s]
  UHD 8K (7680 x 4320) at 23.98p/25p/29.97p [400 to 540 Mb/s]
  DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 225 Mb/s]
  UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/119.88p [100 to 225 Mb/s]
  DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [35 to 50 Mb/s]
  Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [35 to 50 Mb/s]
  HD (1280 x 720) at 50p/59.94p [8 to 12 Mb/s]
  AVC-LongG/MP4 4:2:0 8-Bit
  DCI 4K (4096 x 2160) at 23.98PsF/24.00p/25p/29.97p/50p/59.94p/119.88p [100 to 225 Mb/s]
  UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 225 Mb/s]
  DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [35 to 50 Mb/s]
  Full HD (1920 x 1080) at 23.98p/24.00p/29.97p/50p/59.94p [35 to 50 Mb/s]
  HD (1280 x 720) at 50p/59.94p [8 to 12 Mb/s]

  Sensor Crop Modes

  Super35 / APS-C
  5952 x 3184
  4096 x 2160
  3840 x 2160
  Super16
  2976 x 1570

  Gamma Curve

  Canon Log 3, HDR-HLG, HDR-PQ, Rec2020, Rec709

  Recording Limit

  Unlimted

  Video System

  NTSC/PAL

   

  External Video Capture

  External Recording Modes

  4:2:2 10-Bit via HDMI
  DCI 4K (4096 x 2160) up to 59.94p
  UHD 4K (3840 x 2160) up to 59.94p

   

  Still Image Capture

  Image Sizes

  3:2 Raw
  8192 x 5464
  5088 x 3392
  3:2
  8192 x 5464
  5808 x 3872
  4176 x 2784
  2400 x 1600
  4:3
  7280 x 5464
  5152 x 3872
  3715 x 2784
  2112 x 1600
  16:9
  8192 x 4608
  5808 x 3264
  4176 x 2344
  2400 x 1344
  1:1
  5456 x 5456
  3872 x 3872
  2784 x 2784
  1600 x 1600

  Aspect Ratio

  1:1, 3:2, 4:3, 16:9

  Image File Format

  JPEG, Raw, HEIF

  Bit Depth

  10-Bit

   

  Interface

  Media/Memory Card Slot

  Slot 1: CFexpress Type B
  Slot 2: SD/SDHC/SDXC (UHS-II)

  Video I/O

  1 x Micro-HDMI Output

  Audio I/O

  1 x 3.5 mm TRS Stereo Mic/Line Input
  1 x 3.5 mm TRS Stereo Headphone Output

  Power I/O

  1 x USB Type-C (9 VDC at3 A) Input

  Other I/O

  1 x USB Type-C USB 3.2 / 3.1 Gen 2 (Shared with Power Adapter)

  Wireless

  Bluetooth Control
  2.4 / 5 GHz Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g), Wi-Fi Video Output, Control

   

  Monitor

  Size

  3.2"

  Resolution

  2,100,000 Dot

  Display Type

  Free-Angle Tilting Touchscreen LCD

   

  Viewfinder

  Type

  Built-In Electronic (OLED)

  Size

  0.5"

  Resolution

  5,790,000 Dot

  EyePoint

  23 mm

  Coverage

  100%

  Magnification

  Approx. 0.76x

  Diopter Adjustment

  -4 to +2

   

  Focus

  Focus Type

  Auto and Manual Focus

  Focus Mode

  Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S)

  Autofocus Points

  Phase Detection: 1053

  Autofocus Sensitivity

  -6 to +20 EV

  Maximum Sync Speed

  1/250 Second

  Flash Compensation

  -3 to +3 EV (1/3, 1/2 EV Steps)

  Dedicated Flash System

  eTTL

  External Flash Connection

  Hot Shoe

   

  Environmental

  Operating Temperature

  32 to 104°F / 0 to 40°C

  Operating Humidity

  0 to 85%

  Battery Type

  Canon LP-E6N

  Accessory Mount

  1 x Intelligent Hot Shoe

  Dimensions (W x H x D)

  5.6 x 4 x 4.4" / 142.2 x 101.6 x 111.8 mm

  Weight

  1.5 lb / 680 g (Body Only)
  1.7 lb / 770 g (With Battery, Recording Media)

• Amp-Hours 2130 mAh

  Chemistry Lithium-Ion

  Output Voltage 7.2 VDC

  Dimensions (W x H x D) 1.51 x 0.83 x 2.24" / 38.4 x 21 x 56.8 mm

• Camera Mount: Canon RF
  Lens Mount: Canon EF, Canon EF/EF-S
  Dimensions:  71.2 x H: 24.0 mm
  Weight: 110 g

• Focal Length: 24 - 105mm   

  Max Aperture: f/4.0   

  Minimum Focusing Distance: 0.45m   

  Maximum Magnification: 0.24 (at 105mm)   

  Lens Construction: 17 elements in 12 groups   

  Filter Size Diameter: 77mm

  Number of Aperture Blades: 10   

  Weight: Approx. 795g

• Performance

  Memory Card Slots

  1 x CFexpress Type B

  Host Connector

  1 x USB Type-C (Male)

  Host Computer Interface

  USB 3.1 Gen 2 (10 Gb/s)

  Bus Power

  USB

   

  General

  Dimensions (W x H x D)

  3.74 x 2.56 x 0.47" / 95 x 65 x 12 mm

  Weight

  4.23 oz / 120 g

• Number of Channels

  2

  Analog to Digital Converter

  Bit Rate: 16/24
  Sampling Frequency: 48/96 kHz
  (with Compatible Cameras via Adapter)

  Balanced Inputs

  Microphone Inputs
  Input Switch to MIC
  Input Impedance: ≥ 2 Kilohms
  Maximum Input Level: +6 dBu (Att Setting at 46 dB)
  Minimum Input Level: -60 dBu (Att Setting at 0 dB)
  Gain Range: 66 dB
  Line Inputs
  Input Switch to LINE
  Input Impedance: ≥ 10 Kilohms
  Maximum Input Level: +24 dBu (Att Setting at 46 dB)
  Minimum Input Level: +4 dBu (Att Setting at 0 dB)
  Gain Range: 66 dB

  Unbalanced Input

  Connector: 3.5 mm Stereo Input Jack
  Input Impedance: ≥ 2 Kilohms
  Maximum Input Level: +6 dBu (Att Setting at 46 dB)
  Minimum Input Level: -60 dBu (Att Setting at 0 dB)
  Gain Range: 66 dB
  Plug-In Power: 2.7 V

  Unbalanced Output

  Connector: 3.5 mm Stereo Input Jack
  Output Level: 0.29 Vrms (Fixed, Output Setting on Camera), 0.5 Vrms (Output Volume Setting at Max, Output Setting on Headphones)
  Headphone Working Impedance: 16 to 250 Ohms

  Power Consumption

  2 W Maximum

  Dimensions

  3.47 x 4.69 x 4.33" / 88.2 x 119.1 x 110 mm (Not Including Protrusions)

  Weight

  12.6 oz / 357 g (with Battery Holder Attached, Not Including Batteries)

• Weight 8.4-9.5

  Exterior Dimensions 14W X 21H X 11D in. (36 X 53 X 28 cm)

  Interior Dimensions 11W X 18H X 8.75D in. (28 X 46 X 22 cm)

• Acoustic & Electrical Specifications

  Acoustic Principle

  Line Gradient

  ---

  Active Electronics

  JFET impedance convertor with bipolar output buffer

  ---

  Capsule

  0.50"

  ---

  Polar Pattern

  Supercardioid

  ---

  Address Type

  End

  ---

  Frequency Range

  20Hz - 20kHz

  ---

  Output Impedance

  50Ω

  ---

  Maximum SPL

  139dB SPL

  ---

  Maximum Output Level

  6.9mV (@ 1kHz, 1% THD into 1KΩ load)

  ---

  Sensitivity

  -36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz

  ---

  Equivalent Noise Level (A-Weighted)

  18dBA

  ---

  Power Requirements

  P24 and P48

  ---

  Output Connection

  XLR

  ---

  Mechanical Specifications

  Weight (g)

  105

  ---

  Dimensions (mm)

  219 (H) x 22 (W) x 22 (D)

  ---

  Warranty

  1 year with free extension to 10 years following registration

• Quantity 1

  Card Type CFexpress Type B

  Storage Capacity 512 GB

  Bus Type PCI-Express 3.0

  Read Speed Maximum: 1785 MB/s Minimum: 1785 MB/s

  Write Speed Maximum: 850 MB/s Minimum: 800 MB/s

  Durability Dustproof, Shockproof, Temperature Extremes, Waterproof, X-Ray Proof

  Operating Temperature 14 to 158°F / -10 to 70°C

  Storage Temperature -4 to 185°F / -20 to 85°C

  Error Correction Yes

  Wireless Capability None

  Certifications CE, FCC, Kcc, RCM, REACH, RoHS *as per Manufacturer