Main Features
- Covers Full Frame Sensors | T1.4 to T22
- Painterly Look with Rich Natural Colours
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
- Interchangeable PL Mount
- 16-Blade Iris, Smooth Circular Bokeh
- Soft, Low-Contrast Look at Wide Aperture
- Immersive Look with Minimal Breathing
- Dual Focus Marks in Feet and Meters
- Robust Aluminium Alloy Build
Main Features
- Covers Full Frame Sensors | T1.4 to T22
- Painterly Look with Rich Natural Colours
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
- Interchangeable PL Mount
- 16-Blade Iris, Smooth Circular Bokeh
- Soft, Low-Contrast Look at Wide Aperture
- Immersive Look with Minimal Breathing
- Dual Focus Marks in Feet and Meters
- Robust Aluminium Alloy Build
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DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL, Metres)
The DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens is a full-frame, ARRI PL-mount lens designed for cinematographers seeking consistently sharp, cinematic imagery with a painterly aesthetic. Featuring an aperture range of T1.4 to T22, this lens excels in low-light conditions and provides a beautifully shallow depth of field. Its 16-blade iris and carefully grouped optical elements deliver smooth, natural bokeh, ensuring high-quality visuals with rich tonal rendition.
Part of the Arles series, this lens offers a 46.5mm image circle, making it compatible with large-format sensors, including full-frame and VistaVision cameras. The design enhances light transmission, resulting in images with greater depth, dimension, and a more immersive visual experience. At maximum aperture, the lens produces a soft, low-contrast look with slightly swirling peripheral bokeh, ideal for creating a cinematic, painterly effect. A multilayer nano coating minimises flare and ghosting while maintaining exceptional colour accuracy.
Engineered for precision, the Arles 18mm minimises breathing during focus shifts and incorporates aspherical elements for improved low-light performance. Low-dispersion optical materials minimise chromatic aberration, resulting in clean, crisp images across the entire frame. Its ARRI PL mount can be adapted with a separately available Canon EF mount, allowing seamless use with a broad range of cine-style, mirrorless, and DSLR cameras. The lens is also compatible with KOOP magnetic rear filters and various optical adapters.
The Arles series is designed for consistency and ease of use on professional sets. With a 95mm outer diameter, it accommodates a variety of matte boxes and filters. Cine-style 0.8 MOD focus and aperture gears, along with a 270° focus rotation and 77° iris rotation, make manual adjustments intuitive and precise. Thanks to similar gearing and outer diameters across the Arles lens range, swapping between focal lengths is effortless, allowing filmmakers to maintain a cohesive look throughout their production.
DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL, Metres)
The DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens is a full-frame, ARRI PL-mount lens designed for cinematographers seeking consistently sharp, cinematic imagery with a painterly aesthetic. Featuring an aperture range of T1.4 to T22, this lens excels in low-light conditions and provides a beautifully shallow depth of field. Its 16-blade iris and carefully grouped optical elements deliver smooth, natural bokeh, ensuring high-quality visuals with rich tonal rendition.
Part of the Arles series, this lens offers a 46.5mm image circle, making it compatible with large-format sensors, including full-frame and VistaVision cameras. The design enhances light transmission, resulting in images with greater depth, dimension, and a more immersive visual experience. At maximum aperture, the lens produces a soft, low-contrast look with slightly swirling peripheral bokeh, ideal for creating a cinematic, painterly effect. A multilayer nano coating minimises flare and ghosting while maintaining exceptional colour accuracy.
Engineered for precision, the Arles 18mm minimises breathing during focus shifts and incorporates aspherical elements for improved low-light performance. Low-dispersion optical materials minimise chromatic aberration, resulting in clean, crisp images across the entire frame. Its ARRI PL mount can be adapted with a separately available Canon EF mount, allowing seamless use with a broad range of cine-style, mirrorless, and DSLR cameras. The lens is also compatible with KOOP magnetic rear filters and various optical adapters.
The Arles series is designed for consistency and ease of use on professional sets. With a 95mm outer diameter, it accommodates a variety of matte boxes and filters. Cine-style 0.8 MOD focus and aperture gears, along with a 270° focus rotation and 77° iris rotation, make manual adjustments intuitive and precise. Thanks to similar gearing and outer diameters across the Arles lens range, swapping between focal lengths is effortless, allowing filmmakers to maintain a cohesive look throughout their production.