Deity Summer Sale 2026

Buying guide

Choose sale audio equipment around your recording workflow

Start with the job, then choose the equipment. The selected Deity Microphones products include recording devices, microphones and wireless systems, plus accessories for microphone support, power management and antenna distribution. For interviews, decide whether you need audio recorded on the subject or sent wirelessly to a camera. For boom recording, consider the microphone, physical support and recording equipment as separate parts of the setup.

Distinguish complete wireless systems from components. The Theos Digital 2-Person system includes two omnidirectional lavalier microphones, two recording bodypack transmitters and a dual-channel camera-mount receiver, making it a starting point for recording two on-camera speakers. The separately listed D2RX is a receiver, while the DBTX is a bodypack transmitter supplied with a lavalier. The D2RX supports DBTX and DXTX transmitters; choose individual components around those established relationships rather than assuming all wireless equipment works together.

Choose pocket recording when a wireless feed is not the priority. The PR-2 records locally in a pocket-sized housing and includes a lavalier microphone, suiting interviews, weddings and vlogs. It offers 24-bit stereo and 32-bit float recording, a locking 3.5mm microphone/line input and headphone monitoring. Its local recording approach avoids relying on a wireless microphone link, but differs from sending a live feed to the camera. Decide where you need the audio captured before choosing between these approaches.

Match boom equipment to handling and transport needs. The S-Mic 3 and shorter-bodied S-Mic 3S both feature weather-resistant construction and require phantom power. Choose the physical format that suits your working space, and ensure your recording equipment supplies the required power. The carbon-fibre boom pole extends to 2.6m, collapses to 0.7m and includes a rigid travel case. The ASM2 Pro offers adjustable suspension and an XLR cable holder to help manage handling noise; compare microphone dimensions and mounting requirements before selecting support accessories.

Separate power distribution from antenna distribution. The SPD-1 manages power in a sound bag or small cart, while the SRD Mini distributes antenna signals through its A/B inputs and outputs. They address different expansion tasks. Match the SPD-1 to device voltage and connector requirements; USB-C operation requires a supply supporting 12V with sufficient wattage. For the SRD Mini, compare your wireless setup with its 470 MHz to 1 GHz operating range and supported antenna connections.

Add a slate for timecode-based production. The TC-SL1 combines a timecode generator with an illuminated display, backlit dry-erase surface and traditional clapper. Timecode provides a shared timing reference for production recordings. Its wired ports and wireless control offer different ways to operate, so select a connection method that matches your camera and recorder interfaces.