Overview
Product Highlights
Main Features
- Covers Full Frame | T2.6 Max Aperture
- 25-75mm and 65-180mm Zoom Lenses
- Painterly Look with Rich Natural Colours
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
- Interchangeable PL Mount
- 16-Blade Iris, Smooth Circular Bokeh
- Soft, Low-Contrast Look at Wide Aperture
- Immersive Look with Minimal Breathing
- Dual Focus Marks in Metres
What's in the box
- DZOFilm Arles Zoom 25-75mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
- ARRI PL Mount
- Canon EF Mount
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- Limited 1-Year Manufacturer Warranty
- DZOFilm Arles Zoom 65-180mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
- ARRI PL Mount
- Canon EF Mount
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- Limited 1-Year Manufacturer Warranty
Overview
Product Highlights
Main Features
- Covers Full Frame | T2.6 Max Aperture
- 25-75mm and 65-180mm Zoom Lenses
- Painterly Look with Rich Natural Colours
- 0.8 MOD Gearing | 270° Focus Rotation
- 95mm Front Outside Diameter
- Interchangeable PL Mount
- 16-Blade Iris, Smooth Circular Bokeh
- Soft, Low-Contrast Look at Wide Aperture
- Immersive Look with Minimal Breathing
- Dual Focus Marks in Metres
What's in the box
- DZOFilm Arles Zoom 25-75mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
- ARRI PL Mount
- Canon EF Mount
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- Limited 1-Year Manufacturer Warranty
- DZOFilm Arles Zoom 65-180mm T2.6 FF Cine Lens (ARRI PL/Canon EF)
- ARRI PL Mount
- Canon EF Mount
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- Limited 1-Year Manufacturer Warranty
-
DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle (ARRI PL/Canon EF - Metric) Overview
The DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle combines the 25-75mm T2.6 and 65-180mm T2.6 full-frame cine zoom lenses into a versatile two-lens solution covering an extensive 25-180mm focal length range. With overlapping coverage between 65 and 75mm, the pair delivers everything from wide-angle and standard perspectives to powerful telephoto shots, making it well suited to narrative filmmaking, commercials, documentaries, events, and other professional video productions.
Both lenses feature a constant T2.6 maximum aperture throughout their respective zoom ranges, allowing consistent exposure and depth of field as you change focal lengths. Their parfocal designs maintain focus while zooming, while the 16-blade iris produces smooth, natural bokeh and the distinctive cinematic rendering associated with the Arles series. Both lenses cover full-frame sensors with a generous 43.5mm image circle and feature a warm, natural colour character designed for consistency across the range.
The 25-75mm provides a 3x zoom range with a minimum focus distance of 20.1" (51 cm), making it particularly versatile for wider establishing shots, medium framing and general-purpose cinema work. The 65-180mm extends the system into telephoto territory with a 2.8x zoom range and a 35" (89 cm) minimum focus distance, providing greater reach for close-ups, compressed perspectives and subjects that are further from the camera.
Designed as a matched system, both lenses share a 95mm front diameter, M86 filter thread and 0.8 MOD cine gearing, along with 270° focus rotation and 100° zoom rotation. This consistent mechanical design makes it easy to swap between the two lenses while retaining the same matte box, follow focus and lens motor setup.
The lenses feature interchangeable ARRI PL and Canon EF mounts, providing compatibility with a wide range of professional cinema cameras and camera systems. With separately available adapters, they can also be adapted to mirrorless mounts including Sony E, Canon RF, Nikon Z, FUJIFILM X and L-Mount. The consistent design and matching optical character make the two lenses a practical alternative to carrying a larger collection of prime lenses while maintaining the flexibility of a professional cine zoom system.
DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle (ARRI PL/Canon EF - Metric) Overview
The DZOFilm Arles Zoom T2.6 FF Cine 2-Lens Bundle combines the 25-75mm T2.6 and 65-180mm T2.6 full-frame cine zoom lenses into a versatile two-lens solution covering an extensive 25-180mm focal length range. With overlapping coverage between 65 and 75mm, the pair delivers everything from wide-angle and standard perspectives to powerful telephoto shots, making it well suited to narrative filmmaking, commercials, documentaries, events, and other professional video productions.
Both lenses feature a constant T2.6 maximum aperture throughout their respective zoom ranges, allowing consistent exposure and depth of field as you change focal lengths. Their parfocal designs maintain focus while zooming, while the 16-blade iris produces smooth, natural bokeh and the distinctive cinematic rendering associated with the Arles series. Both lenses cover full-frame sensors with a generous 43.5mm image circle and feature a warm, natural colour character designed for consistency across the range.
The 25-75mm provides a 3x zoom range with a minimum focus distance of 20.1" (51 cm), making it particularly versatile for wider establishing shots, medium framing and general-purpose cinema work. The 65-180mm extends the system into telephoto territory with a 2.8x zoom range and a 35" (89 cm) minimum focus distance, providing greater reach for close-ups, compressed perspectives and subjects that are further from the camera.
Designed as a matched system, both lenses share a 95mm front diameter, M86 filter thread and 0.8 MOD cine gearing, along with 270° focus rotation and 100° zoom rotation. This consistent mechanical design makes it easy to swap between the two lenses while retaining the same matte box, follow focus and lens motor setup.
The lenses feature interchangeable ARRI PL and Canon EF mounts, providing compatibility with a wide range of professional cinema cameras and camera systems. With separately available adapters, they can also be adapted to mirrorless mounts including Sony E, Canon RF, Nikon Z, FUJIFILM X and L-Mount. The consistent design and matching optical character make the two lenses a practical alternative to carrying a larger collection of prime lenses while maintaining the flexibility of a professional cine zoom system.